Temos aktualumas. Dirbant su berniukais, būtina ieškoti būdų, kaip juos įtraukti į chorinę veiklą, kuri turi tapti reikšminga bendruomenei. Tyrimo objektas – Lietuvos berniukų chorų veikla Lietuvoje. Tyrimo tikslas – ištirti berniukų chorų veiklos Lietuvos bendruomenėje socialinį reikšmingumą. Uždaviniai: 1) pateikti meno kolektyvų veikos visuomenėje misijos teorinį pagrindimą; 2) apžvelgti berniukų chorų kūrybinės veiklos sklaidos Lietuvoje ypatumus (visuomeninių funkcijų įžvalgos); 3) ištirti Lietuvos berniukų socializacijos prielaidas. Hipotezė. Berniukų chorai bendruomenėje vaidins reikšmingą vaidmenį, jeigu jiems vadovaus šiai veiklai pasišventę kompetetingai kvalifikuoti vadovai chorvedžiai – pedagogai, suvokiantys pedagoginę ir socialinę savo darbo prasmes, jeigu chorų dalyviai bus motyvuoti, bus ugdomas berniukų aktyvumas, tapatumo įprasminimas, saviraiška, komunikaciniai gebėjimai (bendrauti ir bendradarbiauti), sąveika su aplinka, bendruomene vaidins svarbų vaidmenį paauglių prevencijos procese, jeigu jų kūrimosi procesą, veiklą stimuliuos visuomenė. Tyrimo metodai. Teoriniai: mokslinės, pedagoginės, publicistinės bei informacinės literatūros sisteminė analizė. Empiriniai: respondentų apklausa; autorės praktinės darbo su berniukų choru patirties apibendrinimas. Matematiniai statistiniai: procentinė duomenų analizė, chi kvadrato kriterijaus taikymas, kontingencijos koeficientas (C). Išvados patvirtina, kad muzikinė raiška chore atlieka svarbią vaikų... [toliau žr. visą tekstą] / The relevance of the subject. While working with boys it is important to look for means to involve them into chorus activity which is to become significant to the society. The object of the research – Lithuanian boy chorus practice in Lithuania. The goal of the study – to explore the social impact of boy choruses on Lithuanian society. The tasks: 1) to introduce the theoretical grounding of the mission of the artistic collectives’ influence in the society. 2) to revise the spread peculiarities of boy chorus activities in Lithuania (the social function providence). 3) to study the presumptions of Lithuanian boys’ socialization. The hypothesis. Boy choruses will play an important role in the society if they are managed by dedicated competitively qualified choirmasters – pedagogues realizing both the pedagogical and social meanings of their work, if the chorus participants are motivated, if the activity, the sense of identity, self-expression, communicational abilities (to communicate, to cooperate) of the boys will be developed, the interaction with the surroundings and the society will be important to the process of the teenager prevention if the society stimulate their creation and practice. The methods of the research. Theoretical: the systemic analysis of the scientific, pedagogical, journalistic and informational literature. Empirical: the interview, the generalization of the author’s practical work with a boy chorus. Mathematical statistical: the percentage analysis... [to full text]

雨(Rain) : for SATB choir and piano -- String quartet no. 1 -- The Ferris wheel fantasia : for double-winds orchestra. / Yu (Rain) : for SATB choir and piano -- String quartet no. 1 -- The Ferris wheel fantasia : for double-winds orchestra. / Kwan Lai-yan Livia. / Thesis (M.Mus.)--Chinese University of Hong Kong, 2006. / Abstracts in English and Chinese. / Chapter 1. --- 雨(Rain ) --- p.1 / For SATB Choir and Piano / Chapter 2. --- String Quartet No.l --- p.23 / Chapter 3. --- The Ferris Wheel Fantasia --- p.41 / For double-winds Orchestra

Thesis (M. Mus.)--University of Canterbury, 2007. / Typescript (photocopy). Includes bibliographical references (leaves 425-426). Also available via the World Wide Web.

In the Midst of Spoils is a setting, for SATB choir and small instrumental ensemble, of the poem "Blight," by Ralph Waldo Emerson. Emerson's poem contrasts modern man's exploitative attitude toward nature with the more reverent attitude assumed by ancient or primitive cultures. This setting is in a single movement, approximately twenty minutes in duration, consisting of fifteen distinct sections.

