Thesis (M.A.)--University of Wisconsin--Madison, 1964. / eContent provider-neutral record in process. Description based on print version record. Bibliography: l. 67-69.

Thesis--Yale University. / Abstract. Includes bibliographical references (leaves [299]-313).

Thesis (Ph. D.)--Yale University, 1977. / "7815714." eContent provider-neutral record in process. Description based on print version record. Bibliography: v. 1, leaves 300-313.

Thesis--Valladolid, 1974. / Includes indexes. Includes bibliographical references (p. 259-270).

Thesis (doctoral)--Eberhard-Karls-Universität Tübingen.

In 1290, members of the de Viane family donated a six-volume set of large, deluxe liturgical manuscripts to the Cistercian nuns of Beaupré in Grimminge, East Flanders. The three extant volumes and a later supplement are now known as the Beaupré Antiphoner (Baltimore, Walters Art Museum, W. 759-762). The nuns used, extensively revised, and supplemented the antiphoner for the next five hundred years until the abbey was suppressed in 1796 during the French Revolution. The manuscript offers a bottom-up perspective on the history of Cistercian chant in a women’s community. It also fills lacunae in the documentary sources related to reform and change in the history of the abbey. Revisions made in the late fifteenth century under the Observant movement suggest a revival of interest in St. Bernard and the “Bernardine” recension of Cistercian chant. Further alterations in the early modern period demonstrate that the nuns did not abandon their medieval chant tradition and adopt post-Tridentine versions until the late eighteenth century, approximately two hundred years after the publication of the Roman breviary of Pope Pius V (1568). The nuns viewed their carefully considered revisions as a necessary condition of continuity, not as a threat to it.

Thesis advisor: Boyd T. Coolman / William of Saint-Thierry, Isaac of Stella, and Baldwin of Forde created a distinctly Cistercian body of Eucharistic theology in the twelfth century. But despite one article that examines none of the Eucharistic treatises and omits Isaac and Baldwin, there is no scholarly account of Cistercian Eucharistic theology. Nor is there more generally a historical work that examines the connection between medieval Trinitarian and Eucharistic theology. This dissertation seeks to fill both lacunae. The introduction of the dissertation sets the historical and scholarly context for investigation. Chapter 1 examines the thought of William of Saint-Thierry, who has the most developed understanding of Eucharistic presence, conversion, and reception. It also treats the connections William draws between Eucharistic reception and meditation on scripture and the passion of Christ. Chapter 2 treats Isaac of Stella, who uses more intellectualist imagery and imagery of the mystical body of Christ. Chapter 3 studies Baldwin of Forde, who argues that the term transubstantiation best describe Eucharistic conversion. Baldwin emphasizes reception by faith in the truth about Christ. Chapter 5 offers a brief conclusion. These Cistercian authors thought that the character of God as a Trinity of persons united in essence provides the form or structure of the economy of salvation—especially its turning point or climax, the Eucharist. This emphasis on Trintiarian dimensions is the hallmark of Cistercian Eucharistic theology. They saw the Eucharist as an analogue to the Incarnation, a site where the economic missions of the Trinity take place. In the Eucharist, God the Father draws those who receive to himself by uniting them to the body and blood of the Son. This unity brings an increase of unity with the Holy Spirit. Once united to the Son and Spirit, the faithful are united to the Father and to the unity that all three persons share. The Eucharist is, then, not only a site of God’s movement toward human beings, but of human movement back toward God. It acts as a kind of pivot point in the economy of salvation: the moment where the outpouring of the Son and Spirit join most deeply with the faithful and draw them back to the Father. The Eucharist also binds the members of the Church, the body of Christ, to each other and to their Head in his act of self-offering to the Father. It connects the meditation, sacrifices, and offering of their own lives to that of Christ, with which they are offered to the Father.

Au-delà de la littérature édifiante ou critique des XVIème, XVIIème et XVIIIème siècles, l’image mentale des religieuses bénédictines et cisterciennes passe aussi par la production et la diffusion de représentations iconographiques via de nombreux supports. L’étude menée sur ce media visuel a permis de rassembler un corpus de 1160 références regroupées en une base de données exploitable. Son analyse se développe autour de l’affirmation de l’importance du témoignage historique et documentaire de l’iconographie pour la connaissance des modes de vie et de pensées de ces moniales. Le traitement typologique du contexte de production, des commanditaires et destinataires des œuvres définit les enjeux et objectifs de ces représentations. L’iconographie présente toutes les caractéristiques spirituelles et temporelles de la vie monastique féminine avec les différentes problématiques qui font l’actualité du monde régulier post-tridentin. L’étude se penche aussi sur la représentation des grandes figures fondatrices du monachisme féminin, comme sainte Scholastique, les saintes fondatrices d’abbayes médiévales et les fondatrices modernes de congrégations nouvelles. L’iconographie donne à voir un monde monastique féminin puissant et émancipé avec l’évocation de la sainteté féminine et de son lien privilégié à Dieu. Les portraits de supérieures et de religieuses sont des témoins directs d’un pouvoir temporel et spirituel similaire à celui de leurs confrères moines. L’image de la bénédictine et de la cistercienne à l’époque moderne se révèle orientée et biaisée, utilisée à des fins de propagande, mais les religieuses en tirent toujours le meilleur parti pour conforter leur légitimité. / Beyond uplifting or critical literature of 16th, 17th and 18th centuries, the mental image of the Cistercian and Benedictine nuns also involves the production and dissemination of iconographic representations via a variety of media. The study on the visual media brought together a corpus of 1160 references grouped into a usable database. His analysis develops around the affirmation of the importance of the historical and documentary witness of the iconography for the knowledge of the modes of life and thoughts of these nuns. The typological treatment of the context of production, sponsors and recipients of art works defines the stakes and objectives of these representations. Iconography features all the spiritual and temporal of feminine monastic life with the various problems which make the topicality of the post-Tridentine regular world. The study also focuses on the representation of the great founding figures of female monasticism as Saint Scholastica, the Holy founders of medieval abbeys and the modern founders of new congregations. The iconography shows a powerful and emancipated female monastic world with the evocation of feminine Holiness and his relationship to God. Superior and religious portraits are direct witnesses of their temporal and spiritual power similar to that of their fellow monks. The image of the Cistercian and benedictine in modern times turns oriented and biased, used for purposes of propaganda, but the nuns always get the best of that to reinforce their legitimacy.

Thesis (Ph. D.)--University of Texas at Austin, 2000. / Vita. Includes bibliographical references (leaves 420-440). Available also in a digital version from Dissertation Abstracts.

Thesis (Thèse complémentaire)--Paris. / Issued also as Publication des Annales de la Faculté des lettres, Aix-en-Provence ; Nouv. sér., no. 3. Includes bibliographical references and indexes.