Made available in DSpace on 2019-03-29T23:40:04Z (GMT). No. of bitstreams: 0 Previous issue date: 2013-12-19 / The present work deals with the loving bond today, considering that it varies according to the place and time in which it lives. The idealism of romantic love modern, in which the love object was overvalued and timeless relations were desired, is no longer supported with such intensity in contemporary times, predominantly marked by consumerism of capitalist discourse. In this context, wonders: how the offsets contained in speeches about love relate to contemporary capitalist discourse? From songs of Chico Buarque de Hollanda, composer, who both sang love and its pains, relates psychoanalytic theory and artistic object, pointing out that existing changes in the regulation of the relationships can also be seen on the letters buarqueanas , over the years. From a brief research about the speeches about love, from modernity, and from a small theoretical route in the works of Freud and Lacan, discusses the regulation of affectionate tie today. It is perceived that the prevailing social order, from the capitalist discourse, considers the other, often, just one more object of consumer satisfaction. The loving realization, however, continues to be cause of idealization and sufferings. See, then, a division between immediate joys (ephemeral and passengers) and a desire for perfect fusion. From the use of a part of the musical work of Chico Buarque, regarded as a speech about love, notices, over the years, a rereading of the loving sentiment, which was the date of the speech of psychoanalysts and historians here contemplated. Has, in both speeches, a lower creation and dependency of objects of love in front of a new relationship with time; in other words, a new answer to castration, finitude and death Keywords: love; contemporaneity; Psychoanalysis; Chico Buarque; songs. / O presente trabalho aborda o laço amoroso na atualidade, considerando que o mesmo varia de acordo com o lugar e a época em que se vive. O idealismo do amor romântico moderno, em que o objeto de amor era supervalorizado e as relações atemporais eram almejadas, já não é sustentado com tanta intensidade na contemporaneidade, predominantemente marcada pelo consumismo do discurso capitalista. Nesse contexto, questiona-se: como os deslocamentos existentes nos discursos sobre o amor se relacionam com o discurso capitalista contemporâneo? A partir de canções de Chico Buarque de Hollanda, compositor, que tanto cantou o amor e suas dores, relaciona-se teoria psicanalítica e objeto artístico, apontando que mudanças existentes na regulação das relações amorosas também podem ser vistas nas letras buarqueanas, ao longo dos anos. A partir de uma breve investigação acerca dos discursos sobre o amor, desde a Modernidade, assim como de um pequeno percurso teórico nas obras de Freud e Lacan, discute-se a regulação do laço amoroso na atualidade. Percebe-se que a ordem social vigente, a partir do discurso capitalista, considera o outro, muitas vezes, como mais um objeto da satisfação consumista. A realização amorosa, entretanto, continua sendo causa de idealizações e sofrimentos. Vê-se, então, uma divisão entre gozos imediatos (efêmeros e passageiros) e um desejo de fusão ideal. A partir da utilização de uma parte da obra musical de Chico Buarque, considerada como um discurso sobre o amor, percebe-se, ao longo dos anos, uma releitura do sentimento amoroso, que foi ao encontro do discurso dos psicanalistas e historiadores aqui contemplados. Temse, em ambos os discursos, uma menor idealização e dependência dos objetos de amor frente a uma nova relação com o tempo; em outras palavras, uma nova resposta à castração, à finitude, e à morte. Palavras-chave: amor; contemporaneidade; Psicanálise; Chico Buarque; canções.

Examina en qué medida el amor predice el bienestar psicológico y evaluar las características psicométricas de la Escala de la Actividad del Amor Concreto y la Escala de Bienestar Psicológico, en una muestra intencional de 72 padres de familia y trabajadores de una universidad particular de Trujillo. / Tesis

