Thesis (M.A.)--Georgia Southern University, 2004. / "A thesis submitted to the Graduate Faculty of Georgia Southern University in partial fulfillment of the requirements for the degree Master of Arts." ETD. INDEX WORDS: William Gibson, Neal Stephenson, Neuromancer, Snow crash, science fiction, cyberpunk, cyberspace, metaphysics, cyberculture, transrealism. Includes bibliographical references (p. 71-73).

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This thesis argues that the interface between human and machine has been an important system of metaphors since the beginning of the twentieth century in North American science fiction (SF) and nonfictional writings. In examining these texts, this study intends to discuss positions and responses regarding technological developments and the social and political experiences underlying it In my parallel analyses of fictional (SF) and nonfictional (philosophical, scientific, theoretical) texts. I wish to signal similarities and differences among the two fields. In different ways, the treatments of cyborgs and cyberspace in both nonfiction and SF have addressed, through these metaphors, notions of mass culture, democracy, as well as individual and collective agency and subjectivity. I also argue that these critical strategies are best understood as the strategies of two social groups---one, of them in a dominant position (that of a professional, mainly technocratic class) and one in an ambivalently marginal position (that of the readers of a mass genre such as SF). In nonfictional writings, the strategy is as a rule one of either uncritical embrace of the present state of affairs, or a specular one of utter rejection, with the only exceptions emerging from contemporary feminism. In SF, attitudes of both consensus and problematization emerge. Thus, my study also calls for a qualification of claims about "postmodernity" as the privileged period in which technology acquires center stage. My first two chapters foreground some theoretical concepts and issues related to both the study of mass culture and of the SF genre. The next three chapters focus on specific texts about the instrumental body and of the virtual frontier, and on the critical responses (by women, and by dissenting male figures) to them. The conclusion stresses the notions of democracy allegorically presented in these texts.

This dissertation examines the figures of the shaman and the cyborg, arguing that both act as intermediaries between the organic world of bodies and the artificial world of culture and machines. Using the sf of Robert Holdstock, David Zindell and Kathleen Ann Goonan as starting points, new forms of embodiment in the context of the cyborg and the shaman's shared narrative of radical boundary dissolution are critically and imaginatively examined. Throughout this thesis, the works of Deleuze and Guattari, Sadie Plant, Manuel De Landa, Erik Davis, Donna Haraway, Terence McKenna, and other speculative theorists who operate at the nexus of technological culture and the shamanic imagination serve as guidelines. / English Studies / M.A.

This study is an examination of the several themes and conventions of science fiction that seem to appear in the texts of Samuel Beckett. Expectedly, many of the texts produced by both science fiction and Beckett just before, during, and immediately after World War II share similar concerns; though perhaps less expectedly, these two relatively unlike bodies of work can be used to help better understand and illuminate one another. In Waiting for Godot, nuclear anxieties shed light on the play's apparent post-apocalyptic landscape and the profound emptiness that permeates the stage. In Molloy, Hugh Kenner uses Centaur imagery to explain the title character's Cartesian relationship with his bicycle; however, contemporary sensibilities at the time of the novel's publication suggests a cyborg reading of the Molloy/bicycle hybrid can also be productive. And in Krapp's Last Tape, the tape recorder serves as a figurative time machine, which allows readers to consider the ways technology continues to allow for the capture of time and subsequent reflection. / by Aaron Pancho. / Thesis (M.A.)--Florida Atlantic University, 2011. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2011. Mode of access: World Wide Web.

This dissertation examines the figures of the shaman and the cyborg, arguing that both act as intermediaries between the organic world of bodies and the artificial world of culture and machines. Using the sf of Robert Holdstock, David Zindell and Kathleen Ann Goonan as starting points, new forms of embodiment in the context of the cyborg and the shaman's shared narrative of radical boundary dissolution are critically and imaginatively examined. Throughout this thesis, the works of Deleuze and Guattari, Sadie Plant, Manuel De Landa, Erik Davis, Donna Haraway, Terence McKenna, and other speculative theorists who operate at the nexus of technological culture and the shamanic imagination serve as guidelines. / English Studies / M.A.