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Thesis (PhD)--Stellenbosch University, 2014. / ENGLISH ABSTRACT: Architecture is a complex concept, and as such many factors contribute to its creation. These factors include geographical, economical and climatological aspects, but above all architecture is formed by the specific times, circumstances and lifestyle of the creator. The human being, with his background, ideas and values, shapes and influences the architecture surrounding him, and is also shaped and influenced by it. Therefore, when the lives and opinions of people are radically changed, it follows inevitably that their way of architectural expression will also change. There are marked differences between domestic buildings erected during the Victorian period in England and South Africa. English domestic buildings consist of long uniform terraced rows of two or more storeys, while freestanding single-storeyed houses are the norm in South Africa. A large percentage of English buildings are built with unfinished bricks (sometimes stone), while the bulk of South African buildings are finished in plaster. The general roofing material for Victorian houses in South Africa, namely corrugated iron, are not used on English houses at all. English roofs are most often covered in slate tiles. The very elaborate wood and/or cast-iron decorative elements so typical of the Victorian style in South Africa are largely absent in England, and most English buildings also do not have an architectural element comparable to the South African veranda. All styles which occurred in England during the Victorian period are termed Victorian, but in all cases it refers to the period, not the style. Although in South Africa other styles from the Victorian period are sometimes also referred to as Victorian, a clearly distinguishable style with unique characteristics developed at the end of the nineteenth century in South Africa. This style came to be known as Victorian. This study investigates the underlying reasons for the differences which exist between the Victorian architecture of England and South Africa. / AFRIKAANSE OPSOMMING: Argitektuur berus op 'n komplekse basis, en as sodanig is daar talle faktore wat tot die skepping daarvan aanleiding gee. Hierdie faktore sluit onder meer in geografiese, ekonomiese en klimatologiese aspekte, maar bowenal word die argitektuur geskep deur die spesifieke tydsgees, agtergrond en leefstyl van die skepper daarvan. Die mens, met inbegrip van sy agtergrond, idees en waardes, vorm en beïnvloed die argitektuur wat hom omring, en word self ook daardeur gevorm en beïnvloed. Wanneer die lewens en sienings van mense dus verander, volg dit vanselfsprekend dat hulle argitektoniese uitdrukkingsvorme ook sal verander. Woonhuise wat tydens die Victoriaanse periode in Suid-Afrika opgerig is, verskil opvallend van dié in Engeland. Engeland se woonhuise bestaan uit lang aaneengeskakelde rye huise (terraces), wat oor twee of meer verdiepings strek, terwyl enkelverdieping alleenstaande geboue die norm in Suid-Afrika is. Geboue in Engeland vertoon ook 'n opvallende uniformiteit wat in Suid-Afrika ontbreek. 'n Groot persentasie Engelse geboue is van ongepleisterde baksteen (soms klip) gebou, terwyl Suid-Afrikaanse geboue oorwegend afgepleister is. Die algemene dakmateriaal vir Victoriaanse huise in Suid-Afrika, naamlik sinkplaat, word glad nie op Engelse huise gebruik nie. Die oordadige versieringselemente uit gietyster en/of hout wat so tipies van die Victoriaanse styl in Suid-Afrika is, is grootliks afwesig in Engeland, en die meeste Engelse geboue het ook nie 'n bou-element wat vergelykbaar is met 'n Suid-Afrikaanse stoep nie. Alle style wat in Engeland tydens die Victoriaanse periode voorgekom het, word Victoriaans genoem, maar in alle gevalle word die tydperk bedoel, en nie die styl nie. Hoewel daar in Suid-Afrika ook soms na ander style van die Victoriaanse periode as Victoriaans verwys word, het daar teen die einde van die negentiende eeu 'n eiesoortige styl met unieke kenmerke in Suid-Afrika ontwikkel wat as Victoriaans bekend staan. Hierdie studie ondersoek die dieperliggende redes vir die verskille wat tussen die Victoriaanse argitektuur van Engeland en Suid-Afrika bestaan.

This creative project is a study of cultural awareness in architecture. The hypothesis states that architecture is one of many cultural manifestations in a society. One seeking contemporary architecture in a society should explore the idea of contemporary culture in that society. This study aims to point out the relationship of living patterns and living spaces (culture and architecture). Living patterns are influenced by their own cultures and, at the same time, the characteristics of living spaces reflect the aspects of living patterns. To explore contemporary living spaces, cultural issues must be considered.However, culture is dynamic. It is changed by reasons of time, place and people. Even though the tradional cultures in a society continuingly permeate to the next generations, some of them disappear as time, place or people change. Therefore, to study the issue of culture in contemporary society, traditional and new cultures are reckoned with as contemporary families adapt both cultures into their lifestyles.While Thai society has maintained its own unique culture, recently globalization has brought influences of Western ideas into Thailand. These influences are effecting Thai culture and bearing on how housing responds to a changing society.The work is divided into two parts, research and design. To explore the deeper meaning of contemporary living spaces, the research focuses on the importannce of culture to the characteristics of living spaces. It analyzes cultural and social changes that have influenced contemporary Thai families. This cultural analyses confirms that the meaning and design of contemporary living spaces are directly influenced by cultural adjustments.To support the hypothesis and research, a housing project for contemporary Thai families is proposed. It is a schematic design that incorporates the cultural analyses into the design process. The design is a model for organizing cultural information into the design of living spaces. / Department of Architecture

This thesis argues that early nineteenth-century domestic architecture along Indiana's eastern National Road (Wayne, Henry and Hancock Counties) was a product of the available local materials, not a product of cultural influences traveling along the Road. While the first chapter drives in this point, the second and third chapters describe the local materials (builders and carpenters, wood, saw-mills, clay, brickmaking and limestone), and explain construction techniques in a series of case study buildings. The thesis concludes by not only confirming the proposition, but also by making a few conclusions regarding early nineteenth-century construction methods. / Department of Architecture

Mok Chung To Gabriel & Tam Sin Lung. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2001-2002, design report." / "HK Residential Design Model Morphology of Hong Kong Residential Design by Nelson S.L. TAM and Gabriel C.T. MOK advised by Prof. Vito D. Bertin, Tectonic Studio, 2001 - 2002" --- p.P1 - P3 / "Model of Variation Experimenting Tectonics in Residential Design by Nelson S.L. TAM advised by Prof. Vito D. Bertin, Tectonic Studio, 2001 - 2002" --- p.P4 - P6 / "Tectonics of Tower Exploration on Highrise Residential Space by Gabriel C.T. MOK advised by Prof. Vito D. Bertin, Tectonic Studio, 2001 - 2002" --- p.P7 - P9

Lam Yan Yu, Ian. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2010-2011, design report."