Jean Barbeyrac (1674-1744) is best known for his annotated French translations of the natural law treatises of Hugo Grotius, Samuel Pufendorf and Richard Cumberland and has generally been understood through the prism of his interpretations of these. However, not only was he in fact an independent natural law thinker, who drew eclectically from a vast array of authors, synthesising their ideas to construct his own distinct theory; he also wrote extensively on morals and politics in other genres, works that have received very little attention and never been seen in their coherence with his natural law ideas. This thesis considers Barbeyrac as a thinker in his own right, drawing together all of his major and many of his minor works and situating them within a number of the wider contexts Barbeyrac inhabited: namely, as a Huguenot refugié, a member of the Republic of Letters and a professional academician. Barbeyrac's central concern was the relationship between moral, civil and religious authority, and the core of his solution was a comprehensive concept of conscience that unified and naturalised man's moral and religious duties and served as the source of authoritative moral judgement. The first three chapters of the dissertation focus on the structure of his natural law theory, arguing that the attempt to establish conscience as a comprehensive faculty of moral judgement caused intractable philosophical tensions, reflected in his innovative but inchoate theory of permissive natural law. The final two chapters extend this analysis beyond Barbeyrac's natural law, arguing that despite his efforts to balance the potentially competing demands that arise when the authority of conscience comes into conflict with other sources of moral authority, namely ecclesiastical and civil, Barbeyrac had to insist that, ultimately, individuals must uphold the first and principal duty of natural law to follow the light of conscience.

Prehistoric Sardinia is best known for its Bronze Age Nuragic culture which lasted from the mid-2nd millennium until the early 1st millennium. The Iron Age and later prehistory of the island are often subsumed into discourses that emphasise the colonising Phoenicians (8th-6th centuries BC) and Carthaginians (6th-2nd centuries BC). In the north of the island the local communities, being neither part of the Bronze Age Nuragic culture nor of the colonized world of the south, are seen in relation to foreign communities rather than from local perspectives. This thesis uses postcolonial theoretical frameworks of island identity, consumption and materiality to examine the local/foreign interactions that take place in north Sardinia in the period between 900 – 200 BC. The main focus is to set the interrelationships between the local Sardinian communities and the Phoenician, Etruscan, Greek and Carthaginian traders and settlers who frequented the shores in a context that emphasises local and indigenous agency. At the same time this topic provides an opportunity to re-examine the scholarship that has led to north Sardinia being overlooked. This thesis covers a long time period and the project is divided geographically between three different zones of north Sardinia (the north-west, the central-east and the Olbia area) and chronologically between the 9th- 7th centuries, the 7th – 5th centuries and the 4th-2nd centuries BC. The data set includes the archaeological material from 51 north Sardinian sites that contain evidence of local/foreign interactions during these periods. Using this data a few well excavated sites are studied in greater detail to examine and question the models of acculturation and resistance that form the traditional perspectives of scholars working in the north. For example, the presence or lack of foreign material culture on indigenous sites has often been understood from the perspective that desire for foreign goods was natural. This approach overemphasises the role that foreign communities had in contact situations and at the same time underemphasises the agency and choices of the local inhabitants. Indeed an examination of the data shows how local practices continued and that the foreign presence had a limited impact. One of my aims in this thesis is to avoid a dualistic position which sets the local communities against foreign ones; in fact local/foreign interactions can result in the creation of ‘hybrid’ products, practices and communities and I explore how far we can see the hybridization of north Sardinian communities in the different phases of the 1st millennium through the material culture that informed their actions. A second aim is to explore what types of changes took place in north Sardinian identities through the types of objects they consumed. Some of the larger Iron Age sites were sanctuaries and thus I examine how far local communities used ritual as a way of mediating the exchanges between them and foreign people through their selection of the material culture. Thirdly, this thesis approaches the social identities of the Sardinians using a bottom-up approach to the interactions. This allows me to compare the different ways in which local communities experienced foreign contacts and culture over a broad period and the evidence illuminates the variety of ways that island identities were developed in the various regions of north Sardinia.

