O sons da cidade são objeto de reflexão recente. O final da década de 70 do século XXI é o período onde são identificadas obras fundadoras do estudo dos sons no e do espaço urbano na literatura vinculada às ciências sociais puras e aplicadas. Mesmo como objeto de reflexão recente e ainda pouco divulgado, os sons da cidade estão presentes em pesquisas, se não como foco central, como aspecto central da cidade e da vida na cidade. A presente dissertação propõe-se identificar a presença dos sons da cidade como temática de pesquisa no Planejamento Urbano e Regional (PUR) brasileiro através da busca de palavras-chave nos textos da área. São dois os momentos de análise: primeiro ao demarcar o alcance espaço temporal da pesquisa é lançado um olhar amplo ao PUR através do conjunto de trabalhos apresentados nas ultimas quatro edições dos encontros da ANPUR (X, XI, XII e XIII ENANPUR, ocorridos respectivamente nos anos 2003, 2005, 2007 e 2009) e das dissertações e teses defendidas no PROPUR/UFRGS desde a fundação do programa em 1970 até 2009. Em seqüência são tratados em profundidade os trabalhos apresentados no XIII ENANPUR (2009), evento onde se identificou a maior recorrência de palavras-chave com potencial associativo a temáticas sons da cidade. Esta análise permite inferir que os sons são tema cada vez mais freqüentes na área PUR, sendo que se destacam como formas de tratar os sons a apresentação destes como elementos constitutivos da experiência urbana, como práticas cotidianas, e como aspectos enunciados por serem apreendidos como um problema. / The sounds of the city are subject of recent discussion. The 70th decade of the XXI Century is the period where the founders works in the study of sounds and of urban space are identified in literature linked to the social sciences, both pure and applied. Even being object of recent reflection and still little known, the sounds of the city takes themselves present in researches, if not as a central focus, as a constituent aspect of the town and the life in this place. This dissertation aims to identify the presence of the city sounds as theme of research in the Brazilian field of Urban and Regional Planning thru keywords searching in the studies of this area. The moments of analysis were two: former, to demarcate the temporal scope, was launched a broad look at PUR covering both dissertations and theses presented in Post-Graduation Program on Urban and Regional Planning (PROPUR/UFRGS) from the foundation of this program in 1970 until 2009, and the set of papers presented in the last four editions of the meetings of National Association of Post-Graduation in Urban and Regional Planning - ANPUR (X, XI, XII and XIII ENANPUR, that occurred respectively in the years 2003, 2005, 2007 and 2009).In sequence were treated in depth the papers presented at the XIII ENANPUR (2009), because the biggest recurrence of keywords with associative potential with the research theme named sounds of the city was identified in this event. This analysis allows us to infer that the sounds are increasingly frequent topic in the PUR area, being identified as ways of dealing with the sounds the presentation of them as a constitutive part of the urban experience, as everyday practices, and as a aspect that is enounce because is apprehended as a problem.

The cities are being presented as commodities with their constructed images. Their names are being transformed to brand names, of entertainment, culture etc. Tourism industry is the main actor of this process. In my study on the relationship between tourism industry and its effects on the built environment of the city, the present study focuses on Batumi, a resort city of Georgia. A massive construction activity is being conducted in the city aiming to create tourist attractions, which include the creation of international chain hotels, beautification of public spaces and regeneration of the beach line. The city of Batumi, which has a long history as a port city and also as a resort mainly attracting tourists from the neighboring countries to Georgia, is undergoing a rapid change that transforms the city into a space of consumption. This change, including creation of tourist enclaves, commodification of heritage, gentrification and refashioning the city to create particular ways of seeing reflects the impact of consumption culture on tourism.

O sons da cidade são objeto de reflexão recente. O final da década de 70 do século XXI é o período onde são identificadas obras fundadoras do estudo dos sons no e do espaço urbano na literatura vinculada às ciências sociais puras e aplicadas. Mesmo como objeto de reflexão recente e ainda pouco divulgado, os sons da cidade estão presentes em pesquisas, se não como foco central, como aspecto central da cidade e da vida na cidade. A presente dissertação propõe-se identificar a presença dos sons da cidade como temática de pesquisa no Planejamento Urbano e Regional (PUR) brasileiro através da busca de palavras-chave nos textos da área. São dois os momentos de análise: primeiro ao demarcar o alcance espaço temporal da pesquisa é lançado um olhar amplo ao PUR através do conjunto de trabalhos apresentados nas ultimas quatro edições dos encontros da ANPUR (X, XI, XII e XIII ENANPUR, ocorridos respectivamente nos anos 2003, 2005, 2007 e 2009) e das dissertações e teses defendidas no PROPUR/UFRGS desde a fundação do programa em 1970 até 2009. Em seqüência são tratados em profundidade os trabalhos apresentados no XIII ENANPUR (2009), evento onde se identificou a maior recorrência de palavras-chave com potencial associativo a temáticas sons da cidade. Esta análise permite inferir que os sons são tema cada vez mais freqüentes na área PUR, sendo que se destacam como formas de tratar os sons a apresentação destes como elementos constitutivos da experiência urbana, como práticas cotidianas, e como aspectos enunciados por serem apreendidos como um problema. / The sounds of the city are subject of recent discussion. The 70th decade of the XXI Century is the period where the founders works in the study of sounds and of urban space are identified in literature linked to the social sciences, both pure and applied. Even being object of recent reflection and still little known, the sounds of the city takes themselves present in researches, if not as a central focus, as a constituent aspect of the town and the life in this place. This dissertation aims to identify the presence of the city sounds as theme of research in the Brazilian field of Urban and Regional Planning thru keywords searching in the studies of this area. The moments of analysis were two: former, to demarcate the temporal scope, was launched a broad look at PUR covering both dissertations and theses presented in Post-Graduation Program on Urban and Regional Planning (PROPUR/UFRGS) from the foundation of this program in 1970 until 2009, and the set of papers presented in the last four editions of the meetings of National Association of Post-Graduation in Urban and Regional Planning - ANPUR (X, XI, XII and XIII ENANPUR, that occurred respectively in the years 2003, 2005, 2007 and 2009).In sequence were treated in depth the papers presented at the XIII ENANPUR (2009), because the biggest recurrence of keywords with associative potential with the research theme named sounds of the city was identified in this event. This analysis allows us to infer that the sounds are increasingly frequent topic in the PUR area, being identified as ways of dealing with the sounds the presentation of them as a constitutive part of the urban experience, as everyday practices, and as a aspect that is enounce because is apprehended as a problem.

