La globalización afecta en varios aspectos a los diferentes países del mundo y prueba de esta inevitable convergencia de culturas es el anime y el impacto que éste ha tenido y sigue teniendo a nivel mundial. Por ello, en el siguiente trabajo de investigación se tiene como objetivo general, hacer un análisis del proceso de transculturación del anime Naruto en la generación Y y Z de la comunidad otaku en Lima desde el año 2000 hasta la actualidad, y teniendo como objetivos específicos, analizar la influencia del anime en la formación de su identidad y analizar de qué manera la narrativa del anime influye en que este se mantenga como un fenómeno global. Estudiosos como: Luis Vidal y Alessandra Gamarra, han tomado a Naruto para explicar, por un lado, la influencia cultural que ejerce el anime y la formación de una nueva subcultura a partir de ésta. Por otro lado, la representación del odio y la violencia bélica en los caminos del dolor de Pain. En otros países de Latinoamérica también se han venido desarrollando diferentes estudios en relación al anime y su influencia, desde un punto de vista audiovisual como sociológico. Por último, en cuanto a los sujetos de estudio en esta investigación: se tiene al anime de Naruto y personas dentro de los 18-30 años, fanáticos del anime. / Globalization affects in different aspects the different countries of the world and proof of this inevitable convergence of cultures is anime and the impact that it has had and continues to have worldwide. Therefore, in the following research work, the general objective is to make an analysis of the transculturation process of the Naruto anime in generation Y and Z of the otaku community in Lima from 2000 to the present, and having specific objectives , analyze the influence of anime on the formation of their identity and analyze how the anime narrative influences that it remains a global phenomenon. Scholars such as: Luis Vidal and Alessandra Gamarra, have taken Naruto to explain, on the one hand, the cultural influence exerted by anime and the formation of a new subculture from it. On the other hand, the representation of hatred and war violence in Pain's pain paths. In other Latin American countries, different studies have also been carried out in relation to anime and its influence, from an audiovisual and sociological point of view. Finally, as for the study subjects in this research: you have Naruto anime and people within the range of 18-30 years old, anime fans. / Trabajo de investigación

Made available in DSpace on 2017-07-21T14:54:09Z (GMT). No. of bitstreams: 1 Bianca do Rocio Vogler.pdf: 886094 bytes, checksum: db3486c650f01f42b65fc8ee31927a18 (MD5) Previous issue date: 2014-09-26 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / In this dissertation, I analyze how the character Afonso da Maia is built in the novel The Maias, by Eca de Queiroz, and in the eponymous miniseries, originally broadcast in Brazil by Globo TV in 2001, having the playwright Maria Adelaide Amaral as a screenwriter, Luiz Fernando Carvalho as a director and the actor Walmor Chagas as a performer of this character. Thus, initially, the observation of some characteristics of Eça's writing enables us to understand the way the Portuguese writer uses them in the process of creating the character of the patriarch Maia in order to compose both the physical and psychological makeup of what I consider to be the fundamental character in the novel. And as the analysis is guided by the relationship between the television adaptation and the literary text on which it is based, I see that the theoretical concepts to be covered must contribute to the understanding of the dialogism that presents itself as basic to every creative movement. Thus, by taking into account certain concepts of the theories of Walter Benjamin and Mikhail Bakhtin, I mean to provide an understanding of how the approaches of the two philosophers, each in his own area and developing his views about different issues, may contribute to the study of the relationship between literature and film/television, especially regarding the audiovisual adaptations of literary texts. And, from such considerations with respect to how the character Afonso da Maia is built through some of the specifics of Eça de Queiroz's writing and also the issues detected in the relationship between the literary and the audiovisual media, I seek to investigate how the authors of the television text perform the adaptation of such character to a medium with distinct features of significance, but nonetheless manage to appropriate certain elements used by the Portuguese writer, as well as undertake some additions and modifications, in order to build the senses that pertain to the figure of the