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Synaesthesia is a neurological condition in which a sensory or cognitive stimulus consistently co-activates another sensory/cognitive quality, in addition to its usual qualities. For example, synaesthetes might see colours when they read words. This additional quality can be from a different modality (e.g., tactile stimuli triggering colour in addition to touch sensations) or from different aspects within the same modality (e.g. visually perceived shape stimuli triggering colour in addition to shape sensations). Coloured language is one of the most common, and most studied types of synaesthesia. The processes that govern such systematic associations of colours and language have been linked to the mechanisms underlying the processing of language. This thesis provides the first psycholinguistic exploration of synaesthesia in Chinese, in particular about how synaesthetic colouring is triggered from Chinese characters and their phonetic spellings in relation to psycholinguistic processes of character recognition. This thesis presents six empirical studies to provide evidence for the following facts: (a) that synaesthetic colouring of Chinese characters is a genuine phenomenon in the Chinese population and may affect as many as 1 in 100 Chinese people, with a (non-significant) female-to-male ratio of about 2:1; (b) that synaesthetic colours are influenced by the characters' constituent radicals (i.e., morphemic units), and (c) also by their associated phonetic spellings (in the spelling systems known as Pinyin and Bopomo); and (d) that even non-synaesthete Chinese speakers colour characters in predictable ways. These findings are discussed in relation to native (L1) versus non-native (L2) Chinese synaesthetes, and to the Chinese versus English systems. Hence, a further issue of this thesis considers how synaesthetic colouring in one's first language may affect their colouring in later-acquired languages. Synaesthetic transfer is discussed in relation to how, and how fast, the transfer can be established to a new language. Taken together, this thesis provides the most detailed information so far available about mechanisms that trigger synaesthetic colours in the Chinese language.

The purpose of this study was to investigate the relationship between two counseling approaches (cognitive and affective) and two types of client social character (inner-directed and other-directed) and to measure the effect of congruence between the two from the client's frame of reference.

This paper explores the appearance of three of Moliere's character types in Stendhal's novels The Red and the Black and The Charterhouse of Parma. Moliere had dealt in many types to which the titles of his plays provide a reasonably inclusive index--the Don Juan, the miser, the misanthrope, the hypochondriac. Those which have been singled out for comparison with Stendhal's characters in this work are the physician, the hypocrite, and the social climber, each of which is treated extensively by Stendhal, with the qualification that Moliere's physicians become Stendhal's priests. Chapter One identifies Julien Sorel of The Red and the Black and Fabrizio del Dongo of The Charterhouse of Parma with the physicians of Le Medecin Malgre Lui and Le Malade Imaginaire. Chapter Two identifies Julien with T artuffe. Chapter Three identifies him with Jourdain of Le Bourgeois Gentilhomme.

In the beginning of my thesis there is an overview of the mother and woman role from the Middle Age till the present. In the first chapter I introduce four mothers from two novels by Elfriede Jelinek. I'm trying to display the way they are portrayed in a political system and a concrete period. The Next chapter explains the terms "sex" and "gender". Elfriede Jelinek shows the feminine and masculine principles as stereotypical. Disequilibrium between these two principles concludes to the lability of an individuum and the society. The author reduces females to their bodies. The body is being considered a product of a capitalist market. In the fascist-regime the body is an object which is aimed for liquidation. The dirtiness-motive appears as a metaphor for the way of thinking of petty bourgeois, for the complicity and guilt for Nazi crimes and also as a metaphor for feminine physiological procedures. The next chapter is dedicated to the mother and father-children-relation. The children deprecate their parents but at the same time they repeat their behavior. The border-motive is typical for both chosen novels. The children try to cross the social and also the geographical border (Anna's studies in the USA, Erika's world wide popularity). The last chapter treats Jelinek's linguistic method. I mentioned...

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Traffic Control Signs or destination boards on roadways offer significant information for drivers. Regulation signs tell something like your speed, turns, etc; Warning signs warn drivers of conditions ahead to help them avoid accidents; Destination signs show distances and directions to various locations; Service signs display location of hospitals, gas and rest areas etc. Because the signs are so important and there is always a certain distance from them to drivers, to let the drivers get information clearly and easily even in bad weather or other situations. The idea is to develop software which can collect useful information from a special camera which is mounted in the front of a moving car to extract the important information and finally show it to the drivers. For example, when a frame contains on a destination drive sign board it will be text something like "Linkoping 50",so the software should extract every character of "Linkoping 50", compare them with the already known character data in the database. if there is extracted character match "k" in the database then output the destination name and show to the driver. In this project C++ will be used to write the code for this software.

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Chankuotseh is a literary historical masterpiece. The characters with in this book are not only of a great amount but also of wide variety. And all the minor details are exquisitely. This thesis is based on the importance or distinctive vividness of the characters and divide them into three groups¡G¡]A¡^Princes and feudal barons¡F¡]B¡^Courtiers to propose strategies¡Fand ¡]C¡^Chivalrous men and ladies. And the characters will be discussed in three major respects¡G¡]A¡^the Action and Wording of the characters¡F¡]B¡^the dialogues between the characters¡F¡]C¡^the relationship between the characters.