The period of Ottoman rule, pejoratively termed the ‘Turkish yoke’, is often regarded in the Balkans – a region divided by quests for self-definition – as a period of darkness and suffering. Given the paucity of South Slavic historical records, scholars have sought to corroborate evidence of the ‘yoke’ in ‘historical paratexts’, fragmentary records of historical events to be found in the margins of Church Slavonic manuscripts and early printed books. With the Ottoman Empire on the verge of collapse in the first decades of the twentieth century, scholars and folklorists from the several splintered nations that form the Balkans became very interested in archiving and compiling these paratextual materials into published compendia, a trend which continues up to the present day. They believed that conserving these presumed eyewitness testimonials would preserve the core of the nation, an idea that has been transmitted largely unchallenged. These paratexts are seen as ‘writing from below’ which records facts about the suffering brought about by Ottoman rule. Present scholarship in the Balkans has interpreted ‘znatise’ (‘let it be known’), the formulaic expression that announces some of these annotations, as indicative of a self-conscious tendency to create historically truthful records of the South Slavs under Ottoman rule. However, one only needs to sift through these various records to be struck by the repetitions and the limited scope of the patterns that pervade a majority of these inscriptions as opposed to the range of observations that could be expected to result from an autobiographical impulse. This thesis accounts for these patterns and challenges the dominant interpretation of these paratexts by locating them within the larger writing traditions to which they belonged. By interrogating the relationship between paratextual writing and Church Slavonic historiography, this study provides an alternative framework which explains and brings together sources that have otherwise been left disparate and scattered. The formula ‘let it be known’ is to be understood not as testimony but rather as apocalyptic prophecy. The thesis demonstrates that historical paratexts mainly recorded those events -- such as natural disaster, famine, the outbreak of disease and celestial phenomena -- that were understood as portents and figured in apocalyptic literature. In this light, the clergy’s tone towards the military successes and the Ottoman reign is shown to be determined by an apocalyptic understanding of history. We also see how South Slavic attitudes towards the Ottomans were diverse with references to the Sultan ranging from ‘son of perdition’ (Antichrist) to ‘Tsar’ depending on the political relations between a diocese and the Ottoman administration. The thesis also provides new readings of three important paratextual accounts: (i) Monk Isaija’s colophon of 1371 (ii) Deacon Dimitar’s colophon of 1466 and (iii) the self-narratives of Mihail of Kratovo written between 1649 and 1660. The labels of ‘truthfulness’, ‘factuality’, and ‘sincerity’ that have been attributed to these first person accounts are questioned by demonstrating the socially strategic and ambiguous nature of these paratexts.

In a broad sense this thesis concerns the politics (and ethics) of strategic management, organisational psychology, organisational narratives, knowledge management and conditions of innovation. More specifically, this is research into the dimension of politics and the legitimacy of power relations within the synchronization of time and space in social organisations, typically as part of the design and implementation of strategy, in context of organisational definitions of innovation and contestations of 'the new'. With a conceptual archaeology, the thesis contends that strategy research focuses on the nodal concepts of 'inertia', 'adaptation' and 'friction', in context of three past conceptual frameworks: namely, Newtonian mechanics, Hobbesian interpretations of evolution, and Clausewitzian military theory. A genealogical approach is used to reveal the persistent influence of the Newtonian notion of simultaneity (absolute time and absolute space) across these three frameworks in their combinatorial guise in the discourse of strategic management. The genealogy unfreezes the nodal concepts by showing the history of their contingent construction and selection. Finally, a critical analysis scrutinizes the contextual appropriateness of applying the concept of simultaneity to social matters. The thesis rejects simultaneity and its dominant position as an 'articulatory practice' of organisational strategy. By decoupling the notion of simultaneity from frames through which sense is made of motion and events, the grip that structuralism has on organisational strategy is loosened and by substituting simultaneity with political power the implications for strategic management become clear. The approach draws from Political Discourse Theory to reframe the strategy discourse, in its current conception, as hegemonic and an antagonistic system of 'Politics' that, instead of facilitating either stability or innovation, leads, instead, to 'conceptual inertia' and economic stagnation, by repressing emergences of 'the Political'. The thesis proposes a strategy of 'agonism' as an alternative. Rather than replacing one despotic concept with another, the suggestion of agonistic strategy is made because agonism allows for its own reinterpretation, thus does not represent a sedimented centre of a discourse. In this way, agonism is less susceptible to stagnation, and more amenable to innovation. The theoretical framework is then accompanied with a study of the design and implementation of strategy within a research institute engaged with the innovation of genetically modified organisms (GMOs) using the CRISPR-cas9 technique. The selection of this case organisation allows for an analysis of the politics and power relations at play in the definitions of innovation, and a means to ground a study of the social construction of reality within an empirical setting regarding the strategic development of genetic constructs.

