Thesis advisor: David Deese / Given the current political environment in the US, there is great doubt about the future of American policy on climate change. Still, the optimistic future of American climate policy relies on the new group of leaders that have emerged from municipal government. Although local government is traditionally ignored in favor of the publicity of international negotiations between countries, cities have established a role at the forefront of climate policy over the past ten years. These local governments serve half of the world’s population and often are extremely vulnerable to the impacts of climate change, making their contributions more important than ever. Although they face a unique set of difficulties, cities are able to take a range of actions impossible at higher levels of government, reaching communities in unprecedented ways and innovating new policies. This project aims to analyze how local governments fit into the global political regime on climate change, testing the theoretical framework of multilevel governance against reallife examples in Boston and New York City. Further, this paper finds that cities compensate for their relatively small size and limited jurisdiction through a unique set of actions and collaborative relationships, enabling these local actors to become international leaders on this complex global issue.. / Thesis (BA) — Boston College, 2017. / Submitted to: Boston College. College of Arts and Sciences. / Discipline: . / Discipline: Departmental Honors. / Discipline: Environmental Studies.

ABSTRACT Granite Butterfly is a novel about three women—grandmother, mother, and daughter—and the unusual attachments that break apart their family. Tuula Laine is a Rockport, Massachusetts, native of Finnish descent, whose parents moved to Cape Ann for work in the area’s granite quarries. Her life changes one afternoon when her son Henri, a brilliant surgeon who has never seriously dated anyone before, visits with his pregnant girlfriend, Coreen. Tuula immediately senses that Coreen not the right match for him in terms of age, education, or temperament, and as the couple separates and unites over the course of one summer, Tuula witnesses, for the first time, the pattern of desire and abandonment that will define their relationship. By the time Tuula’s granddaughter, Suvi, is fourteen years old, she, too, has established a destructive relationship pattern with Coreen: whenever Coreen and Henri separate, Suvi’s mother clings to her until they develop a bond closer to that of sisters than a mother and child. In the final movement of the novel, this bond, and the bond between Suvi’s parents, is finally put to the test. Granite is cut into precise blocks—dynamite is never used, lest it shatter the stone. In a few short weeks, the Laine family is pulled apart, but unlike with quarrying, there is no way to divide them in a careful manner, no way to detach them that isn’t violent and abrupt, no way to predict, or guide, where they will split.

Ce mémoire fait l'analyse du phénomène de réactualisation des collections fermées et de ses stratégies en se basant sur trois études de cas : le Isabella Stewart Gardner Museum, le Kettle's Yard Museum & Gallery et la New Art Gallery Walsall. Restreintes par des législations, ces institutions ont développé différentes stratégies leur permettant de réinscrire le contenu de leurs collections fermées à l'intérieur d'enjeux actuels. Dans un premier temps, de la présentation de nos trois études de cas sont apparues des caractéristiques que nous avons réunies pour exposer l'idée de collection fermée et souligner sa valeur esthétique, historique et artistique : les restrictions testamentaires, la vision du collectionneur, l'expérience du visiteur, le type d'accrochage et la mise en exposition des œuvres et des objets. Ces caractéristiques nous ont permis de cerner le contexte à l'intérieur duquel les conservateurs, les directeurs et les commissaires d'exposition interviennent pour réactualiser les paramètres temporels, narratifs et spatiaux de la collection fermée. L'idée de collection fermée est également développée à l'aide de propositions connexes provenant de 1'histoire de l'art et de la culture. Dans un deuxième temps, quatre des principales stratégies de réactualisation ont été dégagées de nos trois cas de figure : la construction d'une nouvelle architecture basée sur la collection fermée, la mise en place de programmes d'artistes en résidence, la création de programmes d'expositions temporaires et l'accumulation d'œuvres à l'intérieur d'une collection parallèle. Ces stratégies permettent une ouverture et une réorganisation des paramètres narratifs, spatiaux et temporels de la collection fermée à partir du présent actuel tout en respectant les restrictions protégeant son intégralité. L'analyse de ces stratégies permet non seulement de marquer les paramètres de la collection fermée sur lesquels la réactualisation s'opère, mais également de mettre en évidence les valeurs esthétiques et conceptuelles des projets d'artistes, architecturaux, d'exposition et de collection menés autour de la collection fermée. Dans un troisième temps, nous avons questionné la constitution et le fonctionnement temporel de la collection fermée et du phénomène de réactualisation pour pointer les changements qui s'opèrent dans le temps sur la collection fermée. De sa constitution par le collectionneur à sa relecture à partir des interventions du présent en passant par son legs restrictif, la collection fermée subit des changements malgré l'immobilité de sa mise en exposition. Enfin, notre recherche ouvre sur de nouvelles hypothèses. La réactualisation serait rendue possible à l'heure actuelle en relation avec une nouvelle conception de l'histoire basée sur une vision anachronique du temps. Cette vision anachronique et son potentiel pour la discipline de l'histoire de l'art développés par Georges Didi-Huberman (2000) nous ont permis d'explorer le phénomène de réactualisation non seulement dans la gestion muséologique des collections qu'il implique, mais également d'en traiter par rapport à la constitution de l'histoire de l'art et du rapport instauré avec le passé. ______________________________________________________________________________ MOTS-CLÉS DE L’AUTEUR : Collection fermée, Isabella Stewart Gardner Museum, Kettle's Yard Museum & Gallery, New Art Gallery Walsall, réactualisation, exposition

