Thesis (PhD )--Montana State University--Bozeman, 2008. / Typescript. Chairperson, Graduate Committee: Scott Creel. Includes bibliographical references (leaves 108-120).

Thesis (M.S.)--Oregon State University, 2009. / Printout. Includes bibliographical references (leaves 126-139). Also available on the World Wide Web.

Thesis (M.S.), English Composition and Rhetoric--University of Central Oklahoma, 2008. / Includes bibliographical references (leaves 62-65).

Thesis (Ph.D.) -- McMaster University, 2001. / Includes bibliographical references (leaves 240-249). Also available via World Wide Web.

Thesis (M.S.)--University of Missouri-Columbia, 2007. / The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on October 23, 2007) Includes bibliographical references.

Thesis (Ph. D.)--University of Missouri-Columbia, 1998. / Typescript. Vita. Includes bibliographical references. Also available on the Internet.

Black Eyez: Memoirs of a Revolutionary engages in an investigation of the performative relationship between race and color. It offers a review of the genesis of race as a political invention, to articulate the intersubjective relationship between Black Power ideology and the Black Aesthetic. By highlighting the historical recovery of Black subjectivity, I argue Black aestheticians produced a form of performative decolonization. I then suggest the use of ethnographic dramaturgy as both an informed approach to staging the self, as well as a space to offer my personal performance philosophy. The script "Sole/Daughter" is offered as an augmentation of The Revolutionary Theatre's paradigmatic assumptions.

This project bridges the gap between the culture of stagnation in New England Black congregations and the history of vibrant creativity in Black culture and churches by crafting an engaging teaching resource in the form of a digital application, built on the core fundamentals of gamification. As such, this project weaves gamification, technology, the Black church, and cross generational ministry together in order to assist in the renewal of New England Black churches. Positioning gamification in conversation with practical theology with a focus on Black church history and culture, the project confronts matters related to gender, age, and social location in Black churches. The project argues that we are in the midst of the “#Church,” which should be embraced by the dying Black church, in the midst of a crisis, as a legitimate mechanism for revitalization and relevancy in this hashtag (#) culture. On social media, the hashtag (#) denotes a trending topic, word, phrase and is a form of grouping like topics together for search parameters as well as social interaction and affiliation. The project leverages this hashtag culture by presenting a three-year revitalization project in the form of a web-based game addressing matters of project design and implications, implementation strategy, and evaluative measures.

No description available.

Black mothers socialize their daughters to embody the strong Black woman (SBW) schema to help them navigate gendered racist oppression. While research indicates that ascribing to the SBW schema offers Black women psychosocial benefits (e.g., increased self-esteem), identifying with the SBW schema has been linked to several negative psychological outcomes (e.g., anxiety, depression, and stress). Considering the evidenced negative implications associated with identifying with the SBW schema on Black women's mental health, the current study had three aims: (1) investigate the socialization messages Black women received about strong Black womanhood, (2) explore the extent to which they identified with these messages, and (3) assess the implications of this socialization on Black women's functioning. To address these aims researchers conducted semi-structured interviews with 11 Black college women (Mage = 20.09; SD = 1.04). For this manuscript, we extracted data pertaining to aim one and analyzed this data using a consensual qualitative research (CQR) data approach. Findings revealed messages Black women were given about strong Black womanhood (i.e., know your worth, depend on yourself, overcome societal barriers, little to no messages about strong Black womanhood, and additional responses) and illuminated behaviors mothers modeled that exemplified strength (i.e., self-sufficient, preserving, caretaking, and additional responses). Findings derived from this study have the potential to inform clinical intervention with Black women and, more specifically, provide insight as to how clinicians may work with Black women to mitigate the impact of the SBW schema on their mental health.