prepared by Lie Ning Gung. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 1998-99, design report." / Includes bibliographical references. / Introduction / Chapter Book I --- Hypothesis / Chapter ---- --- Genesis of Hanzi / Chapter ---- --- Esthetics of Hanzi / Chapter ---- --- A Living Being / Chapter ---- --- On Architecture / Chapter Book II --- Concepts / Chapter ---- --- Dynamics / Chapter ---- --- Action / Chapter ---- --- Experience / Chapter ---- --- Program / Chapter ---- --- Site / Chapter Book III --- Trials / Chapter ---- --- Conceptual Model / Chapter ---- --- Site / Chapter ---- --- Study Model / Chapter ---- --- Program / Chapter ---- --- The Project / Chapter ---- --- Epilogue / Appendices / Chapter I- --- Project Background / Chapter ---- --- Social & Political Context --- p.1-4 / Chapter ---- --- Historical & Cultural Context --- p.5-7 / Chapter ---- --- The Issue --- p.8-9 / Chapter ---- --- The Proposal --- p.10 / Chapter ---- --- Client Profile --- p.11 / Chapter ---- --- Mission --- p.12-13 / Chapter II- --- Site / Chapter ---- --- History --- p.1-2 / Chapter ---- --- Land Use --- p.3 / Chapter ---- --- Circulation Studies --- p.4-8 / Chapter ---- --- Site Features --- p.9 / Chapter ---- --- Topology --- p.10 / Chapter ---- --- Site Constrains --- p.11 / Chapter ---- --- Potential & Cost --- p.12 / Chapter ---- --- Goals & PR --- p.13-18 / Chapter III- --- Precedents studies / Chapter IV- --- Interviews / Acknowledgements / Bibliography

陶淑慧. / "2011年8月". / "2011 nian 8 yue". / Thesis (M.F.A.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (leaves 46-50). / Abstract in Chinese and English. / Tao Shuhui. / 引言 --- p.1 / Chapter 第一章： --- 臨摹和創作的概念 / Chapter (一) --- 臨摹的概念 --- p.3 / Chapter (二) --- 臨摹的種類 --- p.3 / Chapter (三) --- 創作的概念 --- p.6 / Chapter (四) --- 創作的種類 --- p.6 / Chapter 第二章： --- 王鐸以前書家的臨摹 / Chapter (一) --- 王鐸以前書家的臨摹觀念 --- p.7 / Chapter (二) --- 王鐸以前書家的臨摹方法 --- p.8 / Chapter 第三章： --- 王鐸的草書臨摹 / Chapter (一) --- 王鐸的臨摹觀念 --- p.11 / Chapter (二) --- 王鐸草書的臨摹方法 --- p.13 / Chapter (三) --- 影響王鐸草書臨摹的因素 --- p.21 / Chapter (四) --- 王鐸的草書臨摹對其草書風格的影響 --- p.25 / Chapter 第四章： --- 王鐸習古對於當代書法學習的意義 / Chapter (一) --- 當代書壇習古反思 --- p.28 / Chapter (二) --- 王鐸習古對於筆者的啟示 --- p.29 / 結語 --- p.30 / 圖版目錄 --- p.31 / 參考書目 --- p.46

