Corrected and modernized (clefs, instruments) edition, very close to original and practical - but NOT SCIENTIFICALLY CRITICAL - this great version with full orchestra as in original dedicated to marriage of HRH Prince William of England and His Lady Catherine Middleton on 29th of April 2011. Derived from print, app. 1819, digital library, SLUB DRESDEN.

Pesquisa realizada com o propósito de levantar uma discussão sobre o caráter pedagógico da comédia e em especial da comédia barroca alemã. Através de um levantamento teórico e uma breve análise do Schimpfspiel do autor Andreas Gryphius, intitulado Absurda Comica oder Herr Peter Squenz, no qual são investigadas sua linguagem e figuras cômicas, procura-se comprovar o valor moralizante do texto, utilizando-o como exemplificação da comédia no período, a fim de evidenciar, acima de tudo, seu papel como disciplinador social. / The research was carried out to raise a discussion about the pedagogical nature of comedy and, in particular the German Baroque Comedy. A survey and a brief theoretical analysis of Andreas Gryphius Schimpfspiel, which is entitled Absurda Comica Oder Herr Peter Squenz were my starting point. Its language and its comic figures were isolated, in order to pursue the moralizing value of the text, used as an example of comedy presented in the Baroque period. The goal was to highlight above all the comedy social role as a disciplinarian.

Corrected and modernized (clefs, instruments) edition, very close to original and practical - but NOT SCIENTIFICALLY CRITICAL - this great version with full orchestra as in original dedicated to marriage of HRH Prince William of England and His Lady Catherine Middleton on 29th of April 2011. Derived from print, app. 1819, digital library, SLUB DRESDEN.

Andreas Hammerschmidt war ein wichtiger und einflussreicher Komponist der deutschen Barockepoche, der in Musikwissenschaft bzw. Forschung und im öffentlichen Musikleben bis heute zu wenig Beachtung gefunden hat. Die Dissertation schließt wichtige Desiderate der Hammerschmidt-Forschung: dies gilt zunächst und vor allem für die Erschließung, Sicherung und Edition der Dokumente zu Hammerschmidts Leben und Werk. In den Teilen zwei bis vier verlässt die Arbeit den Bereich der rein editorischen Tätigkeit und legt anhand der erschlossenen Dokumente und weiterer Quellen Interpretationen zu Leben und Werk des Musikers vor.:Vorwort 1. Chronik 1611-1675 2. Biografie 3. Kontexte 4. Projektionen Literaturverzeichnis Abbildungsverzeichnis

This thesis demonstrates how two literary works ? Arnold Stadler's <em>Ein hinreissender Schrotth??ndler</em> (1999) and Andreas Maier's <em>Klausen</em> (2002) ? can be read as part of the globalization discourse. As a theoretical basis for the textual analysis the thesis first develops an understanding of the concept of globalization which forms a background against which the two literary works can be read. By embedding literature into the sociological theories of globalization it is possible to examine to what extent the two novels reflect and/or generate particular aspects of globalization. <br /><br /> Both texts are set largely in provincial towns, and the regions themselves play commanding roles in the stories being told. This focus on the provincial takes on an ironic appearance in the era of globalization where one would assume that localities have lost meaning. It is therefore useful to look at theories that broach the issue of the tense relation between globality and locality. Since no universally accepted definition of globalization exists, it is necessary to establish the crucial aspects of the phenomenon to be applied in the analysis of the novels by examining the work of various theorists on the topic. <br /><br /> The prominent model of 'glocalization,' originated by the sociologist Roland Robertson to refer to 'global localization,' offers useful categories for the analysis of the provincial in the era of globalization. In this model the simultaneity of global and local processes is assumed and with it the alleged antagonism of the 'global' and the 'local' is overcome. Claiming those dynamics Robertson's model can serve as a confirmation of the arguments put forward in this thesis which looks at literature about the 'local' through the prism of globalization. Other theories relating to explicit local dynamics are presented to round out the model of 'glocalization. ' In addition, the thesis takes into account normative ideas regarding the province in the global era. <br /><br /> The textual analysis that follows the delineation of the model of 'glocalization' demonstrates how the novels illustrate the global and local processes postulated by the model. The investigation also explains how the literary texts themselves evaluate the provinces portrayed. The results of the examination show that selected aspects of the globalization discourse have found their way into two contemporary German-language novels and therefore into German literary discourse. Even though the two novels deal with different ideas from the discourse, and even reject to a certain extent some of these concepts, they each reveal a particular literary manner of echoing the processes of globalization. Finally, the thesis demonstrates that the globalization discourse is of use for the interpretation of literary texts.