O sons da cidade são objeto de reflexão recente. O final da década de 70 do século XXI é o período onde são identificadas obras fundadoras do estudo dos sons no e do espaço urbano na literatura vinculada às ciências sociais puras e aplicadas. Mesmo como objeto de reflexão recente e ainda pouco divulgado, os sons da cidade estão presentes em pesquisas, se não como foco central, como aspecto central da cidade e da vida na cidade. A presente dissertação propõe-se identificar a presença dos sons da cidade como temática de pesquisa no Planejamento Urbano e Regional (PUR) brasileiro através da busca de palavras-chave nos textos da área. São dois os momentos de análise: primeiro ao demarcar o alcance espaço temporal da pesquisa é lançado um olhar amplo ao PUR através do conjunto de trabalhos apresentados nas ultimas quatro edições dos encontros da ANPUR (X, XI, XII e XIII ENANPUR, ocorridos respectivamente nos anos 2003, 2005, 2007 e 2009) e das dissertações e teses defendidas no PROPUR/UFRGS desde a fundação do programa em 1970 até 2009. Em seqüência são tratados em profundidade os trabalhos apresentados no XIII ENANPUR (2009), evento onde se identificou a maior recorrência de palavras-chave com potencial associativo a temáticas sons da cidade. Esta análise permite inferir que os sons são tema cada vez mais freqüentes na área PUR, sendo que se destacam como formas de tratar os sons a apresentação destes como elementos constitutivos da experiência urbana, como práticas cotidianas, e como aspectos enunciados por serem apreendidos como um problema. / The sounds of the city are subject of recent discussion. The 70th decade of the XXI Century is the period where the founders works in the study of sounds and of urban space are identified in literature linked to the social sciences, both pure and applied. Even being object of recent reflection and still little known, the sounds of the city takes themselves present in researches, if not as a central focus, as a constituent aspect of the town and the life in this place. This dissertation aims to identify the presence of the city sounds as theme of research in the Brazilian field of Urban and Regional Planning thru keywords searching in the studies of this area. The moments of analysis were two: former, to demarcate the temporal scope, was launched a broad look at PUR covering both dissertations and theses presented in Post-Graduation Program on Urban and Regional Planning (PROPUR/UFRGS) from the foundation of this program in 1970 until 2009, and the set of papers presented in the last four editions of the meetings of National Association of Post-Graduation in Urban and Regional Planning - ANPUR (X, XI, XII and XIII ENANPUR, that occurred respectively in the years 2003, 2005, 2007 and 2009).In sequence were treated in depth the papers presented at the XIII ENANPUR (2009), because the biggest recurrence of keywords with associative potential with the research theme named sounds of the city was identified in this event. This analysis allows us to infer that the sounds are increasingly frequent topic in the PUR area, being identified as ways of dealing with the sounds the presentation of them as a constitutive part of the urban experience, as everyday practices, and as a aspect that is enounce because is apprehended as a problem.

This thesis seeks to show that Charles Williams makes a significant contribution to theology, and it demonstrates the nature of that contribution. A pattern of theological themes centering on the Incarnation, emphasizing the humanity of Christ, is repeated throughout his works. For Williams, human beings are images of the coinherent Godhead. His theological anthropology further develops through his understanding of imaging, as shown for instance in the Incarnation, and in Dante's characterization of Beatrice as a God bearer. His view of images is built from Coleridge's understanding of the nature of a symbol. This picture of imaging is widely applied, first and foremost to relationships of love, seen as potential incarnate images of grace. Williams seeks to extend his picture to all relationships and, further, to whatever man must do to go beyond himself to an encounter with God. He believes that man is responsible for his brother, in practice by bearing his brother's burdens, with substitutionary acts of vicarious love. A further part of his thinking then views people as living in coinherent relationships, and the universe as a web of coinherent relations. He draws his examples of natural coinherent relations from the world of commerce with its exchange and substitution of labors and from the child living within its mother, and builds a picture of what he calls the City, a broader coinherent society. Coinherence begins and flows from the Trinity and the Incarnation and then is found in relationships between God and man: in the Church, in the future City of God, and in all Creation. The Fall brings about the breakdown of the coinherence of God and man and man and man, and that breakdown is a central characteristic of sin. Williams believes that a regenerated coinherence in Christ brings about a renewal of mankind.