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<p> As a critical race ethnography, this dissertation attempts to foreground the richness of Black urban youth culture during and around science classroom instruction. Ironically, during an era of much diversity rhetoric in the United States, the culture of urban Black youth is rarely reflected in mainstream public school culture. I attempt to explicate such a worldview compassionately and authentically for both insiders and outsiders of the lived experiences of Black America. Education in the United States can be damning for Black youth who do not fit the mainstream mold, and several authors have provided detailed critique of mechanisms that shape, direct, and marginalize outliers to the successful academic cultural model. The U.S. through this lens is experiencing an opportunity gap, not an achievement gap&mdash;one which equitable educational experience can best be viewed through the richness of critical ethnographic methods. This methodical approach allowed me as a researcher to listen to marginalized voices and to incorporate lived interactions with youth, their parents, and community stakeholders all committed to provide support for the today&rsquo;s youth. As a Black female science educator, I explore the evidence for reform impact as I examine in school experiences and science teaching of culturally relevant pedagogies for urban, working-class and poor families of color in grades six-eight who participated in a Western New York academic enrichment program. Findings suggest that skepticism of reform efforts and new pedagogical approaches existed for all stakeholders aforementioned, but that students were the most amenable and responsive to alternative educational approaches. Specific recommendations for engaging students in inquiry processes are given for teachers, institutions, parents and students on the basis of videotaped lessons, interviews, and instructional artifacts. Implications include the recommendations that educators working with youth of color need to be prepared to discuss the ethnic and racial identities of students and jointly construct a sense of activism and empowerment in the face of existing systemic oppression that can and should be eliminated if we are to reach the national goal (AAAS, 1986) of &ldquo;Science for All Americans,&rdquo; professed as many as three decades ago.</p>

This thesis examines post-war black British theatre through a transnational lens. It argues that the hitherto prioritization of a national paradigm in discussions of black British theatre is not sufficiently complex to chart the historical processes that have shaped it and the multiple spatial, cultural, and political contexts in which it has been generated. This thesis finds that a transnational optic exposes a network of connections – physical, ideological and psychic – between blacks in Britain and other global black communities which have shaped and transformed the lives of Britain’s black communities and their cultural production. The thesis is divided into three chapters: the USA (chapter 1), the Caribbean (chapter 2), and Africa (chapter 3). Each chapter represents a specific geo-cultural-political space with which black British theatre has an important relationship. Each chapter follows the same broad structure: the first half of the chapter establishes a particular transnational process and mode of analysis which frames the ensuing historical discussion; the second half is devoted to an analysis of two contemporary black British dramatists. The USA chapter examines black British theatre through the lens of Americanization and Black Power. The first half traces the influence of black America on black British theatre’s formation, organization and expression in the post-war period. The second half examines works by Kwame Kwei-Armah and Mojisola Adebayo. The Caribbean chapter applies the process and theory of creolization to a discussion of the rise and consolidation of Caribbean culture in black British theatre. The chosen case studies for this chapter are Roy Williams and Bola Agbaje. Finally, the African chapter discusses the recent flux of immigrants from Africa since the 1990s and, using the concept of diaspora as an analytic model, explores the impact this has had on black British theatre. The second half focuses on works by Inua Ellams and debbie tucker green. Dividing the thesis into the spaces of the USA, the Caribbean and Africa allows one to filter and track the origination and circulations of particular sets of ideas, practices and / or people. The divisions reiterate that I am looking at complex heterogeneous material informed by multiple strands of influence. Nevertheless, connections between the chapters emerge, which illustrate historically embedded circuits of influence and exchange that have routinely transgressed national borders. Taken as a whole, the thesis supports the idea that black British theatre not only merits a transnational approach, but is, in fact, a transnational practice in itself.

The problem contained in this study was Stendhal's use of the Napoleonic myth in his novel The Red and the Black. This study dealt primarily with Stendhal's purpose in using the myth as a basis for his novel and with the extent to which the principal character, Julien Sorel, patterned himself after the myth.

The objective of conducting this research was to assess the impact of Black collegiate fraternities upon Atlanta city politics. Although Black collegiate fraternities were conceived to enrich the social and intellectual aspects of collegiate life, Black collegiate fraternities are emerging as a political force. This thesis will attempt to assess, for the first time, the actual role in which Black collegiate fraternities have engaged from a political perspective. The primary sources of information for this study were obtained from personal interviews of fraternity members, Atlanta City Clerk's Office, Fulton County Board of Elections and from fraternal journals and publications.

M.Ed. / The influence of the HIV/AIDS pandemic as well as the significant impact it has left on children and adolescent who are left without parental guidance and support has huge implications for communities. As the epidemic spreads, adolescent-headed families are becoming more and more frequent in society, posing great challenges to extended families that have to care for additional children, causing a collapse on parental functions. This leads to the emergence of a new family structure where great strain is placed on children who are often left to fend for themselves. The absence of parental care and support often not only affect their social emotional development, but also their scholastic performance. This inquiry attempted to understand how these adolescents cope with difficulties related to living without caregivers, and as to how some can overcome the odds and still successfully progress with expectations placed by the school context. The inquiry utilized a phenomenological research design that is exploratory in nature. The data collection methods included semi-structured interviews with four participants, two boys and two girls. Each of the four participants also wrote narratives of their life stories. Two focus group interviews were also conducted, one with the four participant's educators and the other with another group of adolescents from adolescent-headed families. Data obtained was analysed using content analysis to determine the common themes and subthemes that emerged.