O tratamento cosmético facial e corporal que emprega o Fango vem sendo muito utilizado em clínicas de estética, com o intuito de melhorar a aparência da pele. A literatura científica carece de informações sobre alguns aspectos desta matéria-prima, como: as condições adequadas para sua coleta, preservando suas características químicas e microbiológicas; as especificações de qualidade da matéria-prima (física, química, microbiológica e toxicológica); e as metodologias analíticas de avaliação. A qualificação do Fango é primordial para o mesmo ser utilizado como matéria-prima de uso cosmético \"tal qual\" na pele ou veiculado em formulações cosméticas, a fim de alcançar a eficácia cosmética e garantir sua segurança de uso. Este trabalho visou a padronização do método de coleta do Fango na fonte e a das seguintes análises: física, físico-química, microbiológica, parasitológica, toxicológica do Fango provindo de Araxá-MG in natura e da lama negra (processada), com intuito de assegurar seu uso qualificado como matéria-prima em formulações cosméticas, uma vez que a literatura científica carece de estudos com este tipo de material. Os resultados obtidos quanto à segurança de uso foram satisfatórios, não ocorrendo a presença de microrganismos patogênicos tais como: Escherichia coli, coliformes fecais e totais, Staphylococcus aureus, Pseudomonas aeruginosa e Candida albicans (antes e depois da maturação), larva migrans e metais pesados. Os demais ensaios realizados para a caracterização do Fango como matéria-prima justificam sua aplicação em produtos cosméticos, como por exemplo, a presença do enxofre com potencial uso em formulações antissépticas e a argila tipo \"caulinita\" em preparações para diminuir a oleosidade da pele. / The facial and body cosmetic treatments applying the \"Fango\" can be seen nowadays on esthetic clinics\' catalogues. The scientific literature up nowadays does not have sufficient informations concerning this product, the correct procedures to collect it from the soil preserving its chemical and microbiological characteristics; the specifications on its physical, chemical, microbiological e toxicological qualities and the analytical methodologies involving on the it evaluation. The Fango\'s qualification is very important because it can be used alone (raw material) or incorporated in cosmetic formulations, in order to evaluate the safety and efficacy of final product. This is the only way it may be applied on cosmetics formulations designed to be applied on human skin. The aim of this research is to standard the collect conditions in thermal springs and standard such analysis: physical aspects, physic-chemical, microbiology, parasitological and toxicological of Thermal mud and Fango from Araxá-MG. The results obtained of this study showed that the Fango from Araxá-MG is safe to be applied in cosmetic formulations or direct on the human skin. The pathogenic microorganism such as: Escherichia coli, Staphylococcus aureus, Pseudomonas aeuruginosa and Candida Albicans were absent on the samples, and the same to Larva migrans and heavy metais. The physic-chemical analysis of Fango from Araxá-MG demonstrated its application in cosmetic products, as its capacity to improvement the skin\'s conditions, e.g. the presence of sulphur with antiseptic proprieties and organic compounds in order to use on the oily skin.

The presented diploma thesis Development of "halal" trade in the world deals with the detailed analysis of this current socio-economic phenomenon. The thesis aims to provide the reader with a more detailed and comprehensive view of one of contemporary fastest growing markets in the world in general. Thanks to its unification, halal market is the only market in the world that transcends both religious as well as geographical and cultural boundaries. In this diploma thesis the development of the halal market in the world is viewed from the perspective of theoretical background and practical applications with a focus on the evaluation of the current trends. This diploma thesis presents a detailed picture on the dynamic development of halal food, cosmetics, textile, tourism industry and the field of Islamic finance. Geographically, the diploma thesis evaluates the development of halal trade in the three major regions of the world - North America, Europe and Southeast Asia. Author's subjective forecast of future development of halal market in the world is a part of the diploma thesis.

The thesis is focused on theoretical principles of demarcation of products with health effects in the EU law and on the reflection of these issues in the application and administrative practice in commercial law. The thesis developed yet been brought judicial interpretation with the scientific interpretation of certain key and decisive problems that separate from each other law-regimes of regulation: medicinal product for human use, foods, cosmetics products, medical devices and biocides. Correct law-regime for a particular product is determinating of the general legal basis in the EU internal market. It is therefore a important problem not only in EU law, but also in EU economic. Thesis results are highly critical of current practice in the local markets of EU member states, especially Czech Republic, and in many instances documented sub-optimal application of this law in general practice.

Indiana University-Purdue University Indianapolis (IUPUI) / This dissertation employs a historical approach to the philanthropic activities of Madam C.J. Walker, an African American female entrepreneur who built an international beauty culture company that employed thousands of people, primarily black women, and generated hundreds of thousands of dollars in annual revenues during the Jim Crow era. The field of philanthropic studies has recognized Walker as a philanthropist, but has not effectively accounted for how her story challenges conventional understandings of philanthropy. I use historical methods and archival research to determine what motivated and constituted Walker’s philanthropic giving to arrive at three main conclusions. First, Walker’s philanthropy can be best understood as emerging out of a moral imagination forged by her experiences as a poor, black, female migrant in St. Louis, Missouri during the late 1800s dependent upon a robust philanthropic infrastructure of black civil society institutions and individuals who cared for and mentored her through the most difficult period of her life. Second, she created and operated her company to pursue commercial and philanthropic goals concurrently by improving black women’s personal hygiene and appearance; increasing their access to vocational education, beauty culture careers, and financial independence; and promoting social bonding and activism through associationalism, and, later, fraternal ritual. Third, during her lifetime and through her estate, Walker deployed a diverse array of philanthropic resources to fund African American social service and educational needs in networks with other black women. Her giving positions her philanthropy as simultaneously distinct from the dominant paradigm of wealthy whites and as shared with that of other African Americans. Her approach thus ran counter to the racialized and gendered models of giving by the rich white male and female philanthropists of her era, while being representative of black women’s norms of giving.

There are many factors that contributed to the proliferation of visual codes, metaphors and references to the gendered gaze in women's fiction of the late-eighteenth and early-nineteenth centuries. This thesis argues that the visual details in women's novels published between 1778 and 1815 are more significant than scholars have previously acknowledged. My analysis of the oeuvres of Jane Austen, Ann Radcliffe, Maria Edgeworth and Fanny Burney shows that visuality — the nexus between the verbal and visual communication — provided them with a language within language capable of circumventing the cultural strictures on female expression in a way that allowed for concealed resistance. It conveyed the actual ways in which women ‘should' see and appear in a society in which the reputation was image-based. My analysis journeys through physiognomic, psychological, theatrical and codified forms of visuality to highlight the multiplicity of its functions. I engage with scholarly critiques drawn from literature, art, optics, psychology, philosophy and anthropology to assert visuality's multidisciplinary influences and diplomatic potential. I show that in fiction and in actuality, women had to negotiate four scopic forces that determined their ‘looks' and manners of looking: the impartial spectator, the male gaze, the public eye and the disenfranchised female gaze. In a society dominated by ‘frustrated utterance,' penetrating gazes and the perpetual threat of misinterpretation, women novelists used references to the visible and the invisible to comment on emotions, socio-economic conditions and patriarchal abuses. This thesis thus offers new insights into verbal economy by reassessing expression and perception from an unconventional point-of-view.