Master of Arts / Department of Modern Languages / Sara R. Luly / In Das Leben der Hochgräfin von Rattenzuhausbeiuns, written by Bettina von Arnim and Gisela von Arnim Grimm, the material used to dress the bodies of young girls is unexpected and non-traditional. There are characters clothed in dresses made from the pages of books, bearskin coats, butterfly wings, onion root wigs, and many other bizarre materials. The main protagonist, Gritta, experiences, what Katheryn B. Stockton conceptualizes as “sideways growth,” or a non-linear, non-heteronormative childhood. The initial book-dress foreshadows the developmental possibilities for the protagonist Gritta. In this paper I argue that the text uses clothing made of non-traditional materials to construct queer girlhood for the female characters, and in doing so provides possible paths of “sideways growth.”

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Despite the dynamic portrayal of clothes in the Hebrew Bible scholars continue to interpret them as flat and inert objects. They are often overlooked or reduced to background details in the biblical texts. However, this thesis will demonstrate that the biblical writers’ depictions of clothes are not incidental and should not be reduced to such depictions. This thesis employs a multidisciplinary approach to develop and challenge existing approaches to the clothing imagery in the Hebrew Bible. It will fall into two main parts. In the first part, I draw insights from material-cultural theories to reconfigure ways of thinking about clothing as material objects, and reassessing the relationships between people and objects. Having challenged some of the broader conceptions of clothing, I will turn to interrogate the material and visual evidence for clothing and textiles from ancient Syro- Palestinian and ancient West Asian cultures to construct a perspective of the social and material impact of clothing in the culture in which the biblical texts were constructed and formed. In the second part, I will examine the biblical writers’ depiction of clothing through two case studies: Joseph’s ketonet passim (Genesis 37) and Elijah’s adderet (1 Kings 19 and 2 Kings 2). These analyses will draw from the insights made in the first part of this thesis to reassess and challenge the conventional scholarly interpretations of clothing in these texts. In this thesis, I argue that clothes are employed in powerful ways as material objects which construct and develop the social, religious and material dimensions of the text. They are also intimately entangled in relationships with the characters portrayed by the biblical writers and can even be considered as extensions of the people with whom they are engaged. Clothes manifest their own agency and power, which can transform other persons and objects through their performance and movement in a biblical text.

Dress plays an important role in Christian worship. The aim of this study is to describe the importance of dress in the South African Christian context. particularly within the Black Christian society. Two main ideas are covered: firstly. the emphasis on the use of unifonn as a factor influencing worship attendance and secondly, how a uniform affects the quality of worship. Personal investigations into various church groups in the Eastern Cape, particularly the St Anna Sodality, have indicated that specific uniforms are an essential sign of belonging to a particular church. Dress or uniforms also serve as a reminder of people's commitment to their faith. For some groups, a uniform develops a sense of identity, security and fellowship which may have been lost through past political policies. Most importantly the relationship between worship and dress can bring a transformative assertion of the self before God and fellow human beings / Christian Spirituality, Church History and Missiology / M. Th. (Missiology)

Dress plays an important role in Christian worship. The aim of this study is to describe the importance of dress in the South African Christian context. particularly within the Black Christian society. Two main ideas are covered: firstly. the emphasis on the use of unifonn as a factor influencing worship attendance and secondly, how a uniform affects the quality of worship. Personal investigations into various church groups in the Eastern Cape, particularly the St Anna Sodality, have indicated that specific uniforms are an essential sign of belonging to a particular church. Dress or uniforms also serve as a reminder of people's commitment to their faith. For some groups, a uniform develops a sense of identity, security and fellowship which may have been lost through past political policies. Most importantly the relationship between worship and dress can bring a transformative assertion of the self before God and fellow human beings / Christian Spirituality, Church History and Missiology / M. Th. (Missiology)

v anglickém jazyce The dissertation thesis with title "Presumptions of the formation of the modern men's suit" elaborates the general and unique features in the typology of men's court, military and ecclesiastical clothes. Research, which is based on written, iconographical and material sources, is aimed at environment at the court of the Austrian Habsburgs in early new ages from the end of the 15th century till beginning of the 90s of the 18th century having respect to history of clothing in the in Czech countries in the context with European clothing culture. The conception of the thesis goes out from the approach to men's suit in the history of clothing as to the cultural discipline. The main theoretic-metodological basis is investigsation of the general and the unique features in the concrete types of the men's clothing, which are characterized most of all of the contemporary construction (cut), material (cloth) and colours of the men's clothing and which has got the style-forming importance by means of these general features. The results of the research work amplifies not only the knowledge in the area of the clothing history, but also brings the possibility of practical application of this knowledge to increase of the cultural values of written, iconographical and material memories with time,...