The purpose of the present study is twofold: (1) to investigate the extent to which changing criteria of creativity influences the selection of subjects with different personality characteristics; and (2) to determine if the selection of different subjects by different criteria of creativity also extends to the different scoring methods which can be applied to the same test of creativity. The specific hypothesis to be tested in this study are: (1) There will be low or non-significant correlations both between the two specific tests of creativity and between the various methods of scoring each test.; (2) The subjects selected by the various methods will exhibit different personality patterns as demonstrated by their composite need profiles on the Edwards Personal Preference Schedule.

No description available.

The primary purpose of this study was to explore the relationships among ideational fluency, conformity, and locus of control in preschool children. Forty-five children (50 to 61 months) from three child care centers were administered the conformity task, the Preschool and Primary Nowicki-Strickland Internal-External Scale (PPNS-IE), the Multidimensional Stimulus Fluency Measure CMSFM), and the Information and Picture Completion subtests of the WPPSI. The findings from this study were mixed in their support of previous research. Results indicated that children with an internal locus of control were more often males and gave fewer original responses than children with an external locus of control. Children with high IQ's gave a greater frequency of popular and total responses on the MSFM and were less conforming than children scoring Iowan IQ. No significant relationships existed among the other variables, and no significant interaction was shown to exist between conformity and locus of control as they affected ideational fluency. / Master of Science

The social definition of the theatre as an expressive art and a place for individual creativity shapes’ the introduction of computers in the theatre. In a study of the development of computer usage in theatre, the issue of creativity must be addressed in order to fully understand technological implementation. In other areas of society, such as business, industry and government, computer implementation does not have to address the issue of creativity. In these areas, the issue is integrating the computer into established activities with the least amount of disruption. In theatre, however, the creativity issue is an underlying concern for the integration of computer systems in some areas. Computers are more readily accepted in administration, where the work tends to be more structured and repeatable. In the design areas, with the emphasis on individual creativity, the computer has been adopted more slowly. / Master of Science

No / The notion of the creative sector/class has been very much put on the map by the recent writings of Richard Florida. The most distinctive feature of the creative class literature is that it seems to minimize the importance of conflict and exploitation which have been the hallmark of the original uses of the concept of class in social analysis. Inevitably, debate must also rage as to who is to be included in the definition of a creative class which, under Florida's broadest definition, has controversially expanded to include psychiatrists amongst others.

Creative thinking is a multi-faceted trait. It encompasses a constellation of intellectual abilities and personality characteristics. In this study cognitive and personality components of creative thinking were included in an instrument. From the relevant literature the most important cognitive components in order of importance were problem finding, original problem solving, general problem solving, knowledge, and attentiveness to detail. Lack of conformity was suggested to be the most important personality component. Measures of these components of creative thinking were developed. Data were obtained by interviewing 110 third-grade children (M = 8.9 yrs), from which 80 sets were randomly selected to develop a scoring scheme. The scoring scheme was utilized to derive a statistical equation to quantify creative thinking for each individual. To ascertain the reliability and consistency of the developed scoring scheme, the author and two graduate students independently scored the remaining data (30 sets). The coefficient of variability for the three groups of scores were computed by means of pooled estimate of variance. This quantity was found to be .02 which is remarkably small. The relative contribution of each component to creative thinking and the interrelationship between them have been discussed. whether problem finding and problem solving are two separate cognitive processes was also discussed. / Ed. D. / incomplete_metadata