Thesis advisor: Alan Kafka / Thesis advisor: Seth Kruckenberg / The western United States (WUS) is an area of high seismic activity. The Juan de Fuca, Pacific, and North American plates all meet in this area, resulting in zones of subduction and strike-slip faulting, as well as other styles of faulting, all of which make it prone to frequent, as well as large magnitude earthquakes. In this study the WUS encompasses the area between 30° to 52°N and 110° to 131°W. The diverse seismicity and tectonics of the area makes the study of seismo-tectonic processes in the WUS important not only in terms of basic geoscience, but also in terms of earthquake hazards. Understanding earthquake processes in this region is critical because of the potential for devastating earthquakes to occur along the Pacific-Juan de Fuca-North American plate boundary system. Large WUS earthquakes do not, however, only occur along these plate boundaries. They can also happen in intraplate environments within the WUS. The WUS includes three distinct tectonic regions for which this study compares and contrasts characteristics of seismic activity: the Cascadia subduction region, the San Andreas strike-slip region, and a continental extension/intraplate region to the east of the major plate boundaries referred to here as the “Western Intraplate Hinterland Region”. To help make these comparisons, the method of “Cellular Seismology” (CS; Kafka, 2002, 2007), is used here to investigate similarities and differences in the extent to which past earthquakes delineate zones where future earthquakes are likely to occur in the WUS and its various tectonic sub-regions. The results of this study show that while there seems to be a “signal” of CS predictability being dependent on tectonic region, that signal is subtle in most cases, meaning that there is not a significant difference in the level of CS predictability between the regions stated here. This means we can apply CS predictability studies widely across different regions, however, it also counterintuitively suggests that tectonic understanding of a region does not necessarily elucidate how well past seismicity predicts spatial patterns of earthquakes in a region.

Graduation date: 2000

De Humani Corporis Fabrica, produit par André Vésale au XVIe siècle, est un ouvrage anatomique composé de sept livres incluant des textes et des images. Le présent mémoire est une analyse du frontispice de la Fabrica, où l'on voit une scène de dissection située dans un théâtre construit en bois où sont placés de nombreux spectateurs représentés dans des postures diverses. L'espace représenté est encadré par une architecture que l'on peut qualifier de monumentale et de théâtrale, englobant les activités complexes de personnages au centre de la composition. L'image apparaît comme complexe, à cause de la présence d'éléments architecturaux à la fois permanents et impermanents ; sa complexité tient aussi à la représentation de la dissection et aux personnages qui l'entourent : un imposant groupe de spectateurs se pressant autour du personnage central de Vésale en train de disséquer le cadavre. L'objet de ce travail est d'analyser les différents aspects du frontispice comme un tout, en identifiant les outils mnémoniques dont nous soulignons la part de violence. Différents aspects du frontispice sont analysés dans les quatre chapitres (chapitres 2 à 5) suivant la présentation de la fortune critique sur le sujet : l'architecture permanente, l'architecture théâtrale, les spectateurs et la dissection. L'analyse de ces quatre aspects, essentiels dans l'image, permet de présenter une lecture complexe qui révèle la visée pédagogique de ce livre anatomique; celle-ci consiste à donner à voir l'anatomie humaine - telle que définie par Vesalius - comme objet de mémorisation. Nous verrons aussi que l'imagerie de la Fabrica contient des éléments appartenant à des formes plus anciennes de représentations rhétoriques, mettant également en relation violence et art de la mémoire. Ces éléments sont en lien avec un concept pédagogique voulant que, pour être mémorisables, les images doivent contenir de la violence et impliquer l'observateur dans un processus de souvenir cathartique. En prenant en considération son insertion dans la Fabrica en tant que livre, nous serons attentif aux associations du frontispice avec le théâtre, l'architecture et la violence, ces éléments contribuant à créer une tension palpable dans l'image elle-même. ______________________________________________________________________________

