Thesis (M.A.)--Western Conservative Baptist Seminary, 1989. / Abstract. Includes bibliographical references (leaves 79-84).

Thesis (M.A.)--University of Wisconsin--Madison, 1933. / Typescript. Author's middle name is handwritten in on t.p. Musical examples: leaves 59-88. Includes bibliographical references (leaves 57-58).

Thesis (D.M.A.)--University of Texas at Austin, 1997. / Vita. Discography: leaf 178. Includes bibliographical references (leaves 175-177).

Thesis (Ph. D.)--State University of New York at Buffalo, 1986. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 279-289).

Thesis (Ph.D.)--University of Nebraska-Lincoln, 2006. / Title from title screen (site viewed on Nov. 2, 2006). PDF text: [iv], 159 p. : ill. (some col.) ; 8.24Mb. UMI publication number: AAT 3212927. Includes bibliographical references. Also available in microfilm, microfiche and paper format.

Thesis (D.M.)--Northwestern University, 1998. / Source: Dissertation Abstracts International, Volume: 63-12, Section: A, page: 4142. Adviser: Richard Alderson.

Treatise (D.M.A.) Florida State University, 2006. / Advisor: Evan Jones, Florida State University, College of Music. Title and description from dissertation home page (viewed 7-3-07). Document formatted into pages; contains 361 pages. Includes biographical sketch. Includes bibliographical references.

Este trabalho é uma análise das articulações indicadas por Johann Sebastian Bach (1685-1750) na sua Ciaccona em ré menor - quinto movimento da Partita II para violino solo, BWV 1004 – e uma transcrição desta obra para violão. A questão da interpretação dos sinais de articulação assinalados por Bach é abordada a partir de referenciais teóricos e práticos. São discutidas as tradições de execução e os variados entendimentos atribuídos por estas aos sinais de articulação.

Johann Sebastian Bach is credited with writing over 300 cantatas. Sacred cantatas comprise most of that repertory, but there are just under forty known secular cantatas composed by Bach. About half of these secular cantatas were written to celebrate a person’s birthday. This thesis will attempt to provide a view of the life of the historical figures for which the birthday cantatas were written, reflections of the personality of the individual in the cantata, Bach’s relationship to the recipient, and political or social connotations associated with the work. From a study of the individuals connected with the musical work, a more thorough understanding of the time period in which Bach lived and worked may be gained. This in turn will provide a more complete understanding of Bach’s birthday cantatas. This thesis will not address recipients of name day cantatas nor will it address recipients of birthday cantatas that were not fully preserved. These are the historical figures and works that will be examined: Duke Christian of Saxe-Weißenfels, including references to Dukes Wilhelm Ernst and Ernst August of Saxe-Weimar, Was mir behagt, ist nur die muntre Jagd, BWV 208; Prince Leopold of Anhalt-Köthen, Durchlauchtster Leopold, BWV 173a; Crown Prince Friedrich Christian of Saxony, Laßt uns sorgen, laßt uns wachen, BWV 213; Maria Joseph, Archduchess of Austria, Electress of Saxony, Queen of Poland, Tönet, ihr Pauken! Erschallet, Trompeten, BWV 214; and Augustus III, Elector of Saxony, King of Poland Schleicht, spielende Wellen, BWV 206.

Thesis (M.M.)--Boston University. A thesis presented to the faculty of the School of Fine and Applied Arts, Boston University, in partial fulfillment of the requirements for the degree Master of Music, August 1963.