Thesis (MPhil)--Stellenbosch University, 2013. / ENGLISH ABSTRACT: This study is an exploration of Richard Florida’s Creative Class theory within an African city context. The economic value of the Creative Class is that their work revolves around innovation, a quality seen as essential to ‘new economy’ urban growth. Quality of place (that which makes ‘New York, New York’) is said to attract the Creative Class to certain cities, as lifestyle amenities are valued as much as employment opportunities. Nairobi is an example of an African city currently attracting both Kenyan and expatriate Creative Class workers, particularly in the information and communication technology (ICT) sector. The research aimed to understand why this group chose to live in Nairobi and to describe Nairobi’s quality of place, with a particular focus on infrastructure disruption. Overall, the Western city is the reference point for Creative Class literature and quality of place is embedded within a framework of urbanisation through industrialisation - a period known as the first urbanisation wave. The fastest growing cities on the African continent (Nairobi included) are part of the second urbanisation wave, an urbanisation process spurred by a set of vastly different dynamics in which industrialisation is virtually inconsequential. Urbanisation through industrialisation induced concomitant investments into infrastructure and thus it is unsurprising that the Creative Class literature assumes that urban infrastructure is ‘always on’ – available at all times as an inherent attribute of place. The point of the study was not to draw modernist comparisons, but rather to emphasise that notions of quality of place are incomplete given the rise of technological innovation in urban Africa, where cities often suffer from disruption of basic infrastructure. Until more recently, African cities did not feature in the Creative Class literature; the predominantly rural focus of ICT diffusion in the literature is a contributing factor to the lack of information on the Creative Class in African cities. The case study revealed that Nairobi’s quality of place is fundamentally different to normative prescriptions given to urban planners and, in some instances, is highly frustrating and unattractive. Contrary to Florida’s theory, those interviewed were not leaving Nairobi in search of cities with higher quality of place attributes or better infrastructure provision – individuals were rooted to the city because of their work and the professional networks with which they were associated. / AFRIKAANSE OPSOMMING: Hierdie studie is ‘n verkenning van Richard Florida se teorie van Kreatiewe Klas binne die konteks van ‘n Afrika-stad. Die ekonomiese waarde van die Kreatiewe Klas is dat hul werk rondom innovasie draai, wat as noodsaaklik beskou word vir die stedelike groei van die “nuwe ekonomie”. Plekkwaliteit (dit wat ‘New York, New York’ maak) lok luidens Florida se teorie die Kreatiewe Klas na sekere stede, aangesien hulle leefstylgeriewe net so hoog soos werksgeleenthede op die prys stel. Nairobi is ‘n voorbeeld van ‘n Afrika-stad wat tans beide Keniaanse en buitelandse werkers van die Kreatiewe Klas lok, veral na die plaaslike Informasie- en Kommunikasietegnologiesektor (IKT-sektor). Die navorsing het gepoog om te verstaan waarom hierdie groep gekies het om in Nairobi te woon asook om Nairobi se plekkwaliteit te beskryf, met ‘n spesifieke klem op die onderbreking van infrastruktuur. Oor die algemeen is die Westerse stad die vertrekpunt vir literatuur oor die Kreatiewe Klas. Daarby word plekkwaliteit gewoonlik beskou binne die raamwerk van “verstedeliking deur industrialisering”, wat bekend staan as die eerste verstedelikingsgolf. Die vinnig groeiendste stede op die Afrika-vasteland (insluitend Nairobi) is deel van ‘n tweede verstedelikingsgolf wat deur gans ander dinamika gedryf word, waarvan industrialisering ‘n feitlik weglaatbare faset is. Verstedeliking deur industrialisering het tot gelyktydige beleggings in infrastruktuur aanleiding gegee, dus maak dit sin dat literatuur oor die Kreatiewe Klas aanvaar dat stedelike infrastruktuur “altyd aan” is – dit wil sê, immerbeskikbaar as ‘n onafskeidelike kenmerk van die plek. Die doel van die studie was nie om modernistiese vergelykings te tref nie, maar om te beklemtoon dat begrippe van plekkwaliteit onvolledig is gegewe die opkoms van tegnologiese innovasie in stedelike Afrika, waar stede dikwels ly aan onderbrekings van basiese infrastruktuur. Tot baie onlangs is Afrika-stede nie genoem in literatuur oor die Kreatiewe Klas nie; die oorwegend landelike fokus van die verspreiding van IKT dra ook by tot die gebrek aan inligting aangaande die Kreatiewe Klas in Afrikastede. Die gevallestudie het onthul dat Nairobi se plekkwaliteit in wese anders is as die normatiewe voorskrifte wat aan stadsbeplanners voorgehou word en dat dit selfs, in sommige gevalle, uiters frustrerend en onaantreklik is. In teenstelling met Florida se teorie was diegene met wie onderhoude gevoer is, nie van plan om Nairobi te verlaat op soek na stede met hoër plekkwaliteitkenmerke of beter infrastruktuur nie – dié individue was gevestig in die stad weens hul werk en die professionele netwerke waarmee hul geskakel het.

This study explores some of the possible correlations between creativity and criminal thinking evident in the literature in an attempt to link the two forms of cognition. An understanding of the concept of Malevolent Creativity can serve the purpose of elucidating another component of the criminal personality.

Thesis (M.A.)--University of Western Ontario, 1998. / Includes bibliographical references (leaves 98-101).

Doctorat en sciences psychologiques / info:eu-repo/semantics/nonPublished