Canada's relations with Nicaragua changed greatly during the 1980s after the Sandinista National Liberation Front (FSLN) came to power in a revolution which overthrew the Somoza dynasty. For the first few years of the new regime in Nicaragua, Canada provided little support, declaring that Canadians had no significant interests in the country and there was no reason for them to get involved in Central America's ongoing conflicts. When Brian Mulroney first came to power with Joe Clark as his Secretary of State for External Affairs, the Progressive Conservatives generally held to the course set by the previous Liberal government. However, as the 1980s went on the Conservatives began providing Nicaragua with more bilateral aid, and became increasingly involved in the regional peace process known as Esquipulas; this culminated in Canadian peacekeepers entering the region in 1990 as part of a UN peacekeeping force. The major impetus for the government's change in attitude was the strong and consistent pressure placed on the government by the Canadian public. Aid raised privately by Canadians for Nicaragua overshadowed government aid for much of the decade, making the government response look weak. The support of the Canadian public for action in Central America was the major factor which pressured the federal government into becoming more involved in Nicaragua, even though the government was not as supportive of the new regime in Nicaragua as a large portion of the Canadian public often was.

Friedrich Nietzsche, 100 years after his death, remains a controversial figure in philosophy. Much of this controversy stems from Nietzsche's view of truth, which seems superficially hopelessly contradictory, vacillating between relativism and denial of truth on the one hand, and praise for science and hard truths on the other. Thus, any person wanting to defend Nietzsche's positive philosophy must first make sense of his epistemology. The solution to this puzzle regarding Nietzsche's theory of truth is the realization that Nietzsche changes his view on truth. Much like Wittgenstien, Nietzsche had an early and a late period in his epistemic views, and a middle period where he is struggling with two very different, incompatible views. The late view of truth is surprisingly straightforward: Nietzsche can be seen as an early pragmatist. Once we have a coherent truth theory, we can then start to conclude some of the more contentious arguments in Nietzsche's philosophy, such as: what is the Will to Power, and how does Nietzsche's view of truth interact with his criticism of morality? This thesis will trace the development of the former and endeavor to answer some of the latter.

Abstract The thesis is from the angle of economic and industrial development, which proves between Taiwan's industrial structure and income distribution are positively correlated. With track of Taiwanese industry change, investigates the change of income distribution economic because of development and industrial structure change. Most of national economic development progress is associated with certain uneven distribution of income. The phenomenon of uneven income distribution is growing, however, is a concern in current worldwide economic development. In this article is the observation of Taiwanese industrial changes from early-day agricultural industry dramatically stepped to industrial industry, then expending toward service industry, to verify which is higher on uneven income distribution among them. This research takes the theories of Fisher and Clark (1939,1940) as foundation, based on productivity and GDP, to build the pragmatic model of Regression Analysis as proof of income distribution affecting to tertiary industrial sectors change in Taiwan. The substantial evidence finds the growth of the service sector increased by 1%, the impact of Taiwan's economic growth is 0.769%, the agricultural sector is 0.103%, while service sector increased by 1%. The worsening of income distribution, caused the agricultural sector decreased by 0.11%. Therefore, we can deduce that the service sector growth more has brought Taiwan's economy growth but also income distribution has significant worse. This study also considers foreign trade is an important economic lifeline of Taiwan, according to the IMF (IMF), Taiwan is the closest relations with the United States in East Asian nations, but China is coming up right after. Thus, this study conducts variables of regression analysis by putting in the United States and China, as proof that China or USA has more impact on our economic growth as policy maker¡¦s reference.

This dissertation investigates how the project of abstraction, initiated in interwar Europe, was reconstructed, continued, and transformed in mid-twentieth-century South America. Through an examination of the work and thought of three key artists (Tomás Maldonado of Argentina, Alejandro Otero of Venezuela, and Lygia Clark of Brazil), it posits historical continuity and universality as both central problems of mid-century South American projects of abstraction and potential avenues toward a new understanding of their historical specificity. I identify three key features of interwar abstraction that were consciously continued in the work of Maldonado, Otero, and Clark: the adoption of abstraction not as a style, but as a progressive teleology with a linear history and singular goal; the ambition to reach the end of painting as an autonomous activity and integrate abstraction into the built environment; and the belief in the power of abstraction to forge new subjects and collectivities. In all three cases, the encounter of a universalistic project with particular socio-historical realities had resonances unanticipated by their European predecessors. Whereas abstraction in interwar Europe was intimately tied to struggles against bourgeois subjectivity and for a new form of egalitarian collectivity, artists in mid-century South America were rather faced with accelerated, state-driven developmentalism and the emergence of populist politics. Against this background, I demonstrate how each artist envisioned abstraction as a tool to contribute to or disrupt newly emerging forms of collectivity, contrasting Maldonado's insistence on an international, class-based collective, Otero's efforts to forge a modern national community, and Clark's advocating for a contingent intersubjectivity as a way of resisting top-down projects of collectivity. Finally, I investigate how the engagement with ideas of continuity and universality, as exemplified by these three artists, intersected with broader conceptions of historical progress and development circulating in Latin America between the Second World War and the Cuban Revolution. The rise and fall of abstraction in South America during this period, I conclude, was closely linked to the dream of catching up with "universal history" and its eventual abandonment. / History of Art and Architecture

The intent of the thesis is twofold: interpretive and documentary. Volume 1 focuses on the work John Clark considered to be his mature oeuvre. The general structure is chronological, with the first three chapters devoted to formative influences, and a further chapter to what Clark had to say about meaning in his own work and that of others. The remaining four chapters offer an interpretation of the mature paintings in terms of two concepts: trasformation and the void. Annotated bibliographies and exhibition lists are included. The catalogue raisonne, volume 2, is an ongoing project to provide as complete a chronological record of Clark's known works as is possible: paintings, drawings (including working studies), prints, and reporduction histories are included. Appendices record missing and destroyed works, a bibliography of Clark's personal library, transcripts of three interviews and a lecture. / 29 cm.

For almost 35 years the work carried out by the Brazilian artist Lygia Clark between the 1950s and until her death, in 1988, has attracted the attention of both Brazilian and European scholars and critics. Since special attention has only been given to her post-1969 work, the work carried out until 1969 has been overlooked. In particular, I would argue that through the incorporation of the human body Clark's 1959-1964 Bicho series is the first spatial performative strategy developed by Clark during the 1960s and against which all her subsequent production needs to be read. / The present essay is thus an attempt to read as spatial performative strategies Clark's Bicho series with and against the Brazilian reception of Mondrian, reception which, as I would argue has been overlooked in the context of her work. Furthermore, I would argue that in order for us to better understand how the Bicho series unfold as spatial performative strategies the Brazilian reception of Mondrian must be approached through the Brazilian reception of Merleau-Ponty's phenomenology and political and cultural movements of the time. While the role played by Merleau-Ponty's incorporation of the human body in Clark's work has not been closely examined, Clark's engagement with the political and cultural movements of her time has been underestimated. I would argue that any attempt to give an account of Clark's practice needs to take into consideration the role these three aspects played in her engagement with the problem of representation.

No description available.

Thesis (S.T.M.)--Concordia Seminary, St. Louis, 1996. / Includes bibliographical references (leaves 195-207).

Thesis (M.A.B.S.)--Multnomah Graduate School of Ministry, 1990. / Includes bibliographical references (leaves 60-67).

Thesis (Th. M.)--Dallas Theological Seminary, 1997. / Includes bibliographical references (leaves 117-146).