Considering revitalization as a way of improving three interrelated aspects of quality of life including physical quality, social and economic welfare, this study sets out an evaluation framework to measure the success of implementations aiming to revitalize historic commercial places. This framework emerges from the qualities of built environments which are defined with reference to the normative urban design theory developed by Kevin Lynch. Urban qualities are defined with a comprehensive approach which takes into account spatial, social, and economic aspects of creating urban places. The Main Street Program, subject of this study, is a historic commercial district revitalization program developed by the National Trust for Historic Preservation in the United States. This program introduces a preservation-based revitalization model. Based on a comprehensive approach, the program suggests working simultaneously on organization, design, economic restructuring, and promotion. This study analyzes the revitalization model of the Main Street Program by looking at its various aspects including organization models, funding tools, involvement of local communities, contributions of the federal and local governments, implementation, and self-evaluation. Besides, it introduces a citywide coordinating program, Boston Main Streets. Finally, it analyzes the revitalization of Washington Street in South End, Boston, one of the places where Main Street Program has been implemented. The street has been transformed from a vacant and deteriorated commercial street into a more vital, pedestrian oriented, mixed use place in a decade. This study aims to analyze the case from three different points. First, the success of the program is evaluated within the above framework. Second, the effectiveness of the program is examined through an outcome analysis. Finally, the organizational performance of the Main Street organization is analyzed.

This study focuses on how cultural heritage interpretation can effectively be planned and operated as an integral part of preservation process. The ICOMOS Charter for the Interpretation and Presentation of Cultural Heritage Sites, which was initiated by the International Council on Monuments and Sites (ICOMOS), offers professional principles for effectively interpreting cultural heritage sites. This study apply these principles as analysis and evaluation criteria of the case study. The Charter principles include &lsquo / access and understanding&rsquo / , soundness of &lsquo / information sources&rsquo / , attention to &lsquo / setting and context&rsquo / , preservation of &lsquo / authenticity&rsquo / , planning for &lsquo / sustainability&rsquo / , concern for &lsquo / inclusiveness&rsquo / , and importance of &lsquo / research, evaluation and training&rsquo / . Considering the necessity of correlating these international principles with interpretation practices, this study analyzes and assesses interpretation at the Boston National Historical Park, a unit of the National Park Service in the US / and at the same time tests the practicality of the Charter principles. This park is composed of eight nationally significant historical sites located separately in an urban context. This study examines certain aspects of the park that affect the effectiveness of its interpretation activities i.e., management policies, organizational model, partnerships with stakeholders, fiscal resources, management planning, and interpretive planning. Besides on-site interpretation at three sites of the park - the Charlestown Navy Yard, Old South Meeting House and Paul Revere House- are analyzed in detail within to the ICOMOS Charter framework. Finally, recommendations have been developed for the ongoing work of the ICOMOS, for the Boston National Historical Park as well as for other cultural heritage sites.

Thesis (M. Div.)--Gordon-Conwell Theological Seminary, South Hamilton, MA, 2002. / Abstract and vita. Includes bibliographical references (leaves 124-133).

