Spelling suggestions: "subject:"church music"" "subject:"achurch music""
121 |
The dawn of a new era in Orthodox church music a historical analysis of the formation of part-singing and Kievan chant in the sixteenth and seventeenth centuries /Denysenko, Nicholas Eugene. January 2000 (has links)
Thesis (M. Div.)--St. Vladimir's Orthodox Theological Seminary, 2000. / Abstract. Includes bibliographical references (leaves [68-70]).
|
122 |
'n Prakties teologiese ondersoek na die vrye lied as 'n wesenlike deel van die Gereformeerde kerklied in die Nederduitse Gereformeerde KerkCalitz, Coenraad Josepheus. January 2004 (has links)
Thesis (MA Teologie(Praktiese Teologie)--Universiteit van Pretoria, 2004. / Includes bibliographical references (leaves 100-103)
|
123 |
Die Darstellung der Stimme Gottes in der Musik : aufgezeigt an Werken aus der Zeit des Frühbarock bis zur Gegenwart (1966) /Kowal, Winfried. January 2008 (has links)
Examensarbeit--Universität, Detmold, 1966. / Includes bibliographical references (p. 47).
|
124 |
The development of Christian church music as an integral factor in adult worshipNelson, Elizabeth Russell January 1944 (has links)
Thesis (M.A.)--Boston University, 1944. This item was digitized by the Internet Archive.
|
125 |
Charles Butler's The Principes of Music in Singing ad Setting, with the Twofold use Thereof, Ecclesiastical and Civil (1636) : a computer-assisted transliteration of book I and the first chapter of book II, with introduction... /Smith, Arthur Timothy, January 1974 (has links)
No description available.
|
126 |
Nuwe kerklied in BrittanjeHuman, Corlea Johanna 09 1900 (has links)
The development and singability of the new hymn in Britain is
dependent on the interaction between the hymnologist, organist
(cum music director), minister and members of the congregation.
The discussion of the hymn text points out that it acts as a
form of communication between God and man and as a link between
present and future demonstrations of faith.
Then the tonality, tempo, metre, rhythm and structure of the new
hymn in Britain are discussed.
The structure of the hymn is studied in more detail, using eight
case studies to elucidate the interval structure of the melody,
harmony and structure scheme of the* hymn. Some of the the most
significant deductions are that the patternisation of intervals
enhances the singability of the melody and that a variety of
smaller, and even more so, bigger disjunct intervals lead to
greater variation of the linear and vertical harmonic
implications. / Die nuwc kerklied in Brittanje is vir sy ontwikkeling afhanklik
van 'n interaksie tussen die himnoloog, orrelis (cum
musiekdirekteur), predikaint en gemeentelid. Die mate waarin
hierdie wisselwerking tussen die partye suksesvol is, bepaal
grotendeels die singbaarheid van die kerklied.
Die bespreking van die kerkliedteks behels onder meer dat die teks as konimunikasiemiddel tussen God en die mens dien. en dat dit as mededeler van bestaande en nuwe geloofshandelinge dien.
Die studie behandel verder tonaliteit, tempo, metrum en ritme en die vorm van die nuwe kerklied in Brittanje. Die vorm van die kerklied, in agt gevalstudies belig, behels die
intervalsamestelling van die melodie, die harmonie en
struktuurskema van die kerklied. Van die belangrikste afleidings
is dat die patroonmatige hantering van 'n interval die singbaarheid van 'n melodie verhoog en dat 'n verskeidenheid van kleiner en veral groter disjunkte intervalle groter variasie van sowel liniere as vertikale harmoniese implikasies tot gevolg
het. / Music / M. Mus.
|
127 |
The litany in seventeenth-century ItalyBlazey, David Anthony January 1990 (has links)
No description available.
|
128 |
Fragments of ars antiqua music at Stary Sącz and the evolution of the Clarist order in central Europe in the thirteenth centuryCurry, Robert Michael, 1952- January 2003 (has links)
Abstract not available
|
129 |
The church music of Davide Perez and Niccolo Jommelli, with especial emphasis on their funeralDottori, Mauricio. January 1997 (has links)
Thesis (doctoral)--University of Wales, 1997. / BLDSC reference no.: DX215198.
|
130 |
The sources of English cathedral music, c.1617-c.1644Morehen, John January 1969 (has links)
No description available.
|
Page generated in 0.2536 seconds