patriarch. / Nesta dissertação, procuro analisar a forma como é construída a personagem Afonso da Maia no romance Os Maias, de Eça de Queiroz, e na minissérie homônima, exibida originalmente no Brasil pela Rede Globo de Televisão no ano de 2001, tendo como roteirista a dramaturga Maria Adelaide Amaral, como diretor Luiz Fernando Carvalho e como intérprete dessa personagem, o ator Walmor Chagas. Desse modo, inicialmente, a observação de algumas das características da escrita de Eça nos possibilita a compreensão da maneira como o escritor português as emprega no processo de criação do patriarca Maia para compor tanto a constituição física quanto psicológica dessa que considero ser a personagem fundamental da obra. E por ter como foco uma análise pautada na relação de uma adaptação televisiva com o texto literário em que se baseia, vejo que os conceitos teóricos a serem abordados devem contribuir para o entendimento do dialogismo que se apresenta como aspecto primordial de todo movimento de criação. Assim, a abordagem de determinados conceitos das teorias de Walter Benjamin e de Mikhail Bakhtin tem por intuito estabelecer a compreensão de como as pesquisas dos dois filósofos, cada um na sua área e desenvolvendo as suas visões a respeito de temáticas distintas, podem contribuir para o estudo dessa relação entre literatura e cinema/televisão, principalmente em se tratando das adaptações audiovisuais de textos literários. E, partindo de tais ponderações com relação ao modo como é construída a personagem Afonso da Maia por meio de algumas das especificidades da escrita de Eça de Queiroz e a respeito desses pontos apreensíveis na relação entre a literatura e os meios audiovisuais, busco realizar a análise da forma como os autores do texto televisivo realizam a adaptação de tal personagem para um meio com recursos de significação distintos, conseguindo, mesmo assim, se apropriar de determinados elementos utilizados pelo escritor português, assim como empreendendo algumas adições e modificações, no intuito de construir os sentidos que apreendem na figura do patriarca.

Den här studien syftar till att undersöka hur och vad Disney kommunicerar till sin publik genom deras film Frost (2013). Eftersom Disney idag står för en dominerande part av filmunderhållningen för barn bär de också ett ansvar för de budskapen de förmedlar genom sina filmer, då barn kan komma att påverkas av dem. I den här studien har Frost (2013) studerats genom en kvalitativ textanalys med hjälp av Peter Dahlgrens metod för att analysera medietext, med fokus på textens uppbyggnad och den narrativa dynamiken i medietexten (filmen). Analysen har gjorts utifrån ett normkritiskt perspektiv. Analysen visade att Frost bryter sig loss från flera av Disneys tidigare mönster och strukturer och lyckas skapa en mindre förutsägbar saga. Analysen visade också framträdandet av en ny roll; den falska skurken, som användes just i syftet att skapa en mindre förutsägbar saga. Till skillnader från flera tidigare porträtteringar av Disney-prinsessor visar Frost två feminint starka och självständiga kvinnliga karaktärer, som agerar på eget bevåg. Frost ifrågasätter också Disneys tidigare attityd kring att kärlek kan uppstå vid första ögonkastet, samt att romantisk kärlek är det starkaste och mest värdefulla typen av kärlek. För första gången någonsin porträtterar Frost familjekärlek som starkare än romantisk kärlek. / This study aims to examine how and what Disney is communicating to its audience through its movie Frozen (2013). Since Disney currently is a dominant party of the movie entertainment for children they bear a great responsibility for the messages they convey through their movies, as children may be influenced by them. In this study, Frozen (2013) has been studied by a qualitative text analysis using Peter Dahlgren's approach for analyzing media text, with focus on the textual construction and the narrative dynamics of the media text (the movie). The analysis was made based on a norm-critical perspective. The analysis showed that Frozen breaks free from many of Disney's past patterns and structures and manages to create a less predictable tale. The analysis also showed the emergence of a new role; the fake villain, used precisely in order to create a less predictable tale. In differences from several earlier portrayals of the Disney Princess Frozen shows two feminine strong and independent female characters, who act on their own authority. Frozen also questions Disney's previous attitude concerning that love can arise at first sight, and that romantic love is the strongest and most valuable type of love. For the first time in forever in a Princess movie Frozen manages to portray love between family members as stronger than romantic love.