張惠儀. / 論文(碩士) -- 香港中文大學硏究院藝朮學部, 1997. / 參考文獻: leaves [1-11] (3rd group) / Zhang Huiyi. / 緒言 --- p.1 / Chapter 第一章 --- 生平及藝苑交遊 / Chapter 第一節 --- 生平 / Chapter 一、 --- 困苦中成長至典型的士人生涯 --- p.3 / Chapter 二、 --- 宦海浮沉三十年 --- p.9 / Chapter 1. --- 保守中求革新的政治觀 --- p.9 / Chapter 2. --- 經世致用與蹊徑獨闢的治學態度 --- p.13 / Chapter 三、 --- 政壇失意與藝術生命的眞正展開 --- p.20 / Chapter 四、 --- 復辟的幻滅，無奈的選擇？ --- p.25 / Chapter 第二節 --- 藝苑交遊 --- p.27 / Chapter 第二章 --- 書學思想 / Chapter 第一節 --- 書史觀 / Chapter 一、 --- 窮源竟流 --- p.58 / Chapter 二、 --- 南北融合 --- p.63 / Chapter 三、 --- 「因時變易」 --- p.65 / Chapter 四、 --- 「土風」說 --- p.67 / Chapter 第二節 --- 創作論 / Chapter 一、 --- 「悟境」說 --- p.69 / Chapter 二、 --- 參伍相變 --- p.70 / Chapter 三、 --- ¯‘ة古求變 --- p.73 / Chapter 四、 --- 「書唯求生」 --- p.75 / Chapter 第三節 --- 實踐論 / Chapter 一、 --- 筆法論 --- p.77 / Chapter 二、 --- 結體論 --- p.86 / Chapter 三、 --- 墨法論 --- p.87 / Chapter 第四節 --- 鑒藏觀 --- p.88 / Chapter 第三章 --- 書法藝術 / Chapter 第一節 --- 學書淵源與書風分期 --- p.99 / Chapter 一、 --- 學帖時期（1881前-1910 ) --- p.99 / Chapter 二、 --- 融碑入帖（19 1 1 -1920 ) --- p.111 / Chapter 三、 --- 「博取眾長化爲我用」（1921-1922 ) --- p.119 / Chapter 第二節 --- 書法藝術特徵 --- p.122 / Chapter 一、 --- 行草 --- p.122 / Chapter 二、 --- 楷書 --- p.127 / Chapter 三、 --- 隸書 --- p.127 / Chapter 四、 --- 篆書 --- p.128 / Chapter 第四章 --- 書壇地位與影響 / Chapter 第一節 --- 淸末民初書壇新機運 --- p.132 / Chapter 第二節 --- 沈曾植的書法歷史地位及影響 / Chapter 一、 --- 「碑帖融和」的拓展 --- p.134 / Chapter 二、 --- 草書的復興 --- p.138 / Chapter 三、 --- 書學的承先啓後 --- p.141 / Chapter 四、 --- 筆法上的開創 --- p.144 / Chapter 五、 --- 影響後學 --- p.144 / Chapter 第三節 --- 曲高「和寡」與大眾化的矛盾 --- p.148 / Chapter 第四節 --- 七十年後的再次定位？ --- p.151 / Chapter 附錄一 --- 參考書目 --- p.1.1 / Chapter 附錄二 --- 沈曾植年譜 --- p.2.1 / Chapter 附錄三 --- 沈曾植書法作品目錄 --- p.3.1 / Chapter 附錄四 --- 沈曾植所藏及所見碑帖、書蹟目錄 --- p.4.1 / Chapter 附錄五 --- 沈曾植印輯 --- p.5.1 / Chapter 附錄六 --- 圖版 --- p.6.1 / 沈曾植書法作品目錄圖版 / 插圖 / 沈曾植生活照

