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Filmed theatre and tragic form in the late work of Carl Th. DreyerPodheiser, Linda E. January 1981 (has links)
Thesis (Ph. D.)--New York University, 1981. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. [225]-230).
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Der schwäbische dichter Karl Philipp Conz, 1762-1827 ...Cless, Georg, January 1913 (has links)
Inaug.-diss.--Tübingen. / Lebenslauf. Includes bibliographical references.
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Bidrag till en lefnadsteckning öfver Carl von Linné ...Fries, Theodor Magnus, January 1900 (has links)
Inbjudningsskrift--University Upsala.
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Ästhetik und Öffentlichkeit in Sternheims dramatischem Werk (unter besonderer Berücksichtigung von "Tabula rasa" und "Der Snob").Jakob, Hans, January 1970 (has links)
Inaug.-Diss.--Universität München. / Bibliography: p. 177-180.
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Carl Zuckmayer als NeokynikerFleischer, Leonhard January 2009 (has links)
Zugl.: Freiburg (Breisgau), Univ., Diss., 2009
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Carl Maria von Webers OberonSchroer, Markus January 2003 (has links)
Zugl.: Münster (Westfalen), Univ., Diss., 2003
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Carl Gottlieb Reissiger, 1798-1859 the forgotten composer for the clarinet /Coltman, Charles, January 2002 (has links)
Thesis (D.M.A.)--University of North Texas, 2002. / Accompanied by 4 recitals, recorded Nov. 28, 1994, Apr. 24, 1995, Apr. 9, 2001, and Mar. 11, 2002. Includes bibliographical references and discography (p. 48-51).
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The piano sonatas of Carl VineYang, Eun-Kyoung, January 2003 (has links)
Thesis (D.M.A.)--Ohio State University, 2003. / Title from first page of PDF file. Document formatted into pages; contains ix, 97 p.: ill., music. Includes abstract and vita. Advisor: Caroline Hong, School of Music. Includes bibliographical references (p. 96-97).
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Mastery and dominion : Carl Schmitt's juridical concept of the politicalMoore, Thomas P. January 2007 (has links)
This thesis examines the juridical framing of the political in the thought of Carl Schmitt. The purpose of this discussion is to draw attention to the fundamental inconsistencies that are present in Schmitt’s thinking on the political. These inconsistencies arise from Schmitt’s desire to advance a concept of the political that can be understood autonomously in terms of the friend-and-enemy grouping. This thesis argues that Schmitt’s concept of the political should not be understood autonomously but in terms of a juridical ethic of mastery and dominion. Schmitt’s desire to ground the political in an autonomous field of meaning—where the political achieves mastery over all other domains—reduces the political down to a juridical moment. Schmitt fails in his mission to construct an autonomous concept of the political, primarily because theology frames Schmitt’s analysis of sovereignty. Moreover, Schmitt’s concept of the political presupposes the state and a decisionist discourse of sovereignty. Schmitt’s decisionism is expressed in terms of a sublime, symbolising the highest region of both political conduct and knowledge. For Schmitt, mastery and dominion are the core values of the political. This has severe implications for the concept of legality and the democratic functioning of the state. Thinking beyond a juridical formula unleashes political thought from the strictures of both proceduralism (liberalism) and decisionism (authoritarianism). This reflexive approach to the political—present in the work of Foucault, Butler, and Mouffe—allows for the shared regime of mastery and dominion to be critically reformulated. Without the imperative of mastery—the unilateral control of conduct by the subject—political thought is freed from the need to exercise dominion and can focus on the ways in which the subject can be constituted in less exclusionary ways.
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Carl Sandburg on stage in IndianaHatcher, Jennie Ann January 1973 (has links)
This thesis has documented over thirty-four performances given in Indiana by Carl Sandburg, poet, biographer, journalist, and lecturer. The information given for each performance includes newspaper coverage before and after the event, as well as personal recollections of those who saw him perform or knew him.Through this study, a picture of Carl Sandburg, the man and lecturer, appears.
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