Thesis (Masters) -- Simmons College, 2009. / Includes bibliographical references (l. 62-65)

This dissertation considers the early career of Boston-based, African American artist Allan Rohan Crite (1910-2007) and situates his central artistic Goal--to present uplifting images of middle class black Bostonians--within the ideological framework of the New Negro Movement of the 1920s-1940s. In each of the chapters, I consider one of the four bodies of work Crite produced simultaneously during his early career--painted portraits, neighborhood street scenes and church interiors and brush and ink illustrations of African American spirituals. I focus on these subjects in order to explore Crite’s desire to portray the middle class status of his family and community and to redefine the spirituals in terms of his own middle-class sensibility. I describe Crite’s visualization of his black middle class Episcopal and Bostonian identity in these works as performances or enactments created through a series of repeated gestures of “respectable” appearance and behavior. My analysis also considers the artist’s motivations to preserve, in the physical form of his artworks, the black middle class values and way of life in Boston that he feared was in danger of being lost and forgotten. Rooted in the Community is also a revisionist account, for it seeks to revise the notion of an African American artistic “rootedness” to mean an artist rooted in his own immediate community rather than in a search for his cultural roots in the African past or within the rural folk culture of the American south. This study challenges a bias within the discourse on racial identity in art that privileges a notion of racial authenticity, or an essentialized conception of black identity centered upon the “folk,” or working and lower class African Americans. I also challenge the negative assessment of the black middle class as a group devoid of interest in the black community and propose that early twentieth century definitions of black middle class identity embodied in the notions of the “talented tenth” and the “race” man or woman best define Crite’s sense of himself as a black artist, for he felt a responsibility towards the black community and was not alienated from it. / text

Between 1813 and 1825 the Boston Manufacturing Company built a textile factory in Waltham, Massachusetts. Their factory is known for many important firsts in American industry, including the first commercially viable power loom, one of the first vertically integrated factories, and one of the first join stock financed manufacturing concerns. This successful factory became the direct model for the large textile mills built along the Merrimack River and elsewhere, iconic locations of American post-colonial industrialization. This dissertation looks at the early development and success of the Boston Manufacturing Company from a geographical perspective. It argues that in order build a successful factory, the company, its managers, and its workers, had to transform their "place": a notion that I investigate from an economic-geographical and anthropological point of view, moving from site, to landscape, to geographic networks. On these grounds, I show how the logic of the factory's development was both embedded in and shaping the emerging structures surrounding it, and how, in turn, the company’s later move to Lowell as one of the iconic industrial sites depended on its having successfully learned the business of "place-making" in its foundational Waltham decade. / History of Science

SUMARYThe present dissertation deals with the notion of reformulation and with a group of lexical units by means of which the activity of reformulation is codified and explicitly signaled in the language. These lexical units will be referred to as DISCOURSE MARKERS of REFORMULATION or REFORMULATORS. The area of reformulation and of English reformulators is still an uncharted and unexplored territory. Thus, it was necessary to first provide an adequate definition of the notion of REFORMULATION in the English speaking-world that would allow me to lay the foundations for the detailed study of a group of lexical units that display a reformulative function in English. Secondly, I elaborated a justified taxonomy of English Discourse Markers of Reformulation along with their classification into different groups and sub-groups on the bases of the type of reformulation effected on the previous discourse segment or S1. Next, once Discourse Markers of Reformulation were defined, their properties ascertained and their sub-classes outlined, the groups of Explanation (that is to say, in other words, in simpler terms, in more technical terms, viz., namely, for example and for instance) and Rectification (or rather, [or] more precisely-accurately, [or] better still-yet) were analyzed in detail and the SYNTACTIC, DISTRIBUTIONAL PROPERTIES, PRAGMATIC FUNCTIONS and DOMAIN OF USAGE of the reformulators identified. With the assessment of all these properties it was my aim to delimit their ENVIRONMENTS OF USE and to obtain a principled description of them, both individually and as a group. Finally, reformulators of Explanation and Rectification were submitted to a test of SEMANTIC SUBSTITUTABILITY where replacement of one marker, A, for another, B, that did not occur in A's original environment, was accounted for. The results obtained from this test allowed me to organize the taxonomy of English Discourse Markers of Explanation and Rectification into a hierarchy of HYPERNYMS, HYPONYMS, EXCLUSIVE USES and SYNONYMS. In this respect, my aim was to help to broaden our knowledge of how these lexical units behave in English and to come up with a clear picture of two groups of English reformulators.