Interpretations of osteological remains from mainland Greece during the 1960-1980s led to the suggestion that the most virulent form of malaria, Plasmodium falciparum, was prevalent between the Mesolithic and Late Bronze Age (c. 8700 cal. BC-1100 cal. BC). Although disregarded over the past decade, the theory has regained support in recent years from osteological, epidemiological, environmental and DNA studies. However, the presence of this strain of malaria in prehistoric Greece remains controversial. This thesis evaluates 1) the palaeoclimatic conditions of the Aegean between the Mesolithic and Late Bronze Age and 2) the palaeoenvironmental conditions of three archaeological settlements, with the aim of ascertaining whether the climatic and environmental conditions were as conducive for P. falciparum and the mosquito vectors as the osteological evidence suggested. Equal consideration is given to the so-called ‘lesser strains’ of malaria, P. vivax and P. malariae, the significance of which is considered to have been underestimated in previous studies.

Medieval cartularies have been the focus of many studies in the past few decades. Rather than simply repositories for charter texts, cartularies are now regarded by those who study them as carefully curated collections of texts whose contents and arrangement reflect the immediate concerns and archival environment of the communities that created them. One feature of cartularies which has not received attention is the ‘growth’ of their manuscripts beyond the initial phase of creation. This growth refers not only to the addition of fresh gatherings but also to the piecemeal addition of texts into the available spaces, often in a haphazard order and by many scribes working across a number of decades. ‘Manuscript growth’ is not an uncommon feature of cartularies from the central middle ages, particularly from the thirteenth century onwards. As a phenomenon, however, it has not been recognised or studied, for the good reason that it is difficult to discuss haphazard manuscript growth in a systematic way. This thesis offers a new methodology which engages with multi-scribe contributions to ‘active’ cartularies. It takes a holistic approach which integrates the textual and ‘physical’ evidence of cartularies, and embraces all forms of scribal activity. By studying the growth of cartulary manuscripts, we can gain significant insights into the contemporary use and perception of these valuable objects. This thesis therefore takes a fresh look at the ‘genre’ of medieval cartularies through the eyes of the manuscript evidence itself, and what this can reveal about its medieval scribes and readers. Two manuscripts are taken as the basis of this study: the older cartulary of Glasgow Cathedral (AUL SCA MS JB 1/3) and the older cartulary of Lindores Abbey (in private ownership in Caprington Castle). Chapter 1 introduces the field of cartulary studies, with reference to new work in this area (particularly in relation to cartularies in France and England). Central questions in this field are introduced, such as the definition of a cartulary, their creation and function. It also discusses approaches to analysing complex codices and multi-scribe activity within other manuscript genres. In Chapter 2, a new methodology will be introduced for analysing manuscript growth. This involves rethinking our approach to some familiar elements of manuscripts: their codicology, binding history, the scribes, as well as the challenge of dating the various contributions to the cartularies. New concepts and terminology will be introduced (such as ‘relative dating’ and ‘series’) that have been developed in response to these two complex cartularies. By applying this new methodology, the creation and subsequent growth of each manuscript can be examined in detail in Chapter 3 (for Glasgow Cathedral’s cartulary) and Chapter 4 (for Lindores Abbey’s). It is shown that the contemporary experience of these two cartularies was as a collection of simultaneously ‘active’ units (either unbound or in temporary bindings), offering new scribes a choice of where to place their material. Chapter 5 draws together the analysis, and focuses on the initial creation of the cartularies, the nature of their growth by piecemeal additions, and the reasons for this growth. This reveals two communities that took an active approach to reading and extending their cartularies, treating these manuscripts as a shared space. The vexed question of ‘repeated’ texts within cartularies is reconsidered in this light. The analysis allows us to develop a deeper understanding of the cartularies’ function and the role of their scribes as primarily readers, whose interactions with the manuscript were responsive and dynamic. The institutional setting is also discussed. The thesis concludes by considering the implications of this study for our understanding of the function and typology of cartularies, their relationship to archives of single-sheet documents, and as sources for institutional identity, as well as the potential of the methodology to act as a starting point for studying scribal interactions and scribes as readers in other manuscript genres with multi-scribe growth.

The symbolic role of Helena throughout the Byzantine period has never been considered in any detail. Many of the literary sources, particularly historiographical and hagiological texts, are not easily accessible and have not been translated. The visual sources referring to Helena, such as works of late Roman and Byzantine art, coinage, illustrated manuscripts, reliquaries, and wall paintings, have never been collected. My thesis collects and re-evaluates the textual and visual evidence from the fourth to the fifteenth century in order to explore the origins and development of Helena's cult; the emergence of a Helena-legend with symbolic and metaphorical functions; and the ways that the Byzantines reconstructed, judged, and appreciated her role. Special attention is given to the relationship between word and image, as well as the influence exerted on them by contemporary political and social developments. This thesis demonstrates that memories of Helena as an empress and as a saint were manufactured in several distinct stages over several centuries; and that her role differed in the eastern and western halves of the former Roman empire. The evidence is analysed thematically and in chronological order.

