AUTOSAR was created as a standard software infrastructure to be able to fulfill a very large amount of requirements. These days, more and more OEMs are trying to introduce AUTOSAR in their products. Since there are a large amount of diagnostic IDs needed in the Engine control unit and also a huge effort is necessary to configure the ECU, it is very much important to have a tool to generate some parts of the Engine Control Unit software, most importantly the diagnostics software. Diagnostic Communication manager is one such AUTOSAR module which deals with a huge amount of diagnostic data identifiers. Also at BEG, In the actual Non-AUTOSAR Bosch Automotive software, there are a number of different features that are needed and expected in the future AUTOSAR software. The aim of this thesis is to develop a tool that successfully introduces AUTOSAR in the BEG projects with all the necessary features and that is best in terms of Usability, Maintainability, and Improvability. This tool has to generate the complete AUTOSAR Diagnostic communication manager software with all the necessary features. The work can be divided into two parts. The first part includes a complete analysis of the existing tools that are used to generate configuration files and code. Then, List out all the possibilities of each tool, find their advantages and disadvantages and compare each of the tools, either individually or as a combination of tools. This is followed by documenting the choice of best way to generate AUTOSAR DCM with all the necessary features. In the second part, the implementation is carried out. After the best tool is chosen, the implementation of the features for that particular tool is planned accordingly so that it generates the DCM software. Implementation is made and then it is tested with the existing test bench.

AUTOSAR was created as a standard software infrastructure to be able to fulfill a very large amount of requirements. These days, more and more OEMs are trying to introduce AUTOSAR in their products. Since there are a large amount of diagnostic IDs needed in the Engine control unit and also a huge effort is necessary to configure the ECU, it is very much important to have a tool to generate some parts of the Engine Control Unit software, most importantly the diagnostics software. Diagnostic Communication manager is one such AUTOSAR module which deals with a huge amount of diagnostic data identifiers. Also at BEG, In the actual Non-AUTOSAR Bosch Automotive software, there are a number of different features that are needed and expected in the future AUTOSAR software. The aim of this thesis is to develop a tool that successfully introduces AUTOSAR in the BEG projects with all the necessary features and that is best in terms of Usability, Maintainability, and Improvability. This tool has to generate the complete AUTOSAR Diagnostic communication manager software with all the necessary features. The work can be divided into two parts. The first part includes a complete analysis of the existing tools that are used to generate configuration files and code. Then, List out all the possibilities of each tool, find their advantages and disadvantages and compare each of the tools, either individually or as a combination of tools. This is followed by documenting the choice of best way to generate AUTOSAR DCM with all the necessary features. In the second part, the implementation is carried out. After the best tool is chosen, the implementation of the features for that particular tool is planned accordingly so that it generates the DCM software. Implementation is made and then it is tested with the existing test bench.

The future of computing lies with distributed systems, i.e. a network of workstations controlled by a modern distributed operating system. By supporting load balancing and parallel execution, the overall performance of a distributed system can be improved dramatically. Process migration, the act of moving a running process from a highly loaded machine to a lightly loaded machine, could be used to support load balancing, parallel execution, reliability etc. This thesis identifies the problems past process migration facilities have had and determines the possible differing strategies that can be used to resolve these problems. The result of this analysis has led to a new design philosophy. This philosophy requires the design of a process migration facility and the design of an operating system to be conducted in parallel. Modern distributed operating systems follow the microkernel and client/server paradigms. Applying these design paradigms, in conjunction with the requirements of both process migration and a distributed operating system, results in a system where each resource is controlled by a separate server process. However, a process is a complex resource composed of simple resources such as data structures, an address space and communication state. For this reason, a process migration facility does not directly migrate the resources of a process. Instead, it requests the appropriate servers to transfer the resources. This novel solution yields a modular, high performance facility that is easy to create, debug and maintain. Furthermore, the design easily incorporates providing multiple migration strategies. In order to verify the validity of this design, a process migration facility was developed and tested within RHODOS (ResearcH Oriented Distributed Operating System). RHODOS is a modern microkernel and client/server based distributed operating system. In RHODOS, a process is composed of at least three separate resources: process state - maintained by a process manager, address space - maintained by a memory manager and communication state - maintained by an InterProcess Communication Manager (IPCM). The RHODOS multiple strategy migration manager utilises the services of the process, memory and IPC Managers to migrate the resources of a process. Performance testing of this facility indicates that this design is as fast or better than existing systems which use faster hardware. Furthermore, by studying the results of the performance test ing, the conditions under which a particular strategy should be employed have been identified. This thesis also addresses heterogeneous process migration. The current trend is to have islands of homogeneous workstations amid a sea of heterogeneity. From this situation and the current literature on the topic, heterogeneous process migration can be seen as too inefficient for general use. Instead, only homogeneous workstations should be used for process migration. This implies a need to locate homogeneous workstations. Entities called traders, which store and disseminate knowledge about the resources of several workstations, should be used to provide resource discovery. Resource discovery will enable the detection of homogeneous workstations to which processes can be migrated.

