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The effects of colonization are still evident in Aboriginal communities. This thesis examines feminism in relation to the colonial experiences of Aboriginal people. Drawing on feminist theories, this thesis explores how the ideology and practices of male dominance were imposed through colonization in Aboriginal societies. European male dominance has been modeled throughout colonization and assimilation, and this set the standard for future gender relations in Western society and in Aboriginal communities. Patriarchy is deeply embedded in our society, and because Aboriginal people have been affected by this, historically and in the present, they in turn absorb these practices as normal thought and behavior. The marginalization and oppression of Aboriginal people is due to colonization; however, patriarchal practices were also modeled in this process and this has caused Aboriginal women to be further marginalized. This thesis uses feminist theory, an analysis of patriarchy, and social constructionism to demonstrate how Aboriginal women continue to be marginalized, and how feminism may be a source of empowerment for Aboriginal people.

The effects of colonization are still evident in Aboriginal communities. This thesis examines feminism in relation to the colonial experiences of Aboriginal people. Drawing on feminist theories, this thesis explores how the ideology and practices of male dominance were imposed through colonization in Aboriginal societies. European male dominance has been modeled throughout colonization and assimilation, and this set the standard for future gender relations in Western society and in Aboriginal communities. Patriarchy is deeply embedded in our society, and because Aboriginal people have been affected by this, historically and in the present, they in turn absorb these practices as normal thought and behavior. The marginalization and oppression of Aboriginal people is due to colonization; however, patriarchal practices were also modeled in this process and this has caused Aboriginal women to be further marginalized. This thesis uses feminist theory, an analysis of patriarchy, and social constructionism to demonstrate how Aboriginal women continue to be marginalized, and how feminism may be a source of empowerment for Aboriginal people.

This thesis puts forth an ethnographic, contextual social constructionist account of the non-mainstream body manipulations practiced at the annual Body & Soul body modification event in Western Canada. The radical practices at this event include sewing limes and other items to one’s body, flesh hook pulling, and/or receiving “third eye” piercings and cheek skewers; thus, it constitutes an example of extreme deviance subject to negative reactions from outsiders. This research assumes that meaning is discursively and symbolically constituted by people via an active process of claimsmaking wherein competition for definitional control of reality ensues. From a qualitative stance, data were derived from a combination of participant observation fieldwork at Body & Soul and subsequent in-depth interviews with participants. The results demonstrate a trend in the (counter)claimsmaking activity of practitioners of this extreme form of body modification wherein paradoxically the nature of their deviance is reconstructed and aligned with conformist goals via discursive, corporal, and symbolic claims that simultaneously offer an implicit critique of mainstream Western culture. The results are interpreted as part of a discursive competition for definitional control of extreme body modification, strategy in the negotiation and management of a stigmatized identity, means of implicit social criticism, and an unconventional expression of conventional values. / Thesis (Master, Sociology) -- Queen's University, 2010-04-23 12:16:30.965

The purpose of this study was to examine 7th-grade composers’ strategies, processes, and perceptions, and the compositions they created using music technology in a constructionist-oriented learning environment. This embedded multiple case study examined the composition activities of eight 7th-grade students with varied musical backgrounds. During the 10-week data collection period, participants composed music using Hyperscore software underpinned by a constructionist-oriented theoretical framework. Hyperscore facilitates intuitive music composition and enables a composer to notate music with graphic notation without the need for understanding conventional music notation. I found that novice composers with relatively little to no formal musical training or experience creating original music could produce compositions emulating the strategies of professional composers. I also concluded that participants relied on inspiration as do professional composers and were able to intuitively and successfully create compositions including multiple sonic elements with minimal guidance and instruction. Participants exhibited evidence of thinking in and about sound. Findings also alerted future music educators and researchers to the potential of graphic notation software such as Hyperscore to undermine thinking in sound because of its unique sketch-oriented design that might emphasize symbol (i.e., drawing) before sound. I found that technology effectively scaffolded two participants’ processes. Contrastingly, in two cases and possibly more, results showed that participants might have benefited from more situated and responsive scaffolding by the instructor. My study also supported previous researchers’ findings that a balance between freedoms and constraints is essential to a novice composer’s success. Participants expressed general skepticism of themselves as bona fide composers, a desire or need for more time to develop their compositions, and value of agency, originality, and prior experience. Participants conveyed that individual and collaborative composition processes each had advantages and disadvantages; however, overall, they preferred collaboration over individual work. Participants attempted to reconcile their knowledge of traditional notation with graphic notation and drew from prior instrumental experience, familiar music, and their previous compositions to develop their pieces. I also discussed the extent to which and how particular Papertian, Piagetian, and Vygotskian theoretical constructs revealed themselves in my study.

This doctoral thesis investigates the impact of the “maker movement” on education, exploring how making, tinkering, coding, and play contribute to the development of 21st-century skills such as creativity, problem-solving, and computational thinking. Grounded in the construc- tionist approach, it emphasizes the intrinsic value of the learning process and interdisciplinary connections across STEAM (Science, Technology, Engineering, Arts, and Mathematics) do- mains. Starting from a robust exploration of the literature and an empirical study into youth perceptions, this research outlines an expansive educational framework that transcends traditional STEAM boundaries. The thesis illustrates the transformative journey, highlighting the formation of communities of practice and the launch of innovative outreach initiatives. It argues against offering a singular conclusion, instead presenting an integrated approach that weaves together theoretical insights with practical outcomes. The work supports pedagogical principles and demonstrates the benefits of innovative educational activities, advocating for a model of cross-disciplinary contamination and inclusivity. By bridging the gap between various fields of research and between academia and the broader community, this dissertation suggests a paradigm capable of producing impactful educational advancements. It presents a journey through educational models and methodologies, the ex- pansion of university missions, and the measurement of the impact of university FabLabs, thus contributing significantly to both academic discourse and practical applications in educational settings.