La presente investigación se adhiere a un marco teórico que considera que el amor romántico y los mitos asociados a éste, contribuyen significativamente a la propagación de la violencia contra la mujer dentro de las relaciones de pareja, específicamente la violencia psicológica; siendo la población adolescente una de las más vulnerables a estos mitos. Por ello, se plantea que partiendo de la tipología expuesta por Carlos Yela, se identificaran aquellos mitos del amor romántico que son apropiados o subvertidos en los discursos de mujeres adolescentes de clase media de la ciudad de Lima. La investigación se ubica dentro de un marco epistemológico socioconstruccionista, con una metodología de análisis crítico del discurso, utilizando la técnica de identificación de repertorios interpretativos, la cual resulta ser la más idónea para alcanzar los objetivos trazados. Dentro de los resultados, se encontraron dos repertorios; el primero abarca aquellos mitos con un alto nivel de aceptación entre los participantes, denominado “No estoy segura que el amor sea así, pero quizás sí”. El segundo repertorio abarca aquellos mitos con un alto nivel de cuestionamiento por parte de las participantes. Este fue denominado como: “Yo tengo mi propia concepción del amor”. La discusión general problematiza desde una perspectiva reflexiva, la manera en que el discurso puede ser legitimidor de prácticas sociales. / The present research adheres to a theoretical framework that considers that romantic love and the myths associated with it, contribute significantly to the spread of violence against women within relationships, specifically psychological violence; being the adolescent population one of the most vulnerable to these myths. Therefore, starting from the typology presented by Carlos Yela, it is proposed to identify those myths of romantic love that are accepted or subverted in the discourses of middle class adolescent women in the city of Lima. The research is located within a socioconstructionist epistemological framework, with a methodology of critical discourse analysis, using the technique of identification of interpretive repertoires, which turns out to be the most suitable to achieve the objectives set. Within the results, two repertoires were found; the first covers those myths with a high level of acceptance among the participants, called "I'm not sure that love is like that, but maybe it is". The second repertoire covers those myths with a high level of questioning. This was termed as: "I have my own conception of love." The general discussion problematizes from a reflective perspective, the way in which discourse can legitimize social practices. / Tesis

La presente investigación se propone conocer la relación existente entre las actitudes hacia el amor y la satisfacción de pareja en un grupo de estudiantes universitarios entre 18 y 25 años. Asimismo, conocer las diferencias entre las variables de estudio a partir del sexo y, finalmente, conocer la relación entre la edad y el tiempo de pareja actual con las actitudes hacia el amor y la satisfacción de pareja. Los resultados señalan que la actitud predominante en la muestra es Eros, caracterizada por ser un amor pasional y basado en la atracción física. Se encontró también una correlación significativa entre Eros y la satisfacción de pareja, lo cual resulta acorde a estudios previos y las tendencias amorosas en la cultura occidental. Por otro lado, la comparación a partir de la variable sexo señala que los hombres presentan significativamente más una actitud Ágape a comparación de las mujeres, lo cual puede estar asociado a los roles de género, así como evaluaciones diferenciadas al momento de renunciar a algo por la pareja. Finalmente, no se encontraron asociaciones significativas entre edad y tiempo de pareja con satisfacción de pareja; no obstante, se encontró una correlación significativa entre edad y las actitudes Manía y Ágape, lo cual dista de los resultados obtenidos en otros estudios. / This research aims to know the relation between attitudes towards love and couple satisfaction in a group of university students between 18 and 25 years old. In addition, the research studies the differences between the study variables based on sex and the relation between age and current time of relationship with attitudes towards love and partner satisfaction. The results indicate that the predominant attitude in the sample is Eros, characterized by being a passionate love and based on physical attraction. A significant correlation was also found between Eros and couple satisfaction, which is consistent with previous studies and love trends in Western culture. Additionally, the comparison based on the sex variable indicates that men have a significantly more Agape attitude compared to women, which may be associated with gender roles, as well as differentiated evaluations when renouncing to something for the couple. Finally, no significant associations were found between age and current time of relationship with partner satisfaction. However, a significant correlation was found between age and Mania and Agape attitudes, which is far from the results obtained in other studies.

