Today, Canada’s population is over 80 percent urban as exemplified by our growing cities. As a result of outmigration to urban centres, many rural economies in Atlantic Canada are struggling socially and economically. This research examines the redevelopment of rural communities through a lens of continuous cycles of adaptive change - based on Holling’s ecological concept of panarchy. By drawing on the characteristics of ecological communities, this panarchy-based theoretical framework uses a novel approach to reflect on a community’s position along its own adaptive change cycle and identifies leverage points where policy intervention may be most advantageous. This research also examines the practical application of this framework via interviews with economic development officials. Overall, the results of this research suggest that the panarchy-based framework offers constructive guidance to policy makers seeking to push or pull rural communities into positions of higher resiliency and to expedite times of economic uncertainty.

Although the cruise industry and ROPAX ships have achieved steady growth with increased capacity, innovative service provisions and constantly being prepared for events of emergencies, they were not prepared for the sudden COVID-19 pandemic, and the travel restrictions and No Sail order put a halt to their services. Organisational resilience has received a growing interest in the world since its capabilities can support organisations to anticipate, cope and adapt to internal or external changes due to a crisis or unexpected event. This exploratory scenario study seeks to examine the cruise ships organisational resilience and service attributes in the context of the COVID-19 pandemic.The empirical findings have been collected by using qualitative semi-structured interviews with four key managers and decision makers within the industry. The findings were themed to find qualitative variations and then analysed in relation to the presented literature through the adaptive change cycle. The adaptive change cycle has been used to explain the drastic and partially chaotic crisis and recovery of cruise services.

Les produits d'ameublement domestique sont soumis à l'accélération de leur cycle de renouvellement. Ce phénomène n'est pas sans conséquences écologiques et sanitaires. Cette recherche analyse les pratiques de consommation de ces produits par les femmes, le genre le plus intéressé par l'aménagement et la décoration intérieure, dans le but d'étudier les facteurs qui sont à l'origine du désir de changement, notamment du sentiment de lassitude, les habitudes et les fréquences de renouvellement ainsi que leurs intentions en matière de préoccupation écologique. La mise en œuvre des méthodes de recherche et de traitement, issues pour l'essentiel des sciences humaines et sociales, met en lumière une catégorie de consommatrices qui résistent à la consommation des produits industrialisés et choisissent des pratiques de consommation citoyenne qui se basent essentiellement sur Je bricolage et le recyclage des produits usagés. Ces «créatifs culturels» sont à l'origine de l'émergence d'une culture éthique qui est en train de se confirmer et qui va sans doute modifier les valeurs de la société du futur. Les designers sont plus que jamais invités à se pencher de plus près sur ce nouveau profil de consommatrices dans l'idée de la production participative, du co-design. / Home furnishings are subject to an acceleration of their renewal cycle. This phenomenon has ecological and sanitary consequences. This research analyzes the consumption practices of these products by women, the gender that is most interested in interior design and decoration. It studies the factors that drive the desire for change, such as the feeling of weariness, the habits and frequencies of renewal, and women's concerns towards ecological issues. The implementation of research and treatment methods, ail coming from social sciences, highlights a category of consumers who resist to the consumption of industrialized products and choose consumption practices that are mainly based on DIY and recycling. These "cultural creatives" individuals are at the origin of the emergence of an ethical culture that is growing and that will undoubtedly modify the values that will shape the society of the future. The designers are more than ever invited to look more closely at this new profile of consumers in the idea of participative production : the co-design.