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Secularisering en natuurwetenschap in de zeventiende en achttiende eeuw : Bernard Nieuwentijt /Vermij, Rienk, January 1991 (has links)
Proefschrift--Utrecht--Rijksuniversiteit, 1991. / Bibliogr p. [154]-168. Index. Résumé en anglais.
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Das Mandeville-Dilemma /Schmitz, Heinz-Gerd, January 1900 (has links)
Habili.-schr.--Philosophische Fakultät--Universität zu Köln, 1996. / Bibliogr. p. 313-333.
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Balzac dans la vie et dans l'oeuvre de Charles de BernardDe Windt, Andrée January 1933 (has links)
Doctorat en philosophie et lettres / info:eu-repo/semantics/nonPublished
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Ocenění společnosti Rodinný pivovar Bernard, a.s. / Valuation of the company: Rodinný pivovar Bernard a.sMocek, Petr January 2010 (has links)
The aim of this Thesis is to determine the value of the company: Rodinný pivovar Bernard, a.s. especially in the case of sale in the day 31st december 2010. The practical part of the thesis focuses on analysis of the company itself and its production structure and financial analysis. Other part of the thesis focuses on the micro-enviroment, including the Czech beermarket and on the analysis of the czech market as a whole. The actual calculation is based on the assumption that the firm does not increase its production capacity and that the sale is concluded at faktory's state at 31st december 2010. The financial plan was determined by the forecasts of the author. The actual value of the equity is calculated on the basis of the Discounted Free Cash Flow method based on two phase DFCFE.
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Ethics of metaphysics and ethics of value : a study in the thought of Bernard LonerganThompson, Donald F. January 1980 (has links)
No description available.
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Functional specialization and religious diversity : Bernard Lonergan's methodology and the philosophy of religionHalse, Scott January 2008 (has links)
No description available.
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Nature and History in the Knowledge of Value: A study in Bernard Lonergan' s account of value.Steenburg, David John Frederick January 1994 (has links)
<p> This dissertation examines Bernard Lonergan' s understanding of value, its assumptions and its development, for the sake of determining the role of human nature and human historicity in the experience of value. The categories of nature and history reflect a specifically modem form of the long-standing question of the relationship between physis and nomos- i.e., nature and convention, or 'nature and nurture'-for modernity has made us accutely aware of the historicity of cultural conventions. We ask of Lonergan: how or to what extent is the experience of value determined by human nature, and how or to what extent is it historically conditioned?</p> <p> To understand Lonergan' s position one must appreciate both the difference and the continuity between his earlier and later thought. Lonergan' s earlier thought reflects a rather Kantian fonnalistic account of value as the rational good, but his later thought embraces Scheler' s non-fonnal, material account of value-i.e., the good is an object of natural appetite-a position in which affectivity plays a role in revealing value. In spite of this development, there yet remains an underlying unity: there is a fundamental opposition of affect and intellect that precludes the possibility of understanding value as both rationally and materially good. Lonergan associates affect with natural spontaneity, and intellect with the deliberate:, progressive dynamic of history. Because of this, in his earlier work he presents value as rationally, and therefore historically, determined; yet in his ma1ure position value is grasped primarily in affective apprehensions, which are ahistorical intuitions, grounded in human nature and the 'reasons of the heart'.</p> <p> In response, it will be argued that this dichotomy of feeling and rationality
can be transcended without sacrificing Lonergan' s account of self-transcendence.</p> / Thesis / Doctor of Philosophy (PhD)
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La somatique des passions dans Éléonor d'Yvrée de Catherine BernardLesieur, Juliette January 2001 (has links)
Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.
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A Production of PygmalionGale, Virginia January 1955 (has links)
No description available.
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Inversion of Current Theatrical Patterns in the Early Plays of George Bernard ShawStubbe, Marilyn H. January 1956 (has links)
No description available.
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