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1	"Jag kan inte leva utan min själ" : -en jämförelse mellan Svindlande höjders Catherine och Heathcliff och Twilight-seriens Bella och Edward / "I cannot live without my soul". : - a comparison between Catherine and Heathcliff of Wuthering Heights and Bella and Edward of Twilight. Hagberg, Victoria January 2011 (has links) Uppsatsen är en jämförande studie av Svindlande höjder och Twilight-serien avseende verkens huvudkaraktärer Catherine och Heathcliff respektive Bella och Edward. Syftet med uppsatsen är att undersöka om, och i så fall vilka likheter det finns mellan dessa två verks huvudkaraktärer. Karaktärerna jämförs ur ett antal utvalda perspektiv och slutsatsen är att det finns flera betydande likheter. Svindlande höjder Twilight-serien Catherine Earnshaw Heathcliff Bella Swan Edward Cullen Literature Litteraturvetenskap
2	Maktspel och död i två gotiska verk : En analys av Catherine Earnshaw och Madeleine Usher med fokus på makt och temat döden / Power and death in two gothic texts : An analysis of Catherine Earnshaw and Madeleine Usher focusing on the themes of power and death Wall, Anna-Lena January 2021 (has links) No description available. power Emily Brontë Edgar Allan Poe relations gothic feminism gothic fiction death Madeleine Usher Catherine Earnshaw Wuthering Heights The Fall of the House of Usher makt Emily Brontë Edgar Allan Poe relationer gotisk feminism gotisk litteratur temat döden Madeleine Usher Catherine Earnshaw Wuthering Heights The Fall of the House of Usher Humanities and the Arts Humaniora och konst General Literature Studies Litteraturvetenskap
3	Changing fictions of masculinity : adaptations of Jane Eyre and Wuthering Heights, 1939-2009 Fanning, Sarah Elizabeth January 2012 (has links) The discursive and critical positions of the ‘classic’ nineteenth-century novel, particularly the woman’s novel, in the field of adaptation studies have been dominated by long-standing concerns about textual fidelity and the generic processes of the text-screen transfer. The sociocultural patterns of adaptation criticism have also been largely ensconced in representations of literary women on screen. Taking a decisive twist from tradition, this thesis traces the evolution of representations of masculinity in the malleable characters of Rochester and Heathcliff in film and television adaptations of Charlotte Brontë’s Jane Eyre and Emily Brontë’s Wuthering Heights between 1939 and 2009. Concepts of masculinity have been a neglected area of enquiry in studies of the ‘classic’ novel on screen. Adaptations of the Brontës’ novels, as well as the adapted novels of other ‘classic’ women authors such as Jane Austen, George Eliot and Elizabeth Gaskell, increasingly foreground male character in traditionally female-oriented narratives or narratives whose primary protagonist is female. This thesis brings together industrial histories, textual frames and sociocultural influences that form the wider contexts of the adaptations to demonstrate how male characterisation and different representations of masculinity are reformulated and foregrounded through three different adaptive histories of the narratives of Jane Eyre and Wuthering Heights. Through the contours of the film and television industries, the application of text and context analysis, and wider sociocultural considerations of each period an understanding of how Rochester and Heathcliff have been transmuted and centralised within the adaptive history of the Brontë novel. 823

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