何碧琪. / "2001年8月" / 論文 (哲學碩士)--香港中文大學, 2001. / 參考文獻 (leaves 126-144) / 附中英文摘要. / "2001 nian 8 yue" / He Biqi. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2001. / Can kao wen xian (leaves 126-144) / Fu Zhong Ying wen zhai yao. / 緒言 --- p.1 -3 / 目錄 --- p.4-5 / Chapter 上卷： --- 宋以來隸書觀念的建立與變遷 / Chapter 第一章： --- 宋至晚明的隸書發展與觀念 --- p.6 -17 / Chapter 第一節： --- 金石文字硏究與鑑古之風熾熱下之宋元隸書 / Chapter 第二節： --- 帖學盛行下之明代隸書 / Chapter 第二章： --- 明末淸初有利於淸代隸書發展的文化社會氛圍 --- p.18-30 / Chapter 第一節： --- 傅山等書論及書評導致審美觀的轉變 / Chapter 第二節： --- 金石學之復興及影響 / Chapter 第三節： --- 康熙時代博學鴻詞科促進南北書學交流 / 小結 / Chapter 第三章： --- 康熙雍正年間(1662-1735)書家流派的雛形 --- p.31 -54 / Chapter 第一節： --- 明代正統的餘韻 / Chapter 第二節： --- 明季遺民書家復古革新傳統的拓展 / Chapter 第三節： --- 金石學者書家的先導 / Chapter 第四節： --- 碑學書家的學碑原則 / 小結 / Chapter 下卷： --- 淸代隸書的確立 / Chapter 第四章： --- 乾隆嘉慶時代(1736-1820)江浙地區的隸書發展 --- p.55-95 / Chapter 第一節： --- “¯‘ة個性´ح畫家及篆刻家書家的發展及地方特色 / Chapter 1. --- 乾隆前半期江蘇的揚州畫家書家 / Chapter 2. --- 乾隆後半期至嘉慶時期的浙江篆刻家書家 / Chapter 第二節： --- “重學問´ح學者書家的發展 / 小結 / Chapter 第五章： --- 伊秉綬的隸書風格與時代意義 --- p.96-125 / Chapter 第一節： --- “重學問´ح與“¯‘ة個性´ح書家的相繼薰陶 / Chapter 第二節： --- 伊秉綬書法的師承及金石學興盛對其隸書的影響 / Chapter 第三節： --- 伊秉綬隸書反映的文化特徵 / 參考書目 --- p.126-144 / 附錄一 明代以前至淸中期漢隸碑刻出土年表 --- p.1-1-10 / 附錄二 淸代隸書傳世作品目錄及收藏表 --- p.2-1-42 / 附錄三 順治至嘉慶隸書書家簡介 --- p.3-1-9 / 附錄四 伊秉綬年表 --- p.4-1-8 / 附錄五 伊秉綬隸書作品目錄 --- p.5-1-11 / 附錄六 正文附圖（圖版l.l-5.40b) --- p.6-1-79 / 伊秉綬隸書作品（圖版1 - 97)及印輯 --- p.6 -80-102

洪娟. / "2001年6月" / 論文 (哲學碩士)--香港中文大學, 2001. / 參考文獻 (leaves [65-71]) / 附中英文摘要. / "2001 nian 6 yue" / Hong Juan. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2001. / Can kao wen xian (leaves [65-71]) / Fu Zhong Ying wen zhai yao. / Chapter 第一章 --- 緒言 / Chapter 第一節 --- 簡牘硏究槪況 / Chapter 一 --- 出土情況 --- p.1 / Chapter 二 --- 簡牘書法硏究成果 / Chapter (一) --- 中國學者的簡牘書法研究 / Chapter 1. --- 八十年代及以前的硏究 --- p.2 / Chapter 2. --- 九十年代及以後的硏究 --- p.7 / Chapter (二) --- 曰本及西方學者的簡牘書法研究 --- p.10 / Chapter 第二節 --- 走馬樓吳簡書法硏究前瞻 / Chapter 一 --- 走馬樓吳簡的性質 --- p.14 / Chapter 二 --- 吳簡書法的研究方法 --- p.15 / Chapter 第二章 --- 走馬樓吳簡書法硏究 / Chapter 第一節 --- 三國書體發展槪況 --- p.22 / Chapter 第二節 --- 從偏旁分析探討吳簡的書體 / Chapter 一 --- 篆書 --- p.25 / Chapter 二 --- 隸書 --- p.26 / Chapter (一) --- 受碑別字影響的寫法 --- p.27 / Chapter (二) --- 相對於碑別字較統一的字形 --- p.30 / Chapter (三) --- 對於字形的改造 --- p.31 / Chapter 三 --- 楷書 / Chapter (一) --- 改造隸書字形 --- p.32 / Chapter (二) --- 對於隸書筆法的改造 --- p.33 / Chapter 四 --- 草書 --- p.36 / Chapter 第三章 --- 從吳簡看三國書風 / Chapter 第一節 --- 與鍾繇書跡的比較 / Chapter 一 --- 鍾繇書風 --- p.40 / Chapter 二 --- 吳簡的書手 --- p.41 / Chapter 三 --- 吳簡與鍾書比較 --- p.43 / Chapter 第二節 --- 三國書風的展現 / Chapter 一 --- 三國書風綜述 --- p.47 / Chapter 二 --- 吳簡對於三國書法面貌的展現 --- p.51 / 結語 / Chapter 一 --- 走馬樓吳簡書法研究的意義 --- p.58 / Chapter 二 --- 相關問題的探討 --- p.60 / Chapter 三 --- 硏究展望 --- p.61 / 參考書目 / 附錄一：近世簡牘帛書出土年表 / 附錄二：吳簡對照字形表 / 圖版