[ES] Los públicos de las orquestas sinfónicas son la parte fundamental que da sentido y que permite la continuidad de estas entidades culturales. Esta investigación pretende analizar a los públicos interesados en las propuestas culturales que interpretan las orquestas sinfónicas, así como a las propias entidades respecto a la gestión y comunicación que desarrollan sus responsables mediante acciones que propician la conexión entre entidad y público. El análisis que se presenta se enfoca desde tres aspectos fundamentales de estudio: las características, gustos y preferencias de los públicos de las orquestas sinfónicas, el personal responsable de la gestión de las entidades y las iniciativas que diseñan en relación con la programación y la comunicación. De este modo, se pretende responder a la pregunta de si los responsables de gestionar las orquestas sinfónicas conocen a sus públicos y llevan a cabo la gestión de la entidad teniendo en cuenta ese conocimiento. Si bien los públicos de las orquestas sinfónicas es un concepto muy amplio y puede hacer referencia a multitud de posibilidades, en este estudio se hace referencia únicamente a los públicos de la cultura como principales interesados en disfrutar de propuestas de diversa índole cultural y los abonados de las propias entidades como asistentes habituales a las propuestas que se programan cada temporada. El estudio se concentra en dos grandes bloques, en el primero de éstos se lleva a cabo un análisis descriptivo de la orquesta sinfónica, el público musical, la situación de la música clásica en España y la comunicación cultural. Y en el segundo bloque se realiza un trabajo empírico que busca recabar información acerca de los públicos de la cultura y abonados de las orquestas sinfónicas, la programación de estas entidades culturales respecto a una temporada musical, los equipos de gestión y personal que las forman, el punto de vista de expertos en los públicos de la cultura y comunicación cultural y la comunicación que realizan estas organizaciones. / [CA] Els públics de les orquestres simfòniques són la part fonamental que dona sentit i que permet la continuïtat d'aquestes entitats culturals. Aquesta investigació pretén analitzar als públics interessats en les propostes culturals que interpreten les orquestres simfòniques, així com a les pròpies entitats respecte a la gestió i comunicació que desenvolupen els seus responsables mitjançant accions que propicien la connexió entre entitat i públic. L'anàlisi que es presenta s'enfoca des de tres aspectes fonamentals d'estudi: les característiques, gustos i preferències dels públics de les orquestres simfòniques, el personal responsable de la gestió de les entitats i les iniciatives que dissenyen en relació amb la programació i la comunicació. D'aquesta manera, es pretén respondre a la pregunta de si els responsables de gestionar les orquestres simfòniques coneixen als seus públics i duen a terme la gestió de l'entitat tenint en compte aqueix coneixement. Si bé els públics de les orquestres simfòniques és un concepte molt ampli i pot fer referència a multitud de possibilitats, en aquest estudi es fa referència únicament als públics de la cultura com a principals interessats a gaudir de propostes de diversa índole cultural i els abonats de les pròpies entitats com a assistents habituals a les propostes que es programen cada temporada. L'estudi es concentra en dos grans blocs, en el primer d'aquests es duu a terme una anàlisi descriptiva de l'orquestra simfònica, el públic musical, la situació de la música clàssica a Espanya i la comunicació cultural. I en el segon bloc es fa un treball empíric que busca recaptar informació sobre els públics de la cultura i abonats de les orquestres simfòniques, la programació d'aquestes entitats culturals respecte a una temporada musical, els equips de gestió i personal que les formen, el punt de vista d'experts en els públics de la cultura i comunicació cultural i la comunicació que realitzen aquestes organitzacions. / [EN] The audiences of symphony orchestras are the fundamental part that gives meaning and allows the continuity of these cultural entities. This research aims to analyze the audiences interested in the cultural proposals performed by symphony orchestras, as well as the entities themselves with respect to the management and communication developed by their leaders through actions that promote the connection between the entity and the audience. The analysis presented here is approached from three fundamental aspects of study: the characteristics, tastes and preferences of the audiences of symphony orchestras, the personnel responsible for the management of the entities and the initiatives they design in relation to programming and communication. In this way, the aim is to answer the question of whether those responsible for managing symphony orchestras know their audiences and carry out the management of the entity taking this knowledge into account. Although the audiences of symphony orchestras is a very broad concept and can refer to a multitude of possibilities, in this study reference is made only to cultural audiences as the main ones interested in enjoying proposals of different cultural nature and the subscribers of the entities themselves as regular attendees to the proposals programmed each season. The study is concentrated in two large blocks, in the first of which a descriptive analysis of the symphony orchestra, the musical public, the situation of classical music in Spain and cultural communication is carried out. And in the second block an empirical work is carried out that seeks to gather information about the cultural audiences and subscribers of symphony orchestras, the programming of these cultural entities with respect to a musical season, the management teams and personnel that form them, the point of view of experts in cultural audiences and cultural communication and the communication carried out by these organizations. / Oropesa Mateos, C. (2023). Los públicos de las orquestas sinfónicas españolas: un estudio sobre el vínculo entre entidad y públicos [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/200380