Esta dissertação de Mestrado estuda o fenômeno das incubadoras literárias, tomando como exemplo a Livros do Mal, a partir dos conceitos de habitus e campo literário, provenientes do paradigma teórico de Pierre Bourdieu. A partir destes conceitos, são analisados a série histórica do campo literário brasileiro e o estado contemporâneo do campo, com maior ênfase para a primeira metade da primeira década do século XXI. O objetivo é a especificação das posições e disposições que dão suporte à agência dentro do campo literário contemporâneo / Based on the concepts of habitus and literary field, originated in Pierre Bourdieu's theoric paradigm, this master's degree thesis studies the phenomenon of literary incubators, and utilizes Livros do Mal as example. The historic series and the contemporary status of the literary field are analyzed through these concepts, with greater detail to the first part of the first decade of XXI century. The objective is the specification of the positions and dispositions that function as support for the agency inside the contemporary literary field.

Esta dissertação de Mestrado estuda o fenômeno das incubadoras literárias, tomando como exemplo a Livros do Mal, a partir dos conceitos de habitus e campo literário, provenientes do paradigma teórico de Pierre Bourdieu. A partir destes conceitos, são analisados a série histórica do campo literário brasileiro e o estado contemporâneo do campo, com maior ênfase para a primeira metade da primeira década do século XXI. O objetivo é a especificação das posições e disposições que dão suporte à agência dentro do campo literário contemporâneo / Based on the concepts of habitus and literary field, originated in Pierre Bourdieu's theoric paradigm, this master's degree thesis studies the phenomenon of literary incubators, and utilizes Livros do Mal as example. The historic series and the contemporary status of the literary field are analyzed through these concepts, with greater detail to the first part of the first decade of XXI century. The objective is the specification of the positions and dispositions that function as support for the agency inside the contemporary literary field.

Esta dissertação de Mestrado estuda o fenômeno das incubadoras literárias, tomando como exemplo a Livros do Mal, a partir dos conceitos de habitus e campo literário, provenientes do paradigma teórico de Pierre Bourdieu. A partir destes conceitos, são analisados a série histórica do campo literário brasileiro e o estado contemporâneo do campo, com maior ênfase para a primeira metade da primeira década do século XXI. O objetivo é a especificação das posições e disposições que dão suporte à agência dentro do campo literário contemporâneo / Based on the concepts of habitus and literary field, originated in Pierre Bourdieu's theoric paradigm, this master's degree thesis studies the phenomenon of literary incubators, and utilizes Livros do Mal as example. The historic series and the contemporary status of the literary field are analyzed through these concepts, with greater detail to the first part of the first decade of XXI century. The objective is the specification of the positions and dispositions that function as support for the agency inside the contemporary literary field.

Ce travail de recherche pluridisciplinaire apporte un éclairage nouveau sur l’œuvre de Pascal Quignard, renouvelle les problématiques du genre de l’écrit sur l’art et étaye certaines hypo-thèses de l’analyse du discours. La première partie reprend les notions déjà identifiées par la critique quignardienne que sont l’assertion, la latinisation et le sordide, en propose une nou-velle analyse et, à l’aide d’exemples, y ajoute des éléments complémentaires tels les mots-mana, la logique poétique et le pouvoir des images. La deuxième partie articule ces éléments intratextuels à ceux extratextuels que sont l’ethos et la posture de l’auteur ainsi que l’image du lecteur, associant sociologie de la littérature et analyse du discours pour décrire la stratégie argumentative quignardienne. Le dispositif ainsi décrit et qualifié d’écriture inquiétante est ensuite analysé dans la troisième partie à la lumière de l’histoire et de la philosophie de l’art, révélant les liens entre l’image et la pensée quignardienne. / This multidisciplinary research sheds new light on the work of Pascal Quignard, renews the issues of the genre of writings on art and supports hypothesis of discourse analysis. The first part includes the concepts already identified by the quignardienne criticism, like the assertion, the latinization and the sordid, proposes a new analysis, using examples, and adds additional elements such as mana-words, poetical logic and the power of images. The second part combines these intratextual elements to those that are extratextual: ethos and posture of the author and the reader’s image. It combines sociology of literature and discourse analysis to describe Quignard’s argumentative strategy. The device thus described and qualified as « disturbing writing » is then analysed in the third part in the light of the history and philosophy of art, revealing the relationship between the image and Quignard’s thought.