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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Dissolved oxygen relations in the Bluestone River

Dyer, Jon Charles January 1966 (has links)
M.S.
2

Dissolved oxygen relations in the Bluestone River

Dyer, Jon Charles January 1966 (has links)
M.S.
3

Terrestrial paleoecology of distal deltaic environments of the upper Mississippian Bluefield, Hinton and Bluestone formations of southwestern Virginia and southern West Virginia

Beeler, Hazel E. 26 October 2005 (has links)
Multiple sections at 13 localities in West Virginia and Virginia, that expose the Early Carboniferous (Late Mississippian) Bluefield, Hinton, and Bluestone Formations, were measured. Geological structures and paleontological occurrences were recorded. In situ rooted plants were compared with transported plant and animal assemblages from fluvially dominated terrestrial beds and interdistributary channel-dominated, bay-fill, marine beds in order to interpret the paleoecology of this subtropical Early Carboniferous coastal landscape. Interdistributary wetlands of the Bluefield, Hinton and Bluestone Formations resemble earlier swamps more than those of the younger Pennsylvanian. In both Hampshire (Late Devonian, Famennian) and Price Formation (Early Carboniferous, Toumaisian) coal swamps, diversity is so low that only one taxon of plant is present: Rhacophyton ceratangium in the Late Devonian and Lepidodendropsis vandergrachtii in the Early Mississippian. The presence of Lepidodendron veltheimii as the apparent sole occupant of these younger Early Carboniferous plant communities makes them most similar to the arborescent lycopod-dominated Price Formation swamps. Although many Pennsylvanian (Late Carboniferous) swamps were also dominated by tree lycopods, including species of Lepidodendron sensu lato, other plants were present as well. Thus, these Late Mississippian communities incorporate some features of both younger and older swamps and can be considered ecologically transitional between them. Swamps have been stressful environments for plant growth for as long as they have existed. This is manifested by their low diversity since the Paleozoic and continues to be true today. / Ph. D.
4

"Do not fade, do not wither, do not grow old" : En adaptionsanalys av tid och rum i Sally Potters Orlando (1992) / "Do Not Fade, Do Not Wither, Do Not Grow Old" : An Analysis of Time and Space in Sally Potter's Film Adaptation Orlando (1992)

Weber, Minon January 2021 (has links)
For almost a century, Virginia Woolf has enchanted readers all over the world with her novel about the gender fluid and time travelling character Orlando. British director Sally Potter adapted Orlando into film in 1992, and her adaptation has since gained immense fame and a continuous presence in world cinema. Potter's Orlando has been the object of a great deal of scholarly interest. However, previous research has predominantly focused on questions of gender and sexuality. Considerably underdiscussed is the film's fascinating conception of time and space. This thesis therefore sets out to analyze Sally Potter's Orlando in order to demonstrate how time and space is shaped in the film.  Theories developed by George Bluestone and André Bazin form the theoretical framework of this thesis. Through a close reading of the film, this thesis demonstrates that Potter establishes an unconventional temporality and spatiality through constructing a nonlinear, often contradictory temporality conveyed through contrasts between the organic and the fantastic, the real and the fictitious. Furthermore, the analysis finds that spatiality in Potter's Orlando is presented as multidimensional, allowing certain characters the possibility to inhabit a "fluid spatiality". Through presenting the past and the present as fused, Potter's Orlando can be understood through the optics of Bluestone's concept of "the flux of time" and Henri Bergsons la durée réelle. Simultaneously, breaks in the narrative presented through intertitles can be read as representing Bergsons idea of l'étendu, while also establishing a tangible spatiality.

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