published_or_final_version / Buddhist Studies / Doctoral / Doctor of Philosophy

黃孕祺. / 論文(博士) -- 香港中文大學硏究院藝術部, 1995. / 參考文献 : 134-143. / Huang Yunqi. / 目錄 --- p.i-iii / 〈凡例〉 --- p.iv / Chapter 第一章 --- 書風的形式 --- p.1 -33 / Chapter 一、 --- 研究之目的 --- p.1 / Chapter 二、 --- 問題之關鍵 --- p.7 / Chapter 三、 --- 形式的特徵 --- p.13 / Chapter 四、 --- 術語的糸統 --- p.18 / Chapter 五、 --- 書風的詮釋 --- p.23 / Chapter 六、 --- 風格的分判 --- p.28 / Chapter 第二章 --- 書風的演變 --- p.34 -68 / Chapter 一、 --- 斷代的標準 --- p.34 / Chapter 二、 --- 世系與稱謂 --- p.39 / Chapter 三、 --- 母妣與名諡 --- p.49 / Chapter 四、 --- 貞人與稱謂 --- p.53 / Chapter 五、 --- 斷代新方案 --- p.58 / Chapter 六、 --- 風格和時代 --- p.63 / Chapter 第三章 --- 書風的意味 --- p.69 -108 / Chapter 一、 --- 意味之抉隱 --- p.69 / Chapter 二、 --- 取龜到藏龜 --- p.74 / Chapter 三、 --- 奉龜到徹龜 --- p.80 / Chapter 四、 --- 記事和記兆 --- p.86 / Chapter 五、 --- 卜辭的書契 --- p.93 / Chapter 六、 --- 殷契之成就 --- p.101 / 〈註釋〉 --- p.109 -131 / Chapter 第一章 --- 註 --- p.109 / Chapter 第二章 --- 註 --- p.115 / Chapter 第三章 --- 註 --- p.125 / 〈書刊簡稱表〉 --- p.132 -133 / 著錄 --- p.132 / 工具書 --- p.132 / 刊物 --- p.133 / 〈參考書目〉 --- p.134 -143 / 〈附表〉 --- p.144 -190 / 【表1.1】書風範型表 --- p.144 / 【表1.2】書風範型關係簡表 --- p.145 / 【表1.3】書風範型資料例 --- p.146 -149 / 【表2.1 .1】王世、稱謂、貞人關係表一： 王世、稱謂表 --- p.150 / 【表2.1.2】王世、稱謂、貞人關係表二： 貞人稱謂表 --- p.151 / 【表2.1.3a】】王世、稱謂、貞人關係表三： 貞人王世表（a) --- p.152 / 【表2.1.3b】】王世、稱謂、貞人關係表三： 貞人王世表（b) --- p.152 / 【表2 . 2】標準片表 --- p.153 -172 / 【表2.3】貞人同版表 --- p.173 -175 / 【表2.4a】 貞人繫聯表（I) --- p.176 -177 / 【表2.4b】 貞人繫聯表（II) --- p.178 / 【表2.5】「標準片」範型時期表 --- p.179 / 【表2.6】四期書風表 --- p.180 / 【表2.7】t期書風表 --- p.180 / 【表2.8】五期書風表 --- p.180 / 【表2.9】書風同異關係糸數簡表 --- p.181 / 【表2.10】書風同異關係系數詳表 --- p.182 -189 / 【表3.1】殷代龜卜程序表 --- p.190 / 〈附圖〉 --- p.1 -223 / 《合》 --- p.1 -202 / 《屯》 --- p.203 -217 / 《英》 --- p.218 -220 / 《東》 --- p.221 / 《懷》 --- p.222 -223

