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Borges: alegoria, met?fora e morteSilva, Soliana de Ara?jo 27 April 2015 (has links)
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Previous issue date: 2015-04-27 / Este trabalho, com vista ? defesa de tese, consiste numa discuss?o, an?lise e leitura de contos borgeanos, em que a problem?tica de interesse articula-se ? linguagem, ao discurso e ? escritura, remetendo-os tanto ? Literatura quanto ? Filosofia, tanto ao estatuto do ficcional, quanto ao do ontol?gico. Nessa ?tica, pretende-se mostrar a escritura borgeana como urdidura da morte, do aleg?rico e do metaf?rico, no sentido de trazer para o ficcional tra?os distintos do real, elaborando o discurso para al?m do dito, atingindo os interst?cios, o sil?ncio, as interrup??es e a suspens?o da representa??o. Nessa elabora??o discursiva, aponta-se uma travessia na letra, afetada por sensa??es indiz?veis, entrecruzando os processos de mem?ria, imagin?rio e real, nos quais a temporaliza??o faz emergir a diferen?a e a repeti??o. Nestas se constituindo agenciamentos territoriais que conduzem os personagens a espa?os imagin?rios como possibilidades do real, permitindo-lhes efetiva mobilidade para desterritorializar-se e reterritorializar-se, conforme as for?as de mudan?a que se manifestam nos seus trilhamentos. Para tanto, coloca-se como escopo uma pesquisa bibliogr?fica norteada por autores como Maurice Blanchot (2008), K?tia Muricy (1998), Jo?o Adolfo Hansen (2006), Susan Sontag (2007), M?rio Bruno (2004), Juan Manuel Garc?a Ramos (2003), Beatriz Sarlo (2008), Walter Benjamin (1984), Gilles Deleuze (1997; 2006; 2009), Gilles Deleuze e F?lix Guattari (1995; 1996; 1997). O corpus te?rico e de discuss?o constitui-se a partir desses autores, atendendo ao car?ter qualitativo impl?cito na constru??o desta tese. Quanto ao corpus liter?rio, este ? composto pelos contos A escrita do Deus, Os dois reis e os dois labirintos, A loteria em Babil?nia, A met?fora, A biblioteca de Babel, O espelho e a m?scara, Um te?logo na morte e O morto. / This work consists of a discussion, analysis and reading of Borges?stories, in that the problem of interest pronounces to the language, to the speech and the deed, sending them so much to the Literature with relationship to the Philosophy, so much to the statute of the ficcional, with relationship to the of the ontologic. In that optics, it intends to show the Borges deed as warp of the death, of the allegorical and of the metaphorical, in the sense of bringing for the ficcional lines different from the Real, elaborating the speech for besides the statement, reaching the interstic, the silence, the interruptions and the suspension of the representation. In that discursive elaboration, a crossing is pointed in the letter, affected for unspeakable sensations, crossing the processes of memory, imaginary and real, in which the time counting makes to emerge the difference and the repetition. In these if constituting territorial negotioting that they lead the characters to imaginary spaces as possibilities of the real, allowing them executes mobility for desterritory it self and reterritory itself, according to the change forces that show in your threshing. For so much, it is placed as mark a bibliographical research orientated by authors as Maurice Blanchot (2008), K?tia Muricy (1998), Jo?o Adolfo Hansen (2006), Susan Sontag (2007), M?rio Bruno (2004), Juan Manuel Garc?a Ramos (2003), Elizabeth K?bler Ross (2008), Walter Benjamin (1984), Gilles Deleuze (1997; 2006; 2009), Gilles Deleuze and F?lix Guattari (1995; 1996; 1997). The theoretical corpus and of discussion, it is constituted to leave of those authors, assisting to the implicit qualitative character in the construction of this thesis. What about to the literary corpus, this is composed by the stories The writing of the God, The two kings and the two labyrinths, The lottery of Babylon, The metaphor, The library of Babel, The mirror and the mask, A theologian in death and The dead man.
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