M.Tech. (Fine Art) / As a Fine Art graduate student, I worked at Phumani Paper Project's research unit based at the Technikon Witwatersrand from 2001 to 2004. The experience allowed me to render my services as a trainer for craft product design to help develop and sustain the poverty alleviation programme for Phumani Paper's papermaking projects around the country. Participants of the project benefit from the program in terms of training in the making of craft items, personal capacity building, and income generating opportunities. South Africa's history is fundamental to understanding the present social imbalance which the government, non-governmental organisations and private organisations are trying to address in various ways. My research work at the KwaZulu-Natal Papermaking and Packaging Project (KZN-PCPP) in Eshowe culminated in the writing of this dissertation. My research explored issues related to materials and design for the sustainability of the KZNPCPP. In regard to poverty alleviation I used Participatory Action Research (PAR), which was core to the activities and works presented in this dissertation. New designs for the packaging of craft products introduced during my intervention period helped improve the marketability of the products produced at KZNPCPP, and helped the participants to learn new skills. I focused on the introduction of sugar cane paper pulp in the making of ceramic wares. This added value to the potters' experience and to a certain extent helped reduce losses due to breakage during transportation.

This creative project consisted of the artist creating various box forms that were to house treasures that were considered special to the artist or the viewer. His childhood memories and his appreciation of streamline design heavily influenced him. Metal is one of the hardest materials to form and shape but the artist was able to create soft edges and curved forms by using his past experience with the material. He experimented with various surface techniques from patinas to sandblasting and polishing to create the appearance he desired in each piece. By combining wood and metal he created successful works that worked well together forming relationships between the two and were visually stimulating. He was able to create boxes within boxes with hidden compartments that could hide special treasures. This project proved to be a success for the artist, not only did he learn more about the building techniques and develop new surface treatments, but he designed and created the pieces he had envisioned at the beginning artistic career. / Department of Art

Many children are left vulnerable due to circumstances beyond their control, for example, poverty, violence, limited education and the HIV&AIDS epidemic. One way of supporting vulnerable children is by making memory boxes. This study endeavoured to identify the assets during the memory-box-making process with vulnerable children. The aim of the study was to contribute towards an understanding of vulnerable children in South Africa and the memory-box-making process that frames vulnerable children in terms of assets, resources and capacities, instead of deficits. A combination of an interpretive and constructivist paradigm was used within an action research design. The site of the study was a deep rural community in the Limpopo Province, South Africa. Five participants and one helper contributed towards the research process. Primary data was collected within the memory-box-making process – by means of simple and participatory observation, individual and group interviews, audio-visual methods and field notes. Fifteen memory-box-making sessions took place over a period of six weeks. The data analysis consisted of a theme analysis that utilized the asset-based approach as a theoretical framework. The results from the study indicate a wealth of internal and external assets during the memory-box-making process with vulnerable children. / Dissertation (MEd (Educational Psychology))--University of Pretoria, 2006. / Educational Psychology / unrestricted