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3D-audio object oriented codingPotard, Guillaume. January 2006 (has links)
Thesis (Ph.D.)--University of Wollongong, 2006. / Typescript. Includes bibliographical references: leaf 297-321.
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Computer mediated music production : a study of abstraction and activity : a thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy in Computer Science /Duignan, Matthew. January 2008 (has links)
Thesis (Ph.D.)--Victoria University of Wellington, 2008. / Includes bibliographical references.
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Playing with audio the relationship between music and games /Havryliv, Mark. January 2005 (has links)
Thesis (M.C.A.-Res.)--University of Wollongong, 2005. / Typescript. Includes CD-ROM in back pocket. Includes bibliographical references: leaf 66-75.
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Interval serialization and its use in Exploring the third major nebulaClem, D. Travis. January 1900 (has links)
Thesis (M.M.)--The University of North Carolina at Greensboro, 2009. / Directed by Mark Engebretson; submitted to the School of Music. Title from PDF t.p. (viewed Jun. 4, 2010). Includes bibliographical references (p. 28).
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Musical accompaniments in the preparation of marimba concerti a survey of selective interactive music software programs /Frye, George Daniel. January 1900 (has links)
Dissertation (D.M.A.)--The University of North Carolina at Greensboro, 2009. / Directed by Randy Kohlenberg; submitted to the School of Music. Title from PDF t.p. (viewed May 13, 2010). Includes bibliographical references (p. 51-54).
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Auditory-based algorithms for sound segregation in multisource and reverberant environmentsRoman, Nicoleta, January 2005 (has links)
Thesis (Ph. D.)--Ohio State University, 2005. / Title from first page of PDF file. Document formatted into pages; contains i-xxii, xx-xxi, 183 p.; also includes graphics. Includes bibliographical references (p. 171-183). Available online via OhioLINK's ETD Center
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MIDI to SP-MIDI and I-melody transcoding using phrase stealing /Lui, Siu-Hang. January 2005 (has links)
Thesis (M.Phil.)--Hong Kong University of Science and Technology, 2005. / Includes bibliographical references (leaves 47-49). Also available in electronic version.
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An investigation into the application of the IEEE 1394 high performance serial bus to sound installation controKlinkradt, Bradley Hugh 24 May 2013 (has links)
This thesis investigates the feasibility of using existing IP-based control and monitoring protocols within professional audio installations utilising IEEE 1394 technology. Current control and monitoring technologies are examined, and the characteristics common to all are extracted and compiled into an object model. This model forms the foundation for a set of evaluation criteria against which current and future control and monitoring protocols may be measured. Protocols considered include AV/C, MIDI, QSC-24, and those utilised within the UPnP architecture. As QSC-24 and the UPnP architecture are IP-based, the facilities required to transport IP datagrams over the IEEE 1394 bus are investigated and implemented. Example QSC-24 and UPnP architecture implementations are described, which permit the control and monitoring of audio devices over the IEEE 1394 network using these IP-based technologies. The way forward for the control and monitoring of professional audio devices within installations is considered, and recommendations are provided. / KMBT_363 / Adobe Acrobat 9.54 Paper Capture Plug-in
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An investigation into the use of IEEE 1394 for audio and control data distribution in music studio environmentsLaubscher, Robert Alan 10 November 2011 (has links)
This thesis investigates the feasibility of using a new digital interconnection technology, the IEEE-1394 High Performance Serial Bus, for audio and control data distribution in local and remote music recording studio environments. Current methods for connecting studio devices are described, and the need for a new digital interconnection technology explained. It is shown how this new interconnection technology and developing protocol standards make provision for multi-channel audio and control data distribution, routing, copyright protection, and device synchronisation. Feasibility is demonstrated by the implementation of a custom hardware and software solution. Remote music studio connectivity is considered, and the emerging standards and technologies for connecting future music studio utilising this new technology are discussed. / Microsoft Word / Adobe Acrobat 9.46 Paper Capture Plug-in
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High speed end-to-end connection management in a bridged IEEE 1394 network of professional audio devicesOkai-Tettey, Harold A January 2006 (has links)
A number of companies have developed a variety of network approaches to the transfer of audio and MIDI data. By doing this, they have addressed the configuration complications that were present when using direct patching for analogue audio, digital audio, word clock, and control connections. Along with their approaches, controlling software, usually running on a PC, is used to set up and manage audio routings from the outputs to the inputs of devices. However one of the advantages of direct patching is the conceptual simplicity it provides for a user in connecting plugs of devices, the ability to connect from the host plug of one device to the host plug of another. The connection management or routing applications of the current audio networks do not allow for such a capability, and instead employ what is referred to as a two-step approach to connection management. This two-step approach requires that devices be first configured at the transport layer of the network for input and output routings, after which the transmit and receive plugs of devices are manually configured to transmit or receive data. From a user’s point of view, it is desirable for the connection management or audio routing applications of the current audio networks to be able to establish routings directly between the host plugs of devices, and not the audio channels exposed by a network’s transport, as is currently the case. The main goal of this work has been to retain the conceptual simplicity of point-to-point connection management within digital audio networks, while gaining all the benefits that digital audio networking can offer.
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