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1	A experiência brasileira na conservação de acervos audiovisuais: um estudo de caso / A experiência brasileira na conservação de acervos audiovisuais: um estudo de caso Coelho, Maria Fernanda Curado 18 December 2009 (has links) A dissertação concentra-se no estudo do desenvolvimento do Sistema de Conservação do acervo audiovisual da Cinemateca Brasileira. Através da linha histórica, e a partir do olhar do técnico que participa diretamente das atividades de conservação, descreve cada etapa da evolução dos procedimentos dessas atividades e de alguns procedimentos de catalogação. Compreendendo o período de 1946 a 2001, a pesquisa acompanha o amadurecimento técnico institucional, desde os primeiros passos no conhecimento do objeto audiovisual e das técnicas de conservação, passa pelo desenvolvimento de um banco de dados para o controle de informações técnicas e de conteúdo, que finaliza com a implantação das áreas climatizadas para a guarda de longa permanência do acervo. / The dissertation focuses on the study of the development of the Conservation of the audiovisual collection of the Cinemateca Brasileira. Through the history line, and from the point of view of the technician who directly participate in the activities of conservation of the collection, describes each step of the procedures of conservation and some of the procedures of cataloging. Covering the period from 1946 to 2001, the research follows the institutional technical maturity, since the first steps in understanding the audiovisual object and conservation techniques, through the development of a database for the control of technical and content information, and ends with the deployment of air-conditioned areas for the care of long term keeping of the collection. Arquivo audiovisual Audiovisual archive Audiovisual Conservation Cinema Cinema Cinemateca Brasileira Cinemateca Brasileira Conservação Conservação audiovisual Conservation
2	A experiência brasileira na conservação de acervos audiovisuais: um estudo de caso / A experiência brasileira na conservação de acervos audiovisuais: um estudo de caso Maria Fernanda Curado Coelho 18 December 2009 (has links) A dissertação concentra-se no estudo do desenvolvimento do Sistema de Conservação do acervo audiovisual da Cinemateca Brasileira. Através da linha histórica, e a partir do olhar do técnico que participa diretamente das atividades de conservação, descreve cada etapa da evolução dos procedimentos dessas atividades e de alguns procedimentos de catalogação. Compreendendo o período de 1946 a 2001, a pesquisa acompanha o amadurecimento técnico institucional, desde os primeiros passos no conhecimento do objeto audiovisual e das técnicas de conservação, passa pelo desenvolvimento de um banco de dados para o controle de informações técnicas e de conteúdo, que finaliza com a implantação das áreas climatizadas para a guarda de longa permanência do acervo. / The dissertation focuses on the study of the development of the Conservation of the audiovisual collection of the Cinemateca Brasileira. Through the history line, and from the point of view of the technician who directly participate in the activities of conservation of the collection, describes each step of the procedures of conservation and some of the procedures of cataloging. Covering the period from 1946 to 2001, the research follows the institutional technical maturity, since the first steps in understanding the audiovisual object and conservation techniques, through the development of a database for the control of technical and content information, and ends with the deployment of air-conditioned areas for the care of long term keeping of the collection. Arquivo audiovisual Cinema Cinemateca Brasileira Conservação Conservação audiovisual Audiovisual archive Audiovisual Conservation Cinema Cinemateca Brasileira Conservation
3	BOSNIAN IDENTITY AFTER THE WAR : The Importance of How the War Is Described in Media for Contemporary Bosnian Identity / BOSNIAN IDENTITY REPRESENTED : The importance of how the war is described in media for contemporary Bosnian identity Srebrenica, Bahrudin January 2022 (has links) After World War II, Europe has only experienced two wars, in the 1990s when Yugoslavia dissolved and now in 2022 when Russia went to war with Ukraine. Regardless of the outcomes of wars, it is clear that wars continue to recur in a continent that prides itself on its peaceful aspirations. During the breakup of Yugoslavia, the war in Bosnia was, in terms of scale, the most terrible of all wars in the Balkans. In addition, it was the war that received extensive media coverage. This affordance has not been fully utilized. After the war ended, the Bosnians went a long way in rebuilding their devastated community. Based on a semiotic analysis of media representation of war-torn reality in this community, it was found that community subjectivity built up at a similar rate to the media's representation of their reality. The results show the five most commonly used terms to describe Bosnians in connection with the Bosnian War. These terms are 1. Genocide 2. Crime 3. Tragedy 4. Invaders 5. Victims. And, results show that realistic depictions of war presented in the media reduce victim identification in war-devastated communities. Film Studies Media Representation Studies on Film Filmvetenskap
4	Archivage et transmission des films de famille dans l’environnement numérique Brochu, Sébastien 12 1900 (has links) No description available. Archive Archive audiovisuelle Archives de communauté Collection d’archives Environnement numérique Évaluation Film de famille Film orphelin Patrimoine audiovisuel Pratique d’archivage Théorie archivistique Appraisal Archival practice Archival theory Archive collection Audiovisual archive Audiovisual heritage Community archives Digital environment Home movie Orphan film

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