This thesis demonstrates how two literary works ? Arnold Stadler's <em>Ein hinreissender Schrotthändler</em> (1999) and Andreas Maier's <em>Klausen</em> (2002) ? can be read as part of the globalization discourse. As a theoretical basis for the textual analysis the thesis first develops an understanding of the concept of globalization which forms a background against which the two literary works can be read. By embedding literature into the sociological theories of globalization it is possible to examine to what extent the two novels reflect and/or generate particular aspects of globalization. <br /><br /> Both texts are set largely in provincial towns, and the regions themselves play commanding roles in the stories being told. This focus on the provincial takes on an ironic appearance in the era of globalization where one would assume that localities have lost meaning. It is therefore useful to look at theories that broach the issue of the tense relation between globality and locality. Since no universally accepted definition of globalization exists, it is necessary to establish the crucial aspects of the phenomenon to be applied in the analysis of the novels by examining the work of various theorists on the topic. <br /><br /> The prominent model of 'glocalization,' originated by the sociologist Roland Robertson to refer to 'global localization,' offers useful categories for the analysis of the provincial in the era of globalization. In this model the simultaneity of global and local processes is assumed and with it the alleged antagonism of the 'global' and the 'local' is overcome. Claiming those dynamics Robertson's model can serve as a confirmation of the arguments put forward in this thesis which looks at literature about the 'local' through the prism of globalization. Other theories relating to explicit local dynamics are presented to round out the model of 'glocalization. ' In addition, the thesis takes into account normative ideas regarding the province in the global era. <br /><br /> The textual analysis that follows the delineation of the model of 'glocalization' demonstrates how the novels illustrate the global and local processes postulated by the model. The investigation also explains how the literary texts themselves evaluate the provinces portrayed. The results of the examination show that selected aspects of the globalization discourse have found their way into two contemporary German-language novels and therefore into German literary discourse. Even though the two novels deal with different ideas from the discourse, and even reject to a certain extent some of these concepts, they each reveal a particular literary manner of echoing the processes of globalization. Finally, the thesis demonstrates that the globalization discourse is of use for the interpretation of literary texts.

Recovered core samples from the San Andreas Fault Observatory at Depth (SAFOD), located near Parkfield, CA, offer a unique opportunity to study the products of faulting and to learn about the mechanisms of slip at 3 km depth. Casing deformation reflects active creep along two strands of the San Andreas Fault (SAF) at SAFOD. The two fault strands are referred to as the Southwest Deforming Zone (SDZ) at 3194 m measured depth (MD) and the Central Deforming Zone (CDZ) at 3301 m MD. The SDZ and CDZ contain remarkably similar gouge layers, both of which consist of a clay-bearing, ultrafine grain matrix containing survivor clasts of sandstone and serpentinite. The two gouges have sharp boundary contacts with the adjacent rocks. We have used X-ray Computed Tomography (XCT) imaging, at two different sampling resolutions, to investigate the mesoscale and microscale structure of the fault zone, specifically to characterize the shape, preferred orientation, and size distribution of the survivor clasts. Using various image processing techniques, survivor clast shape and size are characterized in 3D by best-fit ellipsoids. Renderings of survivor clasts illustrate that survivor clasts have fine tips reminiscent of sigma type tails of porphyroclasts observed in myolonites. The resolution of the XCT imaging permits characterization of survivor clasts with equivalent spherical diameters greater than 0.63 mm. The survivor clast population in both the SDZ and CDZ gouge layers have similar particle size distributions (PSD) which fit a power law with a slope of approximately -3; aspect ratio (major to minor axis ratios) distributions also are similar throughout ranging between 1.5 and 4, with the majority occurring between 2-2.5. The volume- and shape- distributions vary little with position across the gouge zones. A strong shape preferred orientation (SPO) exists in both creeping zones. In both the SDZ and CDZ the minor axes form a SPO approximately normal to the plane of the San Andreas Fault (SAF), and the major axes define a lineation in the plane of the SAF. The observation that the size-, shape- and orientation-distributions of mesoscale, matrix-supported clasts are similar in the SDZ and CDZ gouge layers, and vary little with position in each gouge layer, is consistent with the hypothesis that aseismic creep in the SDZ and CDZ is achieved by distributed, shearing. The consistency between the SPO and simple-shear, strike-slip kinematics, and the marked difference of PSD, fabric, cohesion and clast lithology of the gouge with that of the adjacent rock, is consistent with the hypothesis that the vast majority of the shear displacement on the SAF at SAFOD is accommodated within the gouge layers and the gouge displays a mature, nearly steady-state structure.