Book and paper conservation integrates several disciplines, including traditional handcrafts, hard sciences, and art and book history, each with distinct methodologies and epistemic cultures. In order to examine how book and paper conservators straddle these varied fields and methodologies, a large-scale survey was conducted to investigate information sharing within the field. This examination of both formal publication and informal, lateral communication was inspired by the work of sociologists of science such as Derek J. de Solla Price and Diana Crane, including their concept of invisible colleges. A sample of one hundred book and paper conservators was questioned on methods of information sharing and attitudes towards topics such as publication and peer review. The result shows a field with great respect for formal methods of publication but still largely centered around informal methods of information sharing. Based on the survey results, potential methods of information sharing that may be well suited to the singularities of the field are discussed. / text

Magistrinio darbo problema kaip buvo skleidžiama Japonijos propaganda dėl Š. Korėjos įvykdytų pagrobimų ir kokios jos sklaidos pasekmės išryškėjo. Baigiamojo darbo objektas - Japonijos propaganda 2002 – 2011 m. Š. Korėjos inicijuotų pagrobimų atveju. Šio darbo tikslas išanalizuoti Š. Korėjos įvykdytus Japonijos piliečių pagrobimus ir atskleisti Japonijos propagandos dėl šių pagrobimų organizacijos struktūrą, sklaidos priemones ir rezultatus. Šiam tikslui pasiekti išsikelti tokie uždaviniai: 1.Remiantis teorinės literatūros šaltinių analize apibrėžti propagandos sampratą ir jos skaidos priemones bei parengti Japonijos propagandos analizės modelį; 2. Išryškinti prielaidas Japonijos vyriausybės propagandos formavimui1970 – 2005 m.;3. Atlikti propagandos modelio taikymo Japonijoje analizę.; 4. Išnagrinėti Japonijos vyriausybės propagandos dėl Š. Korėjos įvykdytų pagrobimų poveikį Japonijos visuomenei. Baigiamajame darbe naudojami šie metodai: Lyginamasis, aprašomasis ir analitinis. Atlikus tyrimą prieita prie tokių išvadų: 1. Remiantis užsienio ir Lietuvos autorių propagandos sąvokos lyginamąja analize, iškirtais propagandos tipais ir jos sklaidos priemonėmis bei G.S. Jowett ir V. O‘Donnell propagandos analizės 10 žingsnių metodu buvo sudarytas 7 žingsnių Japonijos propagandos analitinis modelis. 2. Įvertinus propagandos formavimosi kontekstą ir atskleidus Japonijos ir Š. Korėjos santykius 1971 – 2005 m., pavyko identifikuoti pagrindinius propagandos šaltinius Japonijoje: neo... [toliau žr. visą tekstą] / Problem of this master thesis is how propaganda of Japan regards North Korea initiated Japanese abductions is distributed and what are the consequences of this propaganda is in general. Subject in the final thesis is propaganda of Japan in 2002 – 2011: North Korea initiated Japanese abduction case. Objective of this research is to analyze North Korea initiated Japanese abductions and following it clarify structure of Japanese government propaganda, its distribution techniques and results. To reach this objective these following tasks are made: 1. define propaganda concept and ways of propaganda distribution based on theoretic scientific literature analysis and prepare model of Japanese propaganda analysis. 2. Highlight assumptions of Japanese governmental propaganda development in 1971 – 2005. 3. Accomplish research analysis based on model of propaganda of Japan. 4. Analyze Japanese government propaganda on North Korea initiated Japanese abduction case influence to Japanese society. In this research three methods are used: description, comparative and analytical methods. Accomplished Japanese propaganda analysis of this research led to these conclusions: 1. based on comparative analysis of Lithuanian and foreign authors on concept, sorts and ways of distributing propaganda, and G.S. Jowett ir V. O‘Donnell 10 steps of propaganda analysis method, 7 steps model of propaganda of Japan is shaped. 2. From propaganda development context based on Japan’s and North Korea‘s relation... [to full text]

There are approximately 1300 completely or partially preserved medieval churches in Sweden. Many of these have remains of kalkmåleri (mural paintings at least partially created in lime) from the 12th throughout the 17th century. This dissertation discusses the enactments that formed the revival of this kalkmåleri between 1850 and 1980, with a focus on restoration and conservation. The decorative and monumental paintings that were created at the same time are also discussed. The study is divided into two sections: one concentrates on the mural paintings and the networks that made their (re-)enactment possible, and the second is a case study that examines kalkmåleri in four medieval churches; Vendel and Ed north of Stockholm, and Floda and Vadsbro south of Stockholm. To come close to the paintings, an eclectic methodology with analysis of written and depicted sources, interviews, and studies in situ of the paintings through mapping and analysis of taken samples was designed. The objectives were to investigate the formation of kalkmåleri as phenomena, significant concepts, and conservation practices throughout time and space. Theoretical inspiration was taken from Actor-Network-Theory, critical discourse analysis, and speculative realism. Throughout the study the kalkmåleri is thus seen to have agency. The weave of enactments stemming from different professions and thought collectives that formed the paintings was made visible by following the actors. Some of these enactments were analyzed: i.e. the aesthetic shaping of the room, as religious and iconographic images, historical documents, art, style, technical, or hybrid objects. The latter refers to conservation that did not entirely rely on science, humanist scholarship, craftsmanship, or artistic creativity. Thus conservation is seen as a hybrid activity. Three periods of conservation principles were explored: stylistic restoration, original conservation, and precautionary conservation, which were related to what was perceived as the authentic original. Furthermore some Swedish "traditions" are discussed: that no institute for technical studies of art was formed, the use of "Curman’s principles", restricted retouching from the 1960s onward, and the use of gomma pane for cleaning. Finally appendices are included containing terminology, an index of conservators, and a DVD with mapping, chemical analysis, and photographs. / <p>Forskningsfinansiärer: FoU-medel: Riksantikvarieämbetet, Brandförsäkringsverkets stiftelse för bebyggelsehistorisk forskning, Elna Bengtsssons fond och Tyréns stiftelse.</p><p>Ett läsår på Columbia University kunde genomföras med stöd av Fulbright Commission. Erik &amp; Lily Philipsons minnesfond och Axelson Johnsons stiftelse.</p>