Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-08-01T14:27:29Z No. of bitstreams: 1 ArthurDeOliveiraRocha_DISSERT.pdf: 1144693 bytes, checksum: 2e13c7ccc2317b024241fa7dae47feb0 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-08-08T12:56:27Z (GMT) No. of bitstreams: 1 ArthurDeOliveiraRocha_DISSERT.pdf: 1144693 bytes, checksum: 2e13c7ccc2317b024241fa7dae47feb0 (MD5) / Made available in DSpace on 2017-08-08T12:56:27Z (GMT). No. of bitstreams: 1 ArthurDeOliveiraRocha_DISSERT.pdf: 1144693 bytes, checksum: 2e13c7ccc2317b024241fa7dae47feb0 (MD5) Previous issue date: 2017-03-27 / Este trabalho investiga a par?dia sat?rica ao jornalismo produzida pelo site de humor Sensacionalista, e como esse ve?culo de m?dia par?dico desenvolve, de maneira c?mica, cr?ticas ? m?dia. A par?dia sat?rica promovida por sites de not?cias fict?cias, como o Sensacionalista, subverte valores e dogmas do jornalismo. Nesse movimento, os ve?culos par?dicos questionam o trabalho da m?dia, a atua??o de seus profissionais, seus produtos, processos, l?gicas e rotinas. O conte?do cr?tico disseminado comicamente promove, ainda que de forma moment?nea, reflex?es cr?ticas no leitor. As desnot?cias funcionam, ent?o, dentro do sistema social cr?tico-interpretativo, proposto por Braga (2006), como uma alternativa ?s cr?ticas de m?dia mais elaboradas, aprofundadas, s?rias e desenvolvidas por especialistas em cr?tica para um p?blico de iniciados. O embasamento te?rico inclui estudos sobre humor, comicidade e riso de Bergson, Propp, Alberti, Minois e Bakhtin; sobre not?cias fict?cias e par?dia jornal?stica de Oliveira, Gerson e Dornelles, Silveira, Barbosa de Sousa e Santiago, Figueira e Santos; e sobre cr?tica midi?tica de Dines, Traquina, Bertrand, Marcondes Filho, Braga, Motta, Hamilton, Silva e Paulino, Loures e Christofoletti. Adota-se como metodologia a an?lise de conte?do, proposta por Bardin (2008), aplicada a um corpus de 101 publica??es com conte?do cr?tico acerca da m?dia, num recorte de oito meses (1? de janeiro de 2016 a 31 de agosto de 2016). / This work investigates the satirical parody of the journalism produced by the humor website known as Sensacionalista, and how this parody media vehicle comically develops criticism of the media. The satirical parody promoted by fictional news sites, such as Sensacionalista, subverts values and dogmas of journalism. In this movement, parody vehicles question the work of the media, the performance of its professionals, its products, processes, logic and routines. Critically disseminated content comically promotes, even momentaneously, critical reflections on the reader. The unnews work within the critical-interpretive social system, proposed by Braga (2006), as an alternative to more elaborate, in-depth, serious and criticized media critics for an audience made of initiates. The theoretical basis includes studies on humor, comedy and laughter, by Bergson, Propp, Alberti, Minois and Bakhtin; on fictional news and journalistic parody, by Oliveira, Gerson and Dornelles, Silveira, Barbosa de Sousa and Santiago, Figueira and Santos; and on media critique, by Dines, Traquina, Bertrand, Marcondes Filho, Braga, Motta, Hamilton, Silva and Paulino, Loures and Christofoletti. The analysis of content proposed by Bardin (2008), applied to a corpus of 101 publications with critical content about the media, in a peiord of eight months (January 1st, 2016 to August 31st, 2016) is adopted as the methodology.