Keung Chau Yu Alice. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 1998-99, design report." / Includes bibliographical references (leaves 102). / Stage 1 --- p.p4-p14 / What is Caligraphy? / The Emergence of Caligraphy? / The Three Traditions of Caligraphy? / Background of the Project: / Facts / Value / Project Goals / Mission / Issues / Caligraphy + Architecture = Calitecture / Proposed Site 1 / "Pak Sha O Village, Sai Kung" / Schedule of Accomodations / Proposed Client / Alpha Beta Club / Precedent / "Wagramerstrasse, Vienna, Eric Owen Moss" / Stage 2 --- p.p15-p26 / The process of caligraphy writing 1 / The process of caligraphy writing 2 / The process of caligraphy writing 3 / Explorations on stroke-writing / Chinese caligraphic Tools / Content of Writing / What am I looking at/have observed / process / A Narrative of Caligraphy Writing / Analysis 1 / Anaiysis 2 / Analysis 3 / Stage 3 --- p.p27-p30 / Introduction / Installation -A Simulation Process / Stage 4 --- p.p31-p40 / Introduction / Special Features / Conservation / Recreation / Fishing / Tidal Change / Getting There / A Narrative of Marine Biology Study / A Narrative of Diving / A Narrative of Hiking / A Narrative of Caligraphy Writing / An Impression of Site from Caligrapher's eyes / Stage 5 --- p.p41-47 / Facts & Issues Development / Caligraphy + Architecture = Calitecture / Stage 6 --- p.P48-59 / Design Proposal / design concept --- p.-p49 / design development --- p.-p50-59 / Final Design / schedule of accommodation --- p.-p60 / site setting out --- p.-p61 / building plans --- p.-p62-63 / movement pattern --- p.-p64-65 / building models --- p.-p66-67 / Stage7 --- p.p68-79 / Construction / general structure --- p.-p69-70 / special structure --- p.-p71-72 / construction sequence --- p.-p73 / Environmental / use of energy --- p.-p74 / waste water treatment system --- p.-p75 / water use strategy --- p.-p76-77 / sun tracking device --- p.-p78 / Life Safety / means of escape --- p.-p78 / feedback --- p.-p79 / Appendix / sketches --- p.-p80-91 / calligraphy exploration --- p.-p92-101 / Bibliography --- p.p102

published_or_final_version / Architecture / Master / Master of Architecture

Chapter 1 reviews the background to the rise of art patronage studies and their development and its influence on studies of Chinese art history. It also provides alternative approaches to studying activities related to patronage and their influence and role in Chinese art history by criticising traditional analysis of Chinese art based on social and economic theories. / Chapter 2 examines the life of Wang and explores the intentions and meaning to his patronage activities through studying his political involvement, literary activities and his social background and connections. / Chapter 3 discusses how Wang, given his knowledge in history and passion for art and its collection, reinterprets art history with reference to his private collection of art, and thereby consolidating his status as a leading figure of literary and cultural circle of his time. / Chapter 4 explains and reflects on the formation of the "artist-patron" relationship through examining the relationship and interaction between Wang and the literary circle and by appraising the financial background and standing of artists and calligraphers at the time. / Chapter 5 examines the direct impact that Wang, as a literary leader and patron of the art, has on the styles and subject matter of art work by examining and decoding several pieces of art commissioned by himself, thus revealing a distinct mechanism in which art was produced at the time. / Chapter 6 discusses the "artist-patron" relationship and the "trading of cultural resources" by examining diverse pieces of art work given to Wang as gifts by different individual artists and calligraphers. / Chapter 7 analyses the significance of the patronage activities of Wang and provides a new approach to understanding the issue of traditional Chinese art patronage in Chinese art history. / Through a case study of the life of Wang Shizhen, this research attempts to analyse the influence of literary leader and patron of the arts on the development of painting and calligraphy during the mid-Ming period. By analysing the "artist-patron" relationship, this paper attempts to explain alternative mechanism through which traditional Chinese art was produced. The thesis also examines art patronage activities in Suzhou during the sixteenth century and thereby attempts to examine these activities from the broader cultural and historical context at the time. This paper is divided into seven chapters: / 鄧民亮. / 論文(哲學博士)--香港中文大學, 2006. / 參考文獻(p. 298-320). / Advisers: Tsung-i Jao; Kar Leung Mok. / Source: Dissertation Abstracts International, Volume: 68-02, Section: A, page: 0378. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / School code: 1307. / Lun wen (zhe xue bo shi)--Xianggang Zhong wen da xue, 2006. / Can kao wen xian (p. 298-320). / Deng Minliang.