La presente investigación se adhiere a un marco teórico que considera que el amor romántico y los mitos asociados a éste, contribuyen significativamente a la propagación de la violencia contra la mujer dentro de las relaciones de pareja, específicamente la violencia psicológica; siendo la población adolescente una de las más vulnerables a estos mitos. Por ello, se plantea que partiendo de la tipología expuesta por Carlos Yela, se identificaran aquellos mitos del amor romántico que son apropiados o subvertidos en los discursos de mujeres adolescentes de clase media de la ciudad de Lima. La investigación se ubica dentro de un marco epistemológico socioconstruccionista, con una metodología de análisis crítico del discurso, utilizando la técnica de identificación de repertorios interpretativos, la cual resulta ser la más idónea para alcanzar los objetivos trazados. Dentro de los resultados, se encontraron dos repertorios; el primero abarca aquellos mitos con un alto nivel de aceptación entre los participantes, denominado “No estoy segura que el amor sea así, pero quizás sí”. El segundo repertorio abarca aquellos mitos con un alto nivel de cuestionamiento por parte de las participantes. Este fue denominado como: “Yo tengo mi propia concepción del amor”. La discusión general problematiza desde una perspectiva reflexiva, la manera en que el discurso puede ser legitimidor de prácticas sociales. / The present research adheres to a theoretical framework that considers that romantic love and the myths associated with it, contribute significantly to the spread of violence against women within relationships, specifically psychological violence; being the adolescent population one of the most vulnerable to these myths. Therefore, starting from the typology presented by Carlos Yela, it is proposed to identify those myths of romantic love that are accepted or subverted in the discourses of middle class adolescent women in the city of Lima. The research is located within a socioconstructionist epistemological framework, with a methodology of critical discourse analysis, using the technique of identification of interpretive repertoires, which turns out to be the most suitable to achieve the objectives set. Within the results, two repertoires were found; the first covers those myths with a high level of acceptance among the participants, called "I'm not sure that love is like that, but maybe it is". The second repertoire covers those myths with a high level of questioning. This was termed as: "I have my own conception of love." The general discussion problematizes from a reflective perspective, the way in which discourse can legitimize social practices.

La presente investigación se fundamenta en el modelo piramidal multicausal de la violencia de género de Bosch et al. (2013), teniendo como objetivo explorar las representaciones sociales de la masculinidad, feminidad y amor romántico en mujeres cisgénero heterosexuales de 18 a 34 años de Lima Metropolitana. Con la finalidad de poder comprender las experiencias y particularidades de las participantes, se establecieron dos grupos acorde a la etapa de desarrollo: 18 a 25 años y 26 a 34 años. El estudio utilizó una metodología cualitativa con diseño de análisis temático, el cual permitió identificar categorías y familias que fundamentan las representaciones sociales de la masculinidad, feminidad y amor romántico en 12 mujeres de 18 a 25 años (N= 6) y de 26 a 34 años (N= 6). Las vivencias de las participantes expresan tener aún vigente la representación social de la masculinidad hegemónica y feminidad tradicional, incorporando, a su vez, nuevas características de la modernidad. Se identificó la prevalencia de los cinco principales mitos del amor romántico como parte estructural de la representación social del amor romántico, el cual fue acompañado de cuestionamientos debido a experiencias de sufrimiento en sus relaciones y agentes socializadores. Ambos grupos de participantes presentan diferentes matices y cuestionamientos según la edad, religión y tiempo en la relación de pareja, sin desvincularse por completo del núcleo hegemónico de las representaciones sociales. Por último, se reconoce el modelo piramidal, a partir de la integración de estas tres representaciones, como fuente de análisis fundamental para comprender y prevenir la violencia en las relaciones de pareja. / This research is based on the multi-causal pyramid model of gender violence by Bosch, et al. (2013), aiming to explore the social representations of masculinity, femininity and romantic love among cisgender and heterosexual women- 18 to 34 years old- from Lima Metropolitana. In order to understand the experiences and particularities of the participants, two groups were established according to their life-span development: 18 to 25 years and 26 to 34 years. The study used a qualitative methodology with a thematic analysis, which allowed identifying categories and families that support the social representations of masculinity, femininity and romantic love in 12 women aged 18 to 25 (N= 6) and 26 to 34 years (N= 6). The experiences of the participants still express the social representations of hegemonic masculinity and traditional femininity, incorporating new characteristics of modernity. The prevalence of the five main myths of romantic love were identified as a structural part of the social representation of romantic love, which were accompanied by questions because of suffering experiences and socializing agents. Both groups of participants present different nuances and questions according to age, religion and time in the couple relationship, without completely disassociating themselves from the hegemonic nucleus of social representations. Finally, the pyramid model is recognized, based on the integration of the three representations, as a source of fundamental analysis to understand and prevent violence in intimate relationships.