Global ETD Search

1	Barriers Encountered by African American Women Executives in Fortune 500 Companies Greene, Sonia Marlene 01 January 2019 (has links) African American women's (AAW) presence has increased in the corporate workforce, but this increase has not transferred to a comparable rise in leadership positions. The purpose of this transcendental phenomenological study was to explore the lived experiences AAW faced relating to race and gender differences that influenced their leadership development and limitations on advancement in Fortune 500 corporations. The research problem addressed in this study was the underrepresentation of AAW in senior leadership positions within Fortune 500 corporations and what can increase their representation and retention in senior level positions. The 10 participants included African American women holding senior level positions in corporate America. The concepts of race, gender, and stereotyping derived from intersectionality theory, critical race theory, black feminist theory, and racial microaggression were the foundation for the conceptual framework. The data collected through semistructured interviews were analyzed using the modified van Kaam method. Four themes emerged including race, gender, stereotyping in the workplace, and the lack of AAW led mentorship programs. The findings of this study may contribute to social change by assisting organizational leaders in policy changes to support the concerns of AAW in leadership roles around the lack of diversity and mentoring programs to increase retention and new recruitment. African American Woman Equality Ethnic Equality at work Glass Ceiling Oppression Underrepresentation
2	Esther Reed's Political Sentiments and Rhetoric During the Revolutionary War Harkins, Kennedy 01 January 2018 (has links) In 1780, during the final leg of the American Revolutionary War, Esther Reed penned the broadside “Sentiments of an American Woman.” It circulated in Philadelphia, persuading citizens to turn over their last dollars to the cause. Reed’s broadside called to action the women of Philadelphia; they knocked on doors, campaigned with words, and stepped firmly into the “man’s world” of politics and revolution. Reed’s words were so effective that women in cities across the colonies took to raising money as well. Using New Historicist and feminist reading strategies, this study compares and contrasts Reed’s rhetoric to Thomas Paine’s Common Sense, another revolutionary propaganda piece of the era. I argue that the two pieces differ in key aspects due to Paine’s existence in the public sphere and Reed’s in the private. From her position in the private sphere, Reed was able to produce a provocative piece of rhetoric that stands out against other female literature at the time. rhetoric feminism early american literature common sense sentiments of an american woman Literature in English, North America
3	Electric, eclectic, Canadian: issues of genre and identity in the music of the Guess Who Dalby, Susan E. 14 September 2009 (has links) Conducting musical analyses over three case studies, Electric, Eclectic, Canadian: Issues of Genre and Identity in the Music of the Guess Who considers issues of genre, culture, and identity in the music of Canadian rock band the Guess Who. The first case study discusses soft rock transformations in the songs “These Eyes” (1968), “Laughing” (1969), and “Undun” (1969). The second case study examines changes in audience identification with the song “American Woman” (1970), performing comparative analyses of the Guess Who original release to Lenny Kravitz’s version (1999). The final case study discusses ideas of authenticity in the folk rock-inspired protest songs “Hand Me Down World” (1970), “Share the Land” (1970), and “Guns, Guns, Guns” (1972), comparing them to the iconic songs “For What It’s Worth” (Buffalo Springfield, 1967), “Big Yellow Taxi” (1970), “Ohio” (Neil Young, 1970 and “Southern Man” (Young, 1970). The conclusions summarise various musical and socio-political aspects of the Guess Who’s output and places it in relation to questions of national identity. Guess Who Genre Identity Music Popular Music Rock Music Canadian Musical analysis American Woman Lenny Kravitz These Eyes Laughing Undun Share the Land Hand Me Down World Guns, Guns, Guns Soft Rock Music Folk Rock Music Canadian Identity

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