"The purpose of this paper is to report on a study of the position, value, and limitations of audio-visual materials in the pharmaceutical type of special library having membership in the Science-Technology group of the Special Libraries Association. The author has a natural interest in the pharmaceutical industry by association first with the production area and later with the pharmaceutical library of one of the members of the group. Interest in the audio-visual field was quickened by study while at library school, with realization of the implications of audio-visual endeavor for science and the technical library"--Introduction. / Typescript. / "January, 1954." / "Submitted to the Graduate Council of Florida State University in partial fulfillment of the requirements for the degree of Master of Arts." / Advisor: John W. Mitchell, Professor Directing Paper. / Includes bibliographical references (leaves 69-76).

This dissertation presents a new metadata design, as part of a large digitization management system being developed, to assist in the consistent creation of digital libraries of phonograph records. The Metadata provides digital libraries with an effective tool for the description, discovery, management, control, delivery, and sharing of digital objects of phonograph record. The metadata design is the outcome of two pilot projects for the digitization of phonograph records that took place at the Marvin Duchow Music Library at McGill University. The new design offers an approach to maintaining and using digital sound and ensures the long-term viability of digital libraries of phonograph records. / The dissertation discusses key areas of preservation and addresses the most common retrieval problems of music in digital libraries. These problems include challenges in the digital context of bibliographic control, cataloging, distribution, and copyright protection. The dissertation revisits traditional cataloging approaches, summarizes historical music cataloging and metadata development, sets up preservation principles and rationales for digitizing phonograph records, and presents state-of-the-art techniques for preserving phonograph records in the digital domain. / The dissertation contains three main parts. The first is an introduction to the new metadata design for phonograph records. The second is a metadata dictionary, which assigns precise syntactic and semantic meanings to metadata elements, to guide digitizers working in libraries, archives, museums, and heritage sectors. These will be followed by two case studies of phonograph record digitization projects using the Metadata and the Data Dictionary. The dissertation concludes by examining three challenges that are critical to future development in both the preserving of and access to phonograph records: the issue of interoperability between different metadata standards, the need for usability and quality evaluation of digitization management systems, and the importance of further development in digital library retrieval services and tools.

Thesis (D. Min.)--Westminster Theological Seminary, Philadelphia, 1988. / Typescript (photocopy). Includes bibliographical references (leaves 76-96).

Research paper (M.A.) -- Cardinal Stritch College -- Milwaukee, 1972. / A research paper submitted in partial fulfillment of the requirements for the degree of Master of Arts in Education (Education of Mentally Handicapped). Includes bibliographical references (p. 62-64).

Thesis (M.Ed.) -- Memorial University of Newfoundland. 1975. / Typescript. Bibliography : leaves 14-15. Also available online.

Originally presented as the author's Thesis (doctoral--Justus Liebig-Universität Giessen, 1983) under the title: Zur gesellschaftlichen Reichweite entwicklungspolitischer Bildungsarbeit mit Film und audiovisuellen Basismedien. / Includes bibliographical references (p. 400-426).

Orientador: Letícia Passos Affini / Banca: Regina Celia Baptista Beluzzo / Banca: Glaucia Eneida Davino / Resumo: A Marvel utiliza o crossover, elemento característico da narrativa complexa, em seu universo transmídia e articula suas personagens em grandes arcos narrativos. Para atingir um maior número de consumidores, o Universo Cinematográfico Marvel (UCM) compõe-se de filmes, séries para a televisão e Netflix e webisodes. Nesse sentido, o objetivo geral da pesquisa é observar como a marca Marvel amplia seu universo ficcional por meio das séries e pela utilização de elementos crossovers. Estabeleceu-se, então, a seguinte pergunta de pesquisa: como a articulação dos elementos crossover consolida e expande o Universo Marvel? Iniciou-se o estudo por meio da revisão bibliográfica, junto aos autores Andrea Semprini, Henry Jenkins, Carlos Scolari e Jason Mittel. Determinou-se como objeto de pesquisa as séries "Demolidor", "Jessica Jones", "Luke Cage" e "Punho de Ferro" e como metodologia da pesquisa o estudo de caso de Robert K. Yin. Para estruturar o trabalho e analisar as obras escolhidas, foram utilizados os conceitos de "causalidade, tempo, e espaço", desenvolvidos por David Bordwell e Kristin Thompson. Para a melhor assimilação dos resultados, os conceitos dos autores foram adaptados nas categorias "personagem, ação e espaço", as quais possibilitam estabelecer o "elemento crossover". Realizou-se a desconstrução de 65 (sesenta e cinco) episódios, contendo, cada uma das obras analisadas, 13 (treze) episódios. Observou-se durante o estudo a possibilidade de se estabelecer diferentes tipos ... (Resumo completo, clicar acesso eletrônico abaixo) / Abstract: Marvel uses the crossover, characteristic element of the complex narrative, in it's transmidia universe and articulates it's characters in wide narratives arcs. To reach a larger number of consumers, the Marvel Cinematographic Universe (MCU) consists of movies, television and Netflix series and webisodes. In this sense, the overall objective of the study is to observe how the Marvel brand expands its fictional universe through the Netflix series and the use of crossover elements. The following research question was then established: how does the articulation of the crossover elements consolidate and expand the Marvel Universe? The study was initiated by the authors Andrea Semprini, Henry Jenkins, Carlos Scolari and Jason Mittel. The "Daredevil", "Jessica Jones", "Luke Cage" and "Iron Fist" series were determined as the research object and as a research methodology the case study of Robert K. Yin. In order to structure the work and analyze the chosen objects, the concepts of "causality, time and space" developed by David Bordwell and Kristin Thompson were used. For the better assimilation of the results, the concepts of the authors were adapted in the categories "character, action and space", which made possible the establishment of the "crossover element." Sixty-five episodes were deconstructed, each containing one of the series analyzed, 13 (thirteen) episodes.To examine the crossover in the series, we started with the definition "character crossover" pointed out in the stud... (Complete abstract click electronic access below) / Mestre