No / Critically reflexive practice embraces subjective understandings of reality as a basis for thinking more critically about the impact of our assumptions, values, and actions on others. Such practice is important to management education, because it helps us understand how we constitute our realities and identities in relational ways and how we can develop more collaborative and responsive ways of managing organizations. This article offers three ways of stimulating critically reflexive practice: (a) an exercise to help students think about the socially constructed nature of reality, (b) a map to help situate reflective and reflexive practice, and (c) an outline and examples of critically reflexive journaling.

Experts describe maker education as activities relating to the construction of artifacts that encourage learning through teamwork, problem-solving, and innovation. Teachers in recent years have been turning to maker-centered learning strategies to develop 21st century skills along with emphasizing strong content knowledge focusing on creation and creativity. Previous maker-based learning research focused primarily on the technology and tools associated with these activities; however, little research exists on the teachers'€™ involvement with these learning strategies. The purpose of this phenomenological study was to explore the experiences of teachers currently using maker-centered learning strategies as an instructional practice in grade 5-12 classrooms. Based on the idea of constructing knowledge through active learning, the conceptual framework for this research encompasses multiple learning theories including constructionism, constructivism, experiential learning, and cooperative learning. The research examined the motivation of teachers' using maker-centered learning strategies and the challenges and benefits they have experienced. Data were collected using semistructured interviews and written lived experience descriptions from seven teachers currently using maker-based learning in their classrooms and analyzed using InVivo coding. The participants described their experiences as facilitators in student-centered classrooms that focus on collaboration and learning through failure. Time and assessment are common challenges while increased student engagement and student social and academic growth are common benefits. Experts maintain that maker-centered learning improves 21st century skills and prepares students for success in college, careers, and lifelong learning opportunities.

Despite the introduction of road safety measures and media campaigns, crashes are a leading cause of death in Western Australia. While economic costs of crashes are relatively easy to determine, their psychosocial burden remains appreciably under-studied, as are the social, cultural, historical, temporal, and political contexts within which grief experiences are housed. As such, I explored the experience of grief resulting from losing a loved one in a crash in Western Australia and described the influence of contextual factors on those grief experiences.

Human sexual behaviour is highly variable and not tightly linked to biological reproduction. However, it has not been studied as social behaviour until the last 40 years and until recently it is largely deviant behaviour that has gained the attention of sociologists. Sociology has adopted an unnecessarily antibiologistic position and consequently neglected the body. In reviewing sociological approaches to sex I draw on social constructionism, particularly the work of Gagnon and Simon (1974) and their notion of scripts; these can be interpreted as discursive structures defining sexual acts and sexual actors at both the individual and societal level. I outline a range of social constructionist positions in relation to sexuality and adopt a moderately radical but realist one that concedes some place for the physiology of arousal linking the elements of the discursive realm of the sexual in social life. Finding the basic assumptions of symbolic interactionism a fruitful base from which to approach sexual conduct I reject the concept of 'desire' as too complex and obscure to serve as a starting point in understanding the social organisation of sex. A review of the ethnographic observational studies of settings in which men have casual sex shows that beats (public places such as parks and toilets) operate in a similar manner in many countries. Commercial sex venues are more varied. They are safer and more comfortable than beats and may offer private rooms and facilities for esoteric sex such as bondage. Sex in such settings is impersonal and anonymous, costs little effort, time or money, and offers a variety of partners. Interaction is largely nonverbal. Interview studies of men who have casual sex with other men tend to undersample men who are not gay-identified, but they offer insights into men's motivations and understandings. Both kinds of research are necessary. The empirical component of the thesis is a thematic analysis of transcripts from three interview studies of gay men in Sydney done between 1993 and 1997: Negotiating Sex (n = 9), the Sites study (n = 21) and the Seroconversion study (n = 70). All involved detailed narratives of sexual encounters. The analysis takes a situational interactionist approach with a specific focus on practice. Central questions asked are: how does the setting (beat, sex venue, home) affect what happens? What does sex mean to the men, and how does this affect what they do? How do men's sexual skills, tastes and experience relate to their practice? How do men's bodies and their understandings of the body affect their practice? What do different sexual practices mean and how are they organised and negotiated within the encounter? How (if at all) do men integrate considerations of safe sex into their practice? Physical surroundings were found to have a profound effect on practice. Sex venues as cultural institutions enable patterns of practice that do not occur elsewhere. Physical arrangements within beats and venues encourage or enable particular practices, such as oral sex or group sex. Motivations for and meanings of sex to the participants varied widely; these were related to practice within the men's own accounts but not in any clear predictive way. Men's sexual skills, tastes and preferences, which were also very varied, related to their practice. Men made trade-offs between risk and pleasure. Men looked for a range of features in casual partners. Suppression of social cues restricted the range of criteria on which partners were selected, enabling wider choice. Men's bodies affected their practice most strikingly in the issue of erection or the lack of it. Understandings of the body and physiological processes affected men's interpretations of information about HIV risk. These men have a vocabulary of sexual practices within which some common practices are less salient. These practices are socially patterned in ways that benefit men with certain tastes and abilities and frustrate those with others. Safe sex considerations are routinely integrated into sexual practice but in a way that leaves room for considerable risk of HIV transmission. In conclusion I argue that conceptualising sex between men exclusively in terms of gay identity and culture is inappropriate. The outcome of the empirical work confirms the theoretical analysis that found it necessary to incorporate some physiological notions, such as 'libido', into a social constructionist view of sex. The findings and their interpretations have important implications for framing effective HIV prevention programs. Some specific suggestions are made for how this might be done.