published_or_final_version / abstract / toc / Architecture / Master / Master of Philosophy

Thesis. 1978. Ph.D.--Massachusetts Institute of Technology. Dept. of Urban Studies and Planning. / MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH. / Includes bibliographical references. / Ph.D.

In the pluralistic community of architectural education, the pedagogical paradigm has traditionally viewed the design laboratory as the integrating environment, where the student transforms the discrete parameters of architecture into an architectural form. With curriculum structure defining the parameters to which a student is exposed, the tendency is to direct the student through an additive and linear progression. The problem exists to develop a conceptual model that unifies the discrete fragments into a connected educational experience, insuring within the design laboratory the necessary balance between intellectual, professional and self-actualization concerns. The ultimate goal of the conceptual model, is to capture the essence of communication, that is the transfer of meaning, in the unique condition of the architectural design laboratory. The proposed method of inquiry for developing the model is of an interdisciplinary, comparative analytic process, to assess the full scope of factors pertinent to the design lab at any one moment in time. / Department of Architecture

This thesis is concerned with the training of competent architects, designers, and artists. The need for artistically creative people has never been as urgent as it is today. A searching review is made of the philosophy of design education. The views of many of the leaders in architecture and other arts are considered in relation to the training of young men and women in the various creative fields. The philosophy of education at the School of Design has been formulated from these and the writer's personal opinions. The various departments of the school and the complete physical requirements for each are decided upon and these decisions are expressed in the design program. The planning of the buildings and setting necessary to provide the tools, space, and inspiration for the students of design is the epitome of this thesis. It is proposed that the student do a major portion of the construction of the school. A schedule is suggested to achieve the completion of the master plan over a period of years. Such a School of Design will include the present Virginia Polytechnic Institute Architectural Department and the additional facilities needed for training and research in allied fields. The school will be associated with Virginia Polytechnic Institute, but will be an administrative entity in itself. An institution of this type will theoretically parallel in the creative field the rapid advancement now being made in the South in such other fields as scientific research, industrial development, and agricultural methods. / Master of Science

Thesis. 1977. Ph.D.--Massachusetts Institute of Technology. Dept. of Urban Studies and Planning. / MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH. / Bibliography : leaves 167-169. / Ph.D.

No description available.

Thesis (DTech (Architectural Technology))--Cape Peninsula University of Technology, 2016. / This research explores design-build projects in architectural education. The design-build studio is an alternative to the conventional theory-oriented studio. In design-build projects students both design and build real buildings. Internationally, design-build projects have increased rapidly in architectural programmes over the past decade. Literature suggests that design-build projects are relevant for architectural education, but that there is a definite need for more theoretical and critical exploration. Design-build projects in the context of this study are defined as socially responsive, inhabitable, full-scale investigations. The value of this pedagogical construct for educators, students, architectural practice and society in general was an underpinning theme guiding this exploration. Design-build projects are located on the boundary between theory and practice. This research provides a view into my journey across this boundary, immersing myself in both the theoretical and practical. Principles of the designbuild process and design research mapped the research path. The research process commenced with the initiation of and active participation in a number of design-build constructions. Through critical reflection on the construction experiences and the literature, specific pedagogical and practice implications were explored. Cultural historical activity theory provided me with a sense of theoretical direction in this journey. Collaboration as a pedagogical tool and the possibility of exposing students to alternative practice possibilities were foregrounded as being uniquely situated within the design-build project. The value of this research is the contribution it makes to the current international call for a clearer understanding of the pedagogical and practice merit of design-build projects.

The purpose of this thesis was to develop a drafting core curriculum that could be successfully implemented at any middle school in any state.

PART I I believe we are products of the age in which we live. Contemporary thinking shapes our historical present and reinterprets our historical past. This world is shaped by many keyhole views. The cornerstones of knowledge are built on a foundation of theory and objective reality. However, the fundamental underpinning of knowledge and theory lies in our perception of reality itself. The old cliche, “you don’t know what you have until you lose it,” is a perspective from which we can evaluate that which preceded as well as the threshold of new thought. A construction of reality is fundamental, yet particular to the temporal context. I propose to explore these issues and their relationship to judgement and decision making processes in design. The approach will be essentially pluralistic. PART II The uncertainty of the historical present is coupled with a hope for the future. For many architects the future holds their vision and inspiration. The future is, after all, the horizon we travel toward. Man is now expanding this horizon to space and other planets with alternative environments. Part II will explore architecture as atmosphere, landscape and dwellings through a collection of paintings free of the constraints of existing technology and theory. Architecture must first exist in the mind and heart before it can come into being. / Master of Architecture

Thesis is submitted in partial fulfilment for the degree of Master of Architecture (Professional) to the Faculty of Engineering and the Built Environment, School of Architecture and Planning at the University of the Witwatersrand, Johannesburg, 2017 / My focus is on working women in post democracy education and training programmes. Due to societal gender roles, rights for women, in both education and opportunity, should materialise in adult education systems. In order for women to be exposed to work opportunities as well as to maintain the domestic and child-rearing roles they play in society, these systems and spaces must be reinvented. I hope to defi ne indigenous feminist theories, and then to manifest these in the creation of learning spaces. Th rough deconstructing the hugely diverse lived experiences of women in their social roles, I will question educational subject matter, women’s representation as learners, workplace roles, domestic and child-rearing roles, and fi nally challenge the idea of the widely accepted school and classroom model as a centralised institution. Alternative practices of learning and knowing possibly have great impact on transformation for women. Th e ties between education and work lead me to choose factories as my site of interest. Th e site of Jeppestown is appropriate because it is where the light industrial practices about which I am talking, continue to exist. With this thesis I aim to propose an alternative model for working- women as students and educators. I aim to reinvent the systems and spaces in which women learn and in which contextualised feminist theories are manifested. / XL2018