This work is a setting of the hymn of Thanksgiving written by St. Nicetius in the sixth century, the TE DEUM. In the Roman Catholic liturgy it replaces the last responsory of Matins on Feast Days and Sundays and in the Anglican liturgy it is one of the canticles of Morning Prayer. The text is one of the few surviving examples of Latin "Psalmus Idioticus" which were, along with the GLORIA of the Ordinary of the Mass and the EXULTET, early Latin texts written in imitation of the Psalms. This TE DEUM was written to continue a tradition of choral settings of this text, in Latin, English, and German, beginning with Palestrina and Handel, and continuing with Haydn, Mozart, Berlioz, Bruckner, Dvorak, Verdi, Britten, Walton, Kodaly, Persichetti, and Vaughan Williams to the present. The quotes from the Metamorphoses for 23 strings of Richard Strauss are used in honor of Strauss' quote of Beethoven's EROICA Funeral March at the end of the Metamorphoses. Strauss was acknowledging the "Master" and his compositional tradition and in the same way I humbly respect the artistic legacy I have inherited. The text and the music have symbiotically wended their way through the centuries out of the pens of the masters. The work is set using the English translation of the Anglican Church, is in one movement and is scored for the following forces: double woodwind with alto saxophone, four horns, 2 trumpets, 2 trombones, tuba, timpani, suspended cymbal, tam tam, tubular chimes, vibraphone, triangle, crash cymbals, SATB soli, SSAATTBB chorus, and strings.

Sacred Symphony is a work for orchestra, chorus and 8 soloists. It is scored for three horns in F, three trumpets in B flat (1st doubling trumpet in C), tenor trombone, bass trombone, percussion, celesta, piano and strings. The percussion consists of suspended cymbal, glockenspiel, vibraphone, marimba, bass marimba, tenor drum, snare drum, bass drum, two slit drums (4 tom-toms if unavailable), small triangle, and finger cymbals. The work is in three movements: Sanctus, Beatitudes (Matt. 5: 3-12) and Gloria. The Sanctus primarily gives glory to God the Father while the Beatitudes are Christ's own words. The Gloria acts as a culmination of the previous two movements because it gives glory to both the Father and the Son.

Labyrinth for piano sextet -- Music for oboe, clarinet, bass clarinet, bassoon and piano -- The ride-by-nights (for treble choir or female choir) / Lai Nga Ting Ada. / Thesis (M.Mus.)--Chinese University of Hong Kong, 1998. / Abstract also in Chinese. / Abstract in English --- p.1 / Abstract in Chinese --- p.3 / Labyrinth for Piano Sextet --- p.4 / Programme notes --- p.5 / First movement --- p.6 / Second movement --- p.17 / Third movement --- p.32 / "Music for Oboe， Clarinet, Bass Clarinet, Bassoon and Piano" --- p.53 / Programme notes --- p.54 / Score --- p.55 / The Ride-by-Nights (for Treble Choir or Female Choir) --- p.75 / Programme notes --- p.76 / Lyrics --- p.77 / Score --- p.78

Title from accompanying document. / Digitized by Kansas Correctional Industries

Symphony I -- Moments -- Three Chinese poems for mixed choir. / Tam Chin Fai. / Thesis (M.Mus.)--Chinese University of Hong Kong, 2004. / Includes bibliographical references (leaves 96). / Abstracts in English and Chinese. / Instrument List of SYMPHONY I --- p.iii / SYMPHONY I (2002-2003) --- p.1 / MOMENTS (2003) --- p.56 / THREE CHINESE POEMS for Mixed Choir (2004) / Chapter I. --- Chou Nu Er - Shu Bo Shan Dao Zhong Bi by Xin Qi-ji --- p.75 / Chapter II. --- Deng Le You Yuan by Li Shang-yin --- p.81 / Chapter III. --- You Zi Yin by Meng Jiao --- p.88 / Pronunciation and Translations of THREE CHINESE POEMS for Mixed Choir --- p.94 / Bibliography of the Translations of THREE CHINESE POEMS for Mixed Choir --- p.96

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