Spelling suggestions: "subject:"amadeus"" "subject:"madeus""
101 |
Public chamber-music concerts in London, 1835-50 aspects of history, repertory and reception /Bashford, Christina Margaret. January 1900 (has links)
Thesis (doctoral)--University of London King's College, 1996. / BLDSC reference no.: DX197075.
|
102 |
Die Dualität der Zeitgestaltung in E.T.A. Hoffmanns Erzählzyklus Die Serapions-BrüderLaushway, Ester Miccaela. January 1976 (has links)
No description available.
|
103 |
Aspekte des Dualismus im Roman Die Elixiere des Teufels bei E.T.A. HoffmannNassiri, Massoud January 2002 (has links)
Hoffmann's Work is not just a reflection of a life. It is a work of art, an artwork. A common understanding of what art is and should be forms the background to the diverse works' heterogeneous forms of expression. Although the focus of this paper is on one of Hoffmann's Works, it reveals Hoffmann's ideas and ideals as a human being and romantic author, as well as his philosophical outlook on life ("Weltanschauung"). In Hoffmann's "The Devil's Elixirs," practically impossible events often serve a psychological function, by projecting the hero's internal processes externally and portraying mental or emotional events in realistic images. / In his novel, the poet did not just seek to portray a psychological conflict, but rather to use the various means provided by his knowledge and imagination to write a captivating, interesting story, which also reflects his ideas and ideals. Hoffmann was not a psychologist, but rather a poet. He didn't write a medical case history, he wrote a novel. His experience and observations of the internal and external world of human beings served as a stimulus for literary creation, without being the sole theme of the artistic work.
|
104 |
Wunder und Wirklichkeit in den Erzählungen E.T.A. Hoffmanns.Brandes, Gert Peter January 1968 (has links)
No description available.
|
105 |
A study of orchestrational style through the analysis of representative works of Mozart and Beethoven.Eversole, James AtLee. January 1966 (has links)
Thesis (Ed.D.)--Teachers College, Columbia University. / Typescript; issued also on microfilm. Includes tables. Sponsor: Ernest E. Harris, . Dissertation Committee: Robert Pace. Includes bibliographical references.
|
106 |
Strukturkadenzen bei Beethoven ein Beitrag zur Geschichte der harmonischen Sprachformen von Haydn, Mozart, Beethoven ...Naumann, Hans, January 1931 (has links)
Inaug.-diss.--Leipzig. / Vita. "Literatur": p. [71].
|
107 |
Strukturkadenzen bei Beethoven ein Beitrag zur Geschichte der harmonischen Sprachformen von Haydn, Mozart, Beethoven ...Naumann, Hans, January 1931 (has links)
Inaug.-diss.--Leipzig. / Vita. "Literatur": p. [71].
|
108 |
Die Liebe, der Tod und das Ich im Spiegel der Kunst : die Funktion des Weiblichen in Schriften der Frühromantik und im erzählerischen Werk E.T.A. Hoffmanns /Asche, Susanne, January 1900 (has links)
Diss.--Universtät Marburg, 1984. / Bibliogr. p. 223-239. -
|
109 |
Col basso and Generalbass in Mozart's keyboard concertos notation, performance theory, and practice /Ferguson, Linda Faye. January 1983 (has links)
Thesis (Ph. D.)--Princeton University, 1983. / Typescript. Includes bibliographical references (v. 1, leaves 395-419) and index.
|
110 |
Atterboms sagospel Lycksalighetens ö; en poesiens historia och en tragedi över fantasien, i belysning av romantikens litteraturhistoria, filosofi, estetik och mytologi.Frykenstedt, Holger. January 1900 (has links)
Akademisk avhandling--Stockholms högskola. / Extra t.p. with thesis statement, inserted. Bibliography: p. 385-392.
|
Page generated in 0.1083 seconds