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The forming of content in painting a study of the forces affecting the pictorialization of ideas /Spencer, Jennifer Lea. Gregor, Harold, January 1982 (has links) (PDF)
Thesis (Ed. D.)--Illinois State University, 1982. / Title from title page screen, viewed Oct. 13, 2004. Dissertation Committee: Harold Gregor (chair), Kenneth Holder. Includes bibliographical references (leaves 1019-1026) and abstract. Also available in print.
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Form and structure in visual art design systemsAbramson, J. January 1900 (has links)
Based on the author's Thesis (New York University, 1982). / "Draft." Includes bibliographical references (leaves 1-8 (3rd group)).
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Image power the role of art in society /Guidas, Karen A. January 2004 (has links)
Thesis (M. Ed. )--Kutztown University of Pennsylvania, 2004. / Source: Masters Abstracts International, Volume: 45-06, page: 2748. Typescript. Abstract precedes thesis as 1 preliminary leaf (iii ). Includes bibliographical references ( leaves 73-76 ).
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社會形態與藝術: 兼談社會形態對香港當代雕塑創作的影響. / She hui xing tai yu yi shu: jian tan she hui xing tai dui Xianggang dang dai diao su chuang zuo de ying xiang.January 1995 (has links)
楊秀英. / 附加書名頁題: Social pattern and art : the social pattern on contempory sculpture in Hong Kong. / 論文(藝術碩士) -- 香港中文大學硏究院藝術學部, 1995. / 參考文獻: leaves 56-59. / Yang Xiuying. / Chapter (一) --- 序論 --- p.1-2 / Chapter (二) --- 社會形態的形成及對藝術的影響 --- p.2 / Chapter (1) --- 文化方面 --- p.3-7 / Chapter (2) --- 宗敎方面 --- p.8-12 / Chapter (3) --- 政治方面 --- p.13-14 / Chapter (4) --- 科技方面 --- p.15-24 / Chapter (5) --- 經濟方面 --- p.25-26 / Chapter (6) --- 敎育方面 --- p.26-27 / Chapter (三) --- 社會形態與藝術互動的結果 --- p.27-28 / Chapter (1) --- 部落社會 --- p.28 / Chapter (2) --- 農業社會 --- p.28 / Chapter (3) --- 工業與科技社會 --- p.29 / Chapter (四) --- 社會形態如何影響香港當代雕塑創作 / Chapter ´þ --- 社會形態如何影響香港當代雕塑創作 --- p.3040 / Chapter (2) --- 結論 --- p.40-52 / Chapter (五) --- 附註 --- p.53-55 / Chapter (六) --- 參考書目 --- p.56-59
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The politics of form : imagination and ideology in 1930s transnational exhibitions and socially engaged poetry /Lindqvist, Ursula Anna Linnea, January 2005 (has links)
Thesis (Ph. D.)--University of Oregon, 2005. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 295-305). Also available for download via the World Wide Web; free to University of Oregon users.
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Pluralism and the hard sell historically unique influences on young artists todayHachmeister, John January 2010 (has links)
Includes 15 slides in plastic holder, inside back cover. / Digitized by Kansas Correctional Industries
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Monument et sociétéMeilleur, Daniel January 1989 (has links)
No description available.
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The Contemporary Art Society of NSW and the theory and production of contemporary abstraction in Australia, 1947-1961Whitehouse, Denise Mary, 1947- January 1999 (has links)
Abstract not available
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Das amerikanische Kunstmuseum und die Öffentlichkeit Untersucht an einer Auswahl museologischer Konzeptionen der Gegenwart.Giesen, Johannes-Martin, January 1900 (has links)
Inaug.-Diss.--Heidelberg.
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Canadian visual art magazines as cultural formationsDubinsky, Lon January 1991 (has links)
This study explores the relationships between four exemplary Canadian art magazines and the art world they inform and in which they are situated. The principal claim is that the visual art world has become a textual community by virtue of the premium placed on the printed word and the ties that have developed among individuals, such as artists and curators, and organizations, such as the magazines, funding agencies and the academy. / For theoretical direction the multidisciplinary study draws on communication theory, art history, the sociology of organizations and culture as well as management studies. Of principal importance are the media theories of Innis (1972, 1973) and the organizational formulations of DiMaggio (1985). Three types of investigation support the claims: (a) an historical account of the four magazines, which includes tracking the strategies the editors undertook, (b) a consideration of each periodical's rhetorical features and (c) a description of several networks in the art world which involve individuals and organizations. / The study then considers the deliberate and unintended consequences of the visual art world becoming a textual community, some of which are liberating while others are disabling. The study concludes by suggesting how the research undertaken contributes to current debates about the analysis of communications and culture.
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