Made available in DSpace on 2014-06-11T19:24:05Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-04-19Bitstream added on 2014-06-13T20:51:24Z : No. of bitstreams: 1 ito_e_me_bauru.pdf: 828056 bytes, checksum: 19a31f01aa4d9f6615434761fbe55acd (MD5) / O objetivo desta dissertação é analisar a programação de televisão digital transmitida através do one-seg. o sistema de televisão digital terrestre implantado no Brasil é derivado do japonês ISDB-T e permite a mobilidade e portabilidade. Nesta tecnologia, a banda de espectro da emissora de TV é dividida em 13 segmentos e um deles envia conteúdo de maneira codificada aos dispositivos móveis e portáteis. No Japão, desde 2008, as emissoras estão autorizadas a utilizar o one-seg como um canal independente, com a transmissão de programação distinta da veiculada para televisores fixos. Para avaliar o porquê esta programação deve ser distinta e de que forma elaborar uma grade específica optou-se pelo método do estudo de caso, analisando a grade transmitida pela NHK, rede pública de televisão japonesa O trabalho tem como objetivo reconhecer as especificidades desta programação, identificar as situações de acesso e analisar o horário nobre da televisão móvel e portátil / The objective of this dissertation is to analyze the digital television programming transmitted through the one-seg. The digital terrestrial television system implemented in Brazil is derived from ISDB-T - the Japonese system - which allows mobility and portability. In this technology, the band spectrum of the TV station is divided into 13 segments and one of them sends encrypted content to mobile and handheld devices. Since 2008, Japonese broadcasters are allowed to use the one-seg as an independent channel for the transmission of distinct programming. This project aims to describe why this TV schedule must be distinguished and how elaborate a specific programming guide should be. The programming guide of the Japanese public television was chosen as the subject of this case study. This dissertation aims to recognize the specifics of this programming guide, identify the access situations and analyze the mobile and portable television prime-time

Orientador: Letícia de Passos Affini / Banca: Juliano Mauricio de Carvalho / Banca: Francisco Rolfsen Belda / Banca: Misaki Tanaka / Resumo: O objetivo desta dissertação é analisar a programação de televisão digital transmitida através do one-seg. o sistema de televisão digital terrestre implantado no Brasil é derivado do japonês ISDB-T e permite a mobilidade e portabilidade. Nesta tecnologia, a banda de espectro da emissora de TV é dividida em 13 segmentos e um deles envia conteúdo de maneira codificada aos dispositivos móveis e portáteis. No Japão, desde 2008, as emissoras estão autorizadas a utilizar o one-seg como um canal independente, com a transmissão de programação distinta da veiculada para televisores fixos. Para avaliar o porquê esta programação deve ser distinta e de que forma elaborar uma grade específica optou-se pelo método do estudo de caso, analisando a grade transmitida pela NHK, rede pública de televisão japonesa O trabalho tem como objetivo reconhecer as especificidades desta programação, identificar as situações de acesso e analisar o horário nobre da televisão móvel e portátil / Abstract: The objective of this dissertation is to analyze the digital television programming transmitted through the one-seg. The digital terrestrial television system implemented in Brazil is derived from ISDB-T - the Japonese system - which allows mobility and portability. In this technology, the band spectrum of the TV station is divided into 13 segments and one of them sends encrypted content to mobile and handheld devices. Since 2008, Japonese broadcasters are allowed to use the one-seg as an independent channel for the transmission of distinct programming. This project aims to describe why this TV schedule must be distinguished and how elaborate a specific programming guide should be. The programming guide of the Japanese public television was chosen as the subject of this case study. This dissertation aims to recognize the specifics of this programming guide, identify the access situations and analyze the mobile and portable television prime-time / Mestre

High school bands are producing some of our finest musicians. These musical organizations have become an integral part of virtually every high school in the nation, and have greatly added to the cultural aspects of their curriculum. The respect from student body and faculty, development of poise, and enrichment of the students' general education have justified the band program in the school system. / Typescript. / "August, 1964." / "Submitted to the Graduate Council of Florida State University in partial fulfillment of the requirements for the degree of Master of Music Education." / Advisor: Elmer P. Magnell, Professor Directing Paper. / Includes bibliographical references (leaf 8).