No description available.

Based on empirical evidence from numerous studies involving the cognitive components of creativity training, the Cognitive Processes Associated with Creativity (CPAC) scale was developed to efficiently and directly address the processes of brainstorming, metaphorical and analogical thinking, perspective-taking, imagery, incubation, and flow. An online pilot study (n = 226) and laboratory follow-up study (n = 120) collected responses to the newly created CPAC scale and a variety of other creativity measures. Overall, the results of this research indicate that the CPAC scale has many sound psychometric qualities, and the scale assesses creativity as a process variable. The data from both studies provide evidence for the construct validity of the scale, with a relatively stable factor structure reflecting the underlying theoretical subscales. A lack of relationships between the CPAC scale, social desirability, and several demographic variables suggested some evidence for divergent validity. There is mixed evidence for concurrent validity, as scores on the CPAC were not significantly correlated with product-focused measures of creativity but were significantly correlated with other previously established self-report creativity instruments. Further investigation of these findings indicated that different conceptualizations and design issues may be the reason for the nonsignificant results, and additional research in this area is needed. A deeper exploration of the relationships between the various self-report subscales led to a more vivid description of each cognitive process included in the CPAC, laying the foundation for a theoretical understanding of the similarities and differences of these processes. / Department of Educational Psychology

Die doel van die navorsing was om die doeltreffendheid van 'n opleidingskursus in kreatiewe vaardighede te evalueer. Die navorsingsprosedure is volgens die Solomonviergroepontwerp beplan, maar kon nie deurgevoer word nie weens 'n tekort aan proefpersone. Die navorsingsontwerp het bestaan uit 'n eksperimentele groep wat die opleidingskursus deurloop en 'n voor- en natoets afgete het, 'n kontrolegroep wat die opleidingskursus deurloop en 'n natoets afgete het, en 'n tweede kontrolegroep wat slegs getoets is. Die nieverbale toets van die Torrance Tests of Creative Thinking is gebruik om die uitwerking van die opleiding te bepaal. Die interbeoordelaarsbetroubaarheid van die meetinstrument is bewys. Die resultate dui aan dat die doeltreffendheid van die opleidingskursus nie deur die geslag of kwalifikasies van die proefpersone beinvloed is nie. Verder is bevind dat proefpersone wat voor opleiding lae tellings vir kreatiwiteit behaal het, meer gebaat het by kreatiwiteitsopleiding as persone wat hoe tellings behaal het. Die navorsingshipotese, naamlik dat die oplei~ingskursus sal lei tot 'n verbetering in die kreatiewe vaardighede van die proefpersone, is bevestig / The aim of the study was to evaluate the effectiveness of a training course in creative abilities. The research was structured according to the Solomon four-group design. It failed, because the sample size was inadequate. The research design consisted of an experimental group that had completed the training course and was pretested and posttested, a control group that had completed a course and was posttested, and another control group that was tested once. The nonverbal test of the Torrance Tests of Creative Thinking was used to determine the training results. The inter-rater reliability of the test was confirmed. The results of this study suggested that the sex and qualifications of the subjects were nonsignificant. However, subjects who rated poorly before training benefited most by training. The research hypothesis which stated that training in creative ability will lead to improvement of creative ability, was confirmed / Psychology / M.A. (Sielkunde)

No description available.

Computer-aided design has been integrated into the design process primarily in the latter stages as a drafting tool for detailing and accuracy rather than incorporated into the early stages as a design tool for enhancing ideational fluency. Pencil-based design (i.e., hand drawing and sketching) has traditionally been the graphic medium in the ideation process to aid in externalizing and manipulating designers' ideas. The early, creative design phases require the design medium that is used during schematic ideation yield to the deSigner's needs in generating, communicating, and evaluating ideas (Marshall, 1992). The integration of the computer-based method into schematic ideation may impact the design process by possibly affecting the designer's creative abilities and the resulting creative aspects of the design solution. This study examined the products of creativity to determine if differences exist in creativity ratings of design solutions generated using two design methods - pencil-based and computer-based - in the preliminary design phases. Interior design students (n=40) used the two design methods and generated design solutions for a small restaurant project. An established instrument was used by eight design educators to evaluate the design solutions on creathlity and six other design merit aspects. The process of creativity was also examined and the perceptions of the interior design students were assessed regarding the use of the deSign methods and the influences on creativity. / Ph. D.

No description available.

Doctorat en sciences psychologiques / info:eu-repo/semantics/nonPublished

Prominent definitions and theories of 'Creativity' provide core data for themes that frame the Creative Process Assessment Matrix (CPAM). Its framework is based on Wallas' stages of the creative process and the P theory (Person, thinking Process, Press/Persuasion and Product). The CPAM's structure and content was derived from current, reliable and valid research. Issues relating to assessment procedures, as well as psychological factors (blockers and stimulators) gave rise to the Creative Assessment Test Questionnaire (CATQ#4), containing questions that document creative assessment prerequisites. Recognized creativity tests (Word-Association, Instances and TCT-DP) were evaluated to determine whether they successfully address and test for relevant creative process criteria. Results indicated that all three tests only addressed a minority of CPAM's 60-point criteria. CPAM offers understanding of the environmental impact and influence on creativity, and renders it measurable. Finally, the CPAM measures the setting, sensory stimulation and what postulates the initial spark of creativity. / Psychology of Education / M. Ed. (Psychology of Education)

Prominent definitions and theories of 'Creativity' provide core data for themes that frame the Creative Process Assessment Matrix (CPAM). Its framework is based on Wallas' stages of the creative process and the P theory (Person, thinking Process, Press/Persuasion and Product). The CPAM's structure and content was derived from current, reliable and valid research. Issues relating to assessment procedures, as well as psychological factors (blockers and stimulators) gave rise to the Creative Assessment Test Questionnaire (CATQ#4), containing questions that document creative assessment prerequisites. Recognized creativity tests (Word-Association, Instances and TCT-DP) were evaluated to determine whether they successfully address and test for relevant creative process criteria. Results indicated that all three tests only addressed a minority of CPAM's 60-point criteria. CPAM offers understanding of the environmental impact and influence on creativity, and renders it measurable. Finally, the CPAM measures the setting, sensory stimulation and what postulates the initial spark of creativity. / Psychology of Education / M. Ed. (Psychology of Education)