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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 5 of 5 (0.038 seconds)Spelling suggestions: "subject:"chekhov, michael,"" "subject:"chekhov, ichael,""
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The theatre of inspiration an analysis of the acting theories of Michael Chekhov /Kindelan, Nancy Anne. January 1900 (has links)
Thesis--Wisconsin. / Includes bibliographical references (leaves 261-274).
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| 2 |
Michael Chekhov and his approach to acting in contemporary performance training /Solomon, Richard, January 2002 (has links)
Thesis (M.A.) in Theatre--University of Maine, 2002. / Includes vita. Includes bibliographical references (leaves 32-34).
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| 3 |
Le masque de peau ; : suivi Du théâtral au littéraire : usages de techniques et procédés théâtraux dans la production d'une oeuvre littéraire /Bruneau, François, January 2003 (has links)
Mémoire (M.A.) - Université du Québec à Trois-Rivières, 2003. / Bibliogr.: f.121-122.
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Bodily awareness the theatre writings of Michael Chekhov and Tadashi Suzuki /Rust, Colin Michael. January 2007 (has links)
Thesis (M.A.)--Bowling Green State University, 2007. / Document formatted into pages; contains v, 88 p. Includes bibliographical references.
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| 5 |
Fisicidade e imaginação : a construção do corpo-mente organico do atorVarotto, Daniela 21 February 2005 (has links)
Orientador: Inaicyra Falcão dos Santos / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-05T01:38:42Z (GMT). No. of bitstreams: 1
Varotto_Daniela_M.pdf: 2236720 bytes, checksum: 633e4a5ab3c584e3c5c8caa631b14fd0 (MD5)
Previous issue date: 2005 / Resumo: Considerando o trabalho do ator como um caminho individual a ser percorrido, o que se propõe neste estudo é a investigação de como construir o corpo-mente orgânico. A partir da relação investigada entre as Danças Tradicionais Gaúchas e o trabalho proposto por Mikhail Tchecov ao ator, foram detectados dois princípios-chave considerados fundamentais para essa construção: a Fisicidade e a Imaginação. Realizou-se, então, um processo criativo no qual se estabeleceram procedimentos técnicos para desenvolver tais princípios. Com base neste processo foi criado um exercício cênico, o qual apresentava como pretexto para a sua criação determinados movimentos das danças e a lenda gaúcha "O Sacristão e a Teiniaguá" / Abstract: Considering the actor' s work as an individual path to be covered, it is proposed in this study the investigation of how one can build the organic body-mind. After the investigation of the relation between the Traditional Dances of the South of Brazil and the work proposed by Mikhail Thecov to the actor, there were detected two key-principles considered fundamentals for this construction: the Physicalness and the Imagination. A creative process in which there were established technical procedures to develop these principles has taken place. Based on this process a cenic exercise was created, which had as a pretext to its creation certain moviments of the dances and also the south legend "The Sacristy Assistant and the Teiniaguá" / Mestrado / Mestre em Artes
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