No description available.

No description available.

No description available.

No description available.

This study documents and analyses the music-selling and publishing industry in London from 1780 to the end of the Georgian period as reflected in publishers' catalogues of music for sale. It assembles the histories and activities of these music publishers in relation to the society they served. Catalogues inform us quite precisely not only of the activities of music publishers, but also the role they played in accommodating, influencing, expanding and educating the contemporary musical taste. In addition, catalogues provide documentary evidence of compositions in issues no longer extant, and even of some works themselves at least by the lesser-known composers. Nearly 600 catalogues in over 1100 states, issued by over 100 London music-publishing firms from 1780 to 1837 have been gathered from the British Library, London; the Bodleian Library, Oxford, and Cambridge University Library, Cambridge. Arguably, publishers' catalogues are among the sharpest yet least appreciated mirrors of changes in musical taste. This study attempts to bring them into the foreground, place them in their proper historical perspective and establish their role in musicological research.

No description available.

Texte remanié de: Thesis--Philosophy--Tallahassee. / Notes bibliogr. Index.

Mémoire d'étude DCB : Ecole nationale supérieure des sciences de l'information et des bibliothèques : 2002.

Titre de l'écran-titre (visionné le 26 juin 2023) / Ce projet de recherche vise à démontrer la nécessité de créer un catalogue complet et collaboratif de répertoire de clarinette basse. Aucun catalogue interactif incluant des mises à jour sur une base continue n'a été créé pour la clarinette basse. En constatant le manque d'organisation dans les catalogues actuels, je ressens l'urgence de construire un catalogue de répertoire appelé à devenir un outil de travail mondialement utilisé et reconnu. Je travaille à ce projet en collaboration avec le centre de recherche internationale sur la clarinette basse (CIRCB), avec Charles du Preez (Université d'Arizona) ainsi qu'avec de nombreux interprètes de haut niveau à travers le monde qui ont, eux aussi, besoin de recourir à un outil efficace qui facilite le partage d'informations. Des notes interprétatives seront insérées dans ce catalogue, ainsi qu'une échelle de gradation de difficulté des œuvres. De plus, lorsque disponible et pertinent, un lien vers un enregistrement sera aussi ajouté. La création de cet outil de travail se fait de façon collective et bonifiera le répertoire des interprètes autour du globe, en plus de faire connaître les œuvres émergentes. Ce projet est d'ordre autoethnographique et basé sur ma pratique personnelle ainsi que celle de mes collègues collaborateurs depuis de nombreuses années, et se veut un outil accessible à la communauté amatrice, étudiante et professionnelle qui démocratisera le répertoire actuel de clarinette basse et qui permettra de mondialiser les connaissances autour de l'instrument. Créer des liens entre le passé et le présent, éduquer et participer à l'évolution de la clarinette basse par le biais d'un travail collaboratif autour de la création d'un catalogue permettront assurément de briser un certain isolement et ultimement de démystifier davantage notre noble instrument. / This research project aims to demonstrate the need to create a complete and collaborative catalog of bass clarinet repertoire. Since the creation of the instrument, no still-used interactive catalog has been created for the bass clarinet. Noting the lack of organization in the current catalogs, I feel the urgency of building a catalog of repertoire destined to become a working tool used and recognized worldwide. I am working on this project in collaboration with the Center for International Research on the Bass Clarinet (CIRCB), with Charles du Preez (University of Arizona) as well as with many high-level performers around the world who also need to use an effective tool that facilitates the sharing of information. Interpretative notes will be inserted in this catalog, as well as a gradation of difficulty of the works. In addition, when available and relevant, a link to a recording will also be added. The creation of this tool is done collectively and will enhance the repertoire of performers around the globe, in addition to promoting emerging works. This project is autoethnographic and based on my personal practice as well as the practice of my collaborating colleagues for many years, and is intended as a tool accessible to the amateur, student and professional community which will democratize the current bass clarinet repertoire and which will allow globalizing knowledge around the instrument. Creating links between the past and the present, educating and participating in the evolution of the bass clarinet through collaborative work around the creation of a catalog will certainly break a certain isolation and ultimately demystify our noble instrument.

Denna studie baseras på ett intresse att undersöka förändringar och likheter inom marknadsföring av kataloghus mellan 1960-2010. Genom en litteraturstudie och en utförlig studie av småhuskataloger under denna femtioårsperiod har vissa slutsatser kunnat dras. Resultaten visar både på likheter och skillnader i marknadsföringen. Det viktigaste försäljningsargumentet har under alla årtionden visat sig vara att försöka sälja familjelycka i bild och text. / This study is based on an interest to examine the changes and similarities in marketing in Swedish house catalogs between 1960-2010. Through a literature study and a detailed study of house catalogues during this fifty-year period, certain conclusions could be drawn. The results show both similarities and differences in the marketing. The main selling point during all decades proved to be trying to sell the family fortune in pictures and texts.