This thesis takes a gender-sensitive approach to the Israeli-Palestinian conflict and asks whether and how Palestinian women’s different formal and informal political activism in ‘peacebuilding’ and ‘resistance’ can make a contribution to positive sustainable social and political change. Taking a bottom-up qualitative approach to conflict research, and deriving data mainly from in-depth interviews, participant observation and textual analyses, I problematise mainstream international conflict resolution and gender development approaches, revealing their mismatch with the Palestinian reality of prolonged occupation and settler colonialism on the ground. I critique in particular two aspects of mainstream gender and conflict approaches: Firstly, the essentialist feminist assertion that women are better ‘peacemakers’ than men due to their (alleged) more peaceful nature, and, secondly, the ‘liberal’ peace argument that dialogue is the best (and only) way to resolve conflict. These two claims are hardly applicable to the Palestinian context, and their implementation through policy programmes can even block genuine political and social change. Through their tendency to trace the roots of conflict in social gender relations and at the level of identity, they tend to give a distorted depoliticised picture of the conflict. Doing so, they risk alienating local constituencies and might even exacerbate social and political fragmentation. My analysis counters such (mostly western-originated) mainstream gender and conflict initiatives by starting from the local. Proposing a contextualised gender-sensitive approach to conflict transformation, which pays attention to intra-party dynamics such as ‘indigenous’ gender constructions and the political culture of resistance, I trace those forms of female political agency that are able to gain societal support and are conducive to sustainable social and political change. Bridging theoretical insights from the fields of conflict resolution and gender theory and questioning some of their widely held assumptions, I hope to contribute to knowledge in both fields.

No description available.

Modern conflict transformation emerged after World War II as a discipline and a field of academic research. Since the early 1990s it has increasingly concerned itself with psycho-social issues (e.g. trauma treatment or reconciliation) in the aftermath of violent protracted social conflicts. Within this psycho-social space there has been a growing interest in the use of music in conflict transformation to improve relationships between in and out-groups. However, the field of music and conflict transformation is still nascent, with little in-depth research available. The majority of studies have been undertaken by interested parties or relies on anecdotal evidence from organisers and musicians with little concern for the context of the music use. Participants, whose attitudes and relationships to out-groups are the focus of conflict transformation interventions, are largely overlooked and their views are rarely discussed. Furthermore, there are few detailed studies on exactly how music affects conflict transformation outcomes. Instead allusions are often made to terms such as “the power of music” which act as a black box intended to explain how music “works”, but patently fail to do so. This thesis attempts to fill these two gaps in the literature by focusing on the participants’ experiences in two different conflict transformation contexts, a multi- cultural music project for school children in Noway and the casual music use in a settlement of internally displaced persons in Sudan. Through qualitative research methods, rich descriptive data from different parties is gathered. The data is analysed using grounded theory. As a result a very different and more complex picture emerges that enriches the current understanding of how music is used and perceived in conflict transformation contexts. In particular, how participants view these activities and how power relationships, though rarely mentioned, affect the music use is explored in detail. Some tentative suggestions indicate that music works best when used in longitudinal bottom-up activities and that music can augment conflict transformation activities rather than replace them. Additionally, it is proposed that music may work as a form of benign interruption in conflict transformation activities and that musical events provide a liminal space where the real work lies in the process of bringing any changes in attitudes from the liminal space into everyday life.

Victorian society had strict written and unwritten laws about what was permissible in terms of personal relationships. Anglican patriarchal church values governed behaviour between the classes and enforced codes of conduct on gender related boundaries of private individuals. Society subscribed to the traditional family of man, woman and children in the context of marriage. Homosexuality amongst men was punishable by prison. Government and religion preached Christian morality, yet the number of prostitutes had never been greater. This dissertation explores the problems of a pro-homosexual and anti-establishment Victorian author writing about human relationships forbidden by society. It exposes the consequences suffered by Oscar Wilde due to his investigative insights into the `Other' in the context of individual rights of preference in regard to sexual orientation, as expressed in selected texts, and his resolution of conflict, in De Profundis. / English Studies / MA (English)

Victorian society had strict written and unwritten laws about what was permissible in terms of personal relationships. Anglican patriarchal church values governed behaviour between the classes and enforced codes of conduct on gender related boundaries of private individuals. Society subscribed to the traditional family of man, woman and children in the context of marriage. Homosexuality amongst men was punishable by prison. Government and religion preached Christian morality, yet the number of prostitutes had never been greater. This dissertation explores the problems of a pro-homosexual and anti-establishment Victorian author writing about human relationships forbidden by society. It exposes the consequences suffered by Oscar Wilde due to his investigative insights into the `Other' in the context of individual rights of preference in regard to sexual orientation, as expressed in selected texts, and his resolution of conflict, in De Profundis. / English Studies / MA (English)

No description available.