Domestic violence against women and children is a significant international issue. There are many obstacles survivors face, and the problem is more complex than is often perceived. This interior design practicum responds by focusing on the design of a transitional housing facility that creates a paradigm shift away from the institutional approach. The key interior spaces include areas that help individuals nourish and heal from their challenging experiences; the overall approach focused on establishing community networks amongst the residents. The overarching architectural language and designs were informed primarily by Japanese Zen, Theory of Supportive Design, Lifeboat theory, and Experiential Learning Theory. Additional literature investigation on Shinrin-yoku and Therapeutic Landscapes have helped to shape the final programme and design. Along with relevant precedent studies, a design has been proposed called Hana's Place, a transitional housing facility that is aimed at being a place survivors of domestic violence can call home.

Domestic violence against women and children is a significant international issue. There are many obstacles survivors face, and the problem is more complex than is often perceived. This interior design practicum responds by focusing on the design of a transitional housing facility that creates a paradigm shift away from the institutional approach. The key interior spaces include areas that help individuals nourish and heal from their challenging experiences; the overall approach focused on establishing community networks amongst the residents. The overarching architectural language and designs were informed primarily by Japanese Zen, Theory of Supportive Design, Lifeboat theory, and Experiential Learning Theory. Additional literature investigation on Shinrin-yoku and Therapeutic Landscapes have helped to shape the final programme and design. Along with relevant precedent studies, a design has been proposed called Hana's Place, a transitional housing facility that is aimed at being a place survivors of domestic violence can call home.

I present the dissertation web as a montage of a postmodern inquiry of my doctoral internship and research experiences—concerns and jubilation—positioned within the discourses of <a href="site_map2.htm#2">postmodern</a>, dissertation, academia, experimentalism and cyberspace innovations among others. I create a <a href="site_map2.htm#3">social constructionistic</a> interactive interplay, using <a href="site_map2.htm#5">hypertext</a>, among my various voices of an intern, a researcher and a person. In the dissertation web—my inquiry—I practice the characterization of postmodernism on numerous fronts—subject of study, context of study, methodology and re-presentation of the inquiry. Implicitly and explicitly, I articulate the various characterizations of postmodernism in my inquiry by challenging the traditional research practices (meta<a href="site_map2.htm#4">narratives</a>). I challenge the traditional praxis by alternate per<b>form</b>ances of research practices such as studying myself in a cultural context of an internship using the methodology of <a href="site_map2.htm#11">autoethnography</a> and performance. The <a href="site_map2.htm#5">hypertext</a> docuverse is a further characterization of postmodernism in the styles and structures that are used for re-presentation of the narratives. The styles of narration I use—such as words and graphics, prose and poetry, first person conversational texts, narratives and collages—blur the boundary of "academic" writing, literature, and art. The hypertext is intended as a <a href="site_map2.htm#6">metaphorical</a> experiential, intertextual journey of an <a href="site_map2.htm#12">intern</a> and a <a href="site_map2.htm#14">researcher</a>. Rather than a fixed structure, I create numerous structures of possible structures to privilege the readers' <a href="site_map2.htm#1">navigational</a> choices. I anticipate that the reader's choices in the virtual space might create a sense of meaning-transformation as one traverses through the dissertation web, thus, valuing <a href="site_map2.htm#8">fragmentation</a> and connection as aspects of sense-making, which are contextualized (among others) by the reader's meaning frames and my hypertextual <a href="site_map2.htm#7">performances</a>. The dissertation is submitted in three formats—exclusive dissertation web.pdf, intertextual dissertation web.pdf, and xml version. The<b> <i>exclusive dissertation web.pdf</i> </b>is a web capture in pdf format of all the "files" that compose the dissertation web created in html. The <i><b>intertextual dissertation web.pdf</b> </i> is a web capture of my dissertation along with the capture of external web resources that contextualize my dissertation web, thus illustrating the intertextuality of hypertexts by making the dissertation part of the larger textual web. Due to the web capture, the "docuverse" is nonlinear and the pages do not follow any particular or author predefined sequences. So, <i>please use the internal links or the bookmarks to read or browse the dissertation web</i> rather than scroll from the first "page" to the last "page" of the pdf formatted docuverse. The third version in xml will be made available at a later date. An html version of the dissertation is available directly from the researcher-author. CAUTION! The links from the abstract may be broken due to archiving of the dissertation web. / Ph. D.