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Khrushchev, Castro and Kennedy : motivation, intention, and the creation of a crisis /Pickering, Robin R. January 1900 (has links)
Thesis (M.A.)--Humboldt State University, 2006. / Includes bibliographical references (leaves 147-154). Also available via Humboldt Digital Scholar.
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Expanding the "exile model" : race, gender, resettlement, and Cuban-American identity, 1959-1979Current, Cheris Brewer, January 2007 (has links) (PDF)
Thesis (Ph. D.)--Washington State University, May 2007. / Includes bibliographical references (p. 199-213).
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The marital stability of Cuban immigrants, 1970 /Aguirre-Lopez, Benigno Emilio January 1977 (has links)
No description available.
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In an Unending Desert of Cement and Skyscrapers: Lydia Cabrera, Revolutionary Cuba and Transnational Exile, 1960-1962Bordelon, Jessica M 19 May 2017 (has links)
This thesis explores how the Cuban writer and anthropologist, Lydia Cabrera, experienced exile following the Cuban Revolution of 1959. Cabrera’s personal letters and photos show that she endured a nontypical exile experience. Instead, Cabrera is an example of a transnational exile, because throughout her life she remained both professionally and personally connected to people in multiple locations. Although discussion regarding the Cuban Revolution describes its transnational scope, for Cabrera and similar transnational figures, the events of 1959 meant a disruption to their longstanding international networks. In this way, this thesis will present evidence of Cabrera’s transnational connections and her response to disruption of these networks from 1960 – 1962. Key sources for this thesis can be found in the archival holdings at the University of Miami’s Cuban Historical Collection in Coral Gables, FL.
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La Temática Poética de Julián del CasalPijuán, Roberto B. 08 1900 (has links)
This thesis studies three of the most significant themes in the poetry of the Cuban Modernist, Julian del Casal. The poet's morbid fascination with death is characterized by an inability to adapt to his life environment, boredom, a strong self-destructive drive, and the concept of death as the ultimate joy and refuge. He reflects the Modernist aesthetic code in his cult of plastic and lyric beauty. An escapist, he sought refuge in an ideal world of perfection and elegance. This unobtainable goal resulted in deep melancholia and despair. The theme of love reflects a complete absence of passion and eroticism. The poet's categorical rejection of woman as a sensual object is accompanied by subtle insinuations concerning his own physical impotence and inability to love.
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Grey Area: Contextualizing Cuban Photography of the 1970sCerejido, Elizabeth 01 January 2009 (has links)
This study examines the photographic production of the 1970s in Cuba through print media and aims to situate its role and function within the cultural politics that dominated this decade. The photographic image played a distinctly prominent role in the construct of a euphoric narrative that defined the early Revolutionary period. However, at the onset of the 1970s, the social, political and cultural life of the country was marked by a centralization and institutionalization of power that challenged the autonomy of artists and intellectuals. The medium of photography functioned almost exclusively as an instrument for journalism, removed from its artistic potential. The research focused on the work of a generation of photographers that emerged during two distinct moments in two major publications ? Cuba Internacional in the early 1970s and Revolución y Cultura in the second half of the decade. The study shows that the photographic production of this group of photographers was imbued with a personal aesthetic vision that belied the contemporaneous political status quo and as such reflected shifting ideological attitudes. The research also examines the socio-political factors that led these publications to represent sites of relative creative freedom and artistic innovation. It demonstrates how the function of photography shifted from strictly documentary to an artistic manifestation. The research predicted and found that photography played an influential role in the art making processes that generated aesthetic ruptures in the 1980s.
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The Cuban-U.S. transnational relationship the impact of recent migration on Cuban and Cuban-American society /Vicente, Andrea Christine. Childs, Matt D., January 2004 (has links)
Thesis (M.A.)--Florida State University, 2004. / Advisor: Dr. Matt D. Childs, Florida State University, College of Arts and Sciences, Dept. of History. Title and description from dissertation home page (viewed Jan. 13, 2005). Includes bibliographical references.
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Strange Bedfellows: U.S.-Cuban Cooperative Efforts in a Post-Cold War WorldZiegler, Melanie McClure 01 March 2004 (has links)
No description available.
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Cuban Zarzuela and the (Neo)Colonial Imagination: A Subaltern Historiography of Music Theater in The CaribbeanMacCarthy, Henry W. January 2007 (has links)
No description available.
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The evolution of feminist ideas in the prose writings of Gertrudis Gomez de AvellanedaPastor, Brigida M. January 1999 (has links)
No description available.
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