The research presented aimed to investigate potential of subcritical fluid technology to effect Cl- release and transform compounds of copper alloy artefacts of cultural significance. The work intended to determine the most effective pH, temperature, and time combination subcritical treatment variables to: 1. transform or solvate insoluble or sparingly soluble copper compounds containing Cl - CuCl and Cu2(OH)3Cl (atacamite and clinoatacamite); 2. examine impact on typical patina compounds Cu2O and ‎Cu2CO3(OH)2 and to establish optimal conditions for their retention throughout treatment. Additionally, the research expected to offer guidance on the values of the operational parameters to use when applying subcritical treatment to archaeological copper alloy objects. The series of experiments yielded preliminary results on solvation, extraction, chemical transformation, and physical modification of the predominant corrosion products found on copper alloy artefacts. Experiments were completed using analogue pressed pellets of corrosion products, naturally corroded copper coupons and archaeological artefacts, with specific focus on corrosion profiles, metallography and microstructure. The results of extraction show significant amounts of Cl- are removed and thus the reactivity of objects is reduced. While this study conclusively demonstrated subcritical treatment is capable of both removal and transformation of Cl-bearing compounds commonly present in copper alloy objects, it cannot be recommended for treating archaeological objects based on these results alone. Aesthetic and physical changes are unpredictable and may be unacceptable. Accepting these changes cannot directly be balanced against the proven effectiveness of subcritical treatment for removing Cl, nor its rapid treatment time.

Charting the trans-Atlantic movement of ‘dynamic’ psychiatry from The Henry Phipps Psychiatric Clinic, Baltimore, to Gartnavel Mental Hospital, Glasgow, this thesis throws light upon the resultant ‘dynamic’ case note records, produced in Gartnavel during the 1920s. By undertaking an in-depth, qualitative analysis of Gartnavel’s case note records and corresponding archival materials, I explore the polemical question, posed, amongst others, by Foucault, of how psychiatry achieves its distinct status as a science of the individual. Foucault, most notably in Discipline and Power, ascribes to the psychiatric profession the power to fashion individual patient histories into cases, cases which simultaneously emphasise the individuality of a patient, while condensing, i.e. ‘fixing’ their identities that they may be constituted ‘an object for a branch of knowledge and a hold for a branch of power’. This thesis, while recognising the validity of this argument, explores how the clinical practices and philosophical outlook of dynamic psychiatry in the early twentieth century enabled both patient and psychiatrist to negotiate the construction of the psychiatric case note record, and consequently of patients’ individual identities. D. K. Henderson, physician superintendent of Gartnavel between 1921 and 1932, was one of the first, if not the first psychiatrist fully to incorporate dynamic principles into the working practices of a British mental hospital. Initiating methods of case note taking and staff meeting consultation (now integral components of modern day psychiatric practice) he transported the teachings of his mentor, the Swiss émigré psychiatrist Adolf Meyer, to the everyday clinical practices of Gartnavel. The dissemination of dynamic psychiatry through Henderson’s published works and medical teachings is recognised as having integrally shaped the practices of Scottish psychiatry in the twentieth century. However, the significance of the unpublished case note records, produced under his superintendence of Gartnavel during the 1920s, as sources of historical enquiry has gone largely unrecognised. A near-unique archive of ‘dynamic’ case note records is used in this thesis to reveal, what Roy Porter termed, a ‘history from below’ of clinical practices and examinatory processes. For as Henderson employed stenographers and clinical clerks to record verbatim and semi verbatim the dialogues that passed between patients and psychiatrists within staff meetings and mental examinations, I, as Porter himself aspired to, take as the focus of my research a history of the ‘two-way encounters between doctors and patients’. By employing an interdisciplinary research method, one that incorporates Foucauldian, literary, critical medical humanities, as well as more traditional forms of medical history scholarship, I establish a history of dynamic psychiatry set within clinical encounters. Engaging with current debate, evolving primarily within the interdisciplinary sphere of the medical humanities, I argue these records reveal a history of medical humanism, one in which both patients and psychiatrists actively shaped the history of twentieth century Scottish psychiatry.

Das Archiv für Epigraphik ist eine Fachzeitschrift für die Erforschung von Inschriften der Vormoderne mit einem thematischen Schwerpunkt im Mittelalter und der Frühen Neuzeit.