Made available in DSpace on 2015-03-03T11:52:36Z (GMT). No. of bitstreams: 0 Previous issue date: 2014-07-02Bitstream added on 2015-03-03T12:06:22Z : No. of bitstreams: 1 000810732.pdf: 848603 bytes, checksum: ffb44132abafdf6318a7c9becfac1990 (MD5) / Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq) / O presente trabalho tem como finalidade compreender a complexa crise em que se encontrava a Bahia na segunda metade do século XVII através da análise de escritos contemporâneos, como as cartas do padre Antônio Vieira e os poemas de Gregório de Matos. Nesses documentos, os autores apresentam a conjuntura do período, suas rupturas e as permanências, porém com pontos de vista diferentes, o que nos favorece uma compreensão mais aprofundada e completa do período estudado, com as iniciativas e atitudes tomadas por pessoas e instituições para tentarem sanar ou ao menos melhorar os problemas enfrentados, principalmente no que se refere ao período que envolve a crise e seus desdobramentos / This study aims to understand the complex crisis that existed Bahia in the second half of the seventeenth century through the analysis of contemporary writings, such as letters of priest Antonio Vieira and the poems of Gregorio de Matos. In these papers the authors present the situation of the period, its ruptures and continuities, but with different views, which favors a more in-depth and thorough understanding of the period studied, with the initiatives and actions taken by individuals and institutions to try to remedy or at least improve the problems faced, especially with regard to the period of the crisis and its consequences

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La presente investigación se propone realizar una lectura interpretativa de textos seleccionados de las obras de la priora y visionaria alemana Hildegard von Bingen (1098 – 1179), en las que se manifestaría su intención de representar simbólica y alegóricamente la relación entre lo celestial y lo terrenal a través de la utilización de una palabra revelada (logos) en sus visiones proféticas. Para ello, se rastrearán las diversas formas en las que el fenómeno visionario era entendido en el entorno de Hildegard en el s. XII, determinando la importancia que ella le otorgaba a la Palabra Encarnada y a la imagen (iconológica e iconográfica) como medios para configurar una ‘verdad’ y aproximarse  a un ‘saber’ entendido como universal. Reconociendo la pretensión hildegardiana de asignar valores originarios y creativos (onomatésicos) al lenguaje y de hacer legible y discernible su experiencia visionaria (noein), intentaremos explicar cómo el acto escritural de nuestra autora busca articular una cosmovisión en la que la tríada cuerpo-naturaleza-divinidad parece estar fundida, y cuya estructura teológico-didáctica encontraremos presente toda su obra.

La idea de este trabajo se originó en el curso, para Magíster en Literatura en la Universidad de Chile, “Estética y metodología en Bajtin” a cargo del profesor Manuel Jofré. En este curso escribimos el ensayo titulado “Lo inferior corporal en Bajtin”, que es utilizado y ampliado en esta investigación. Teníamos desde mucho antes un gran interés en el tratamiento de corporalidad humana en la poesía, pero no fue sino hasta que luego de una profunda lectura de La cultura popular de la Edad Media y el Renacimiento: el contexto de Francois Rabelais y las exhaustivas clases sobre los principales planteamientos de este texto que logramos organizar un sistema eficaz y profundo para el estudio de este tema. Nuestra preocupación por el cuerpo en la lírica se relaciona principalmente con la defensa de un análisis literario abierto y libre pensante, y, en consecuencia, un ferviente rechazo a los tabúes, en especial, de índole sexual, y a la consideración errada de que el cuerpo es un factor nimio en la literatura. Pensamos, al contrario, que la literatura se ha servido del cuerpo para expresar diferentes percepciones de la realidad.

Orientador: Denise Aparecida Soares de Moura / Banca: Antonio Carlos Jucá de Sampaio / Banca: Ricardo Alexandre Ferreira / Resumo: Na década de 1790 as vilas do Norte da capitania de São Paulo tiveram expressivo desenvolvimento de sua agricultura. Alinhados com a administração régia lusitana, influenciados pelas luzes, os produtores desta parte da América procuraram fomentar o cultivo de diferentes gêneros úteis à Fazenda Real. Através dos maços de população, contido no Arquivo Público de Estado de São Paulo, arrolei os principais agricultores e o cultivo de seus fogos. E, utilizando os documentos do Conselho Ultramarino, intentei verificar de que forma a Coroa influenciou nas residências paulistas e, ao mesmo tempo, como os principais potentados fizeram pedidos de privilégios para a Monarquia / Abstract: In the 1790's decade the northern villages of the captaincy of São Paulo had expressive development of their agriculture. Aligned with the Portuguese Royal administration, influenced by the Enlightenment, the producers of this part of America sought to promote the cultivation of different genres useful to Real Fazenda. Through the Maços de população, contained in the Arquivo Público do Estado de São Paulo, I listed the main farmers and the cultivation of their farms. And, using the documents from the Conselho Ultramarino, I tried see how the Crown influenced households of São Paulo's population and at the same time as the main rulers made requests for privileges of the Monarchy / Mestre

Orientador: Tânia da Costa Garcia / Banca: Márcia Regina Capelari Naxara / Banca: Camilo de Mello Vasconcellos / Resumo: O objetivo do presente trabalho é analisar as pinturas realizadas por Cândido Portinari na casa onde viveu sua infância em Brodowski, vendo-as como constituição involuntária de um lugar de memória. Observaremos o acervo da casa como uma manifestação na qual o artista traduziu seus sentimentos mais profundos e pessoais, ao realizar obras que, através da temática sacra, expressam uma memória estritamente ligada ao ambiente privado da casa. Para realizar esse estudo, analisaremos, além das referidas pinturas, as correspondências trocadas entre o artista e os mais diversos interlocutores, que possuem como assunto a paulatina constituição do acervo da casa de Brodowski, considerando-o como um elemento fundamental da construção da memória e da identidade de Cândido Portinari / Abstracts: The project objective is analisy all the painting made by Candido Portinari in the house that he lived in his childhood in Brodowski, look at how a involuntary formation of a memory place. The house collection will show us a meeting wich the artist expressing his most deep and private feelings, in order to make the masterpice by the thematic sacrament, expressing the estrict memory connected by the private house ambient. To make up this work, we will analisy, yonder the above mentioned pictures, the change conformity between the artist and his various interlocutors, with the topic by what means the formation by degrees of Brodowski house collection, considering like a fundamental element of the memory constituion and the Candido Portinari identity / Mestre

Although it is generally accepted that the Morality Plays greatly influenced Elizabethan drama, this statement is often followed by the rider that they are dull and lifeless and that their chief legacy is a sense of moral earnestness which also characterises the best Elizabethan drama. The aim of this thesis has been to read the Morality Plays closely and in an appreciative spirit in order to find out what significant contribution they do make to the techniques of Elizabethan drama and to a proper understanding of it. Chapter I discusses the earliest complete Morality, The Castle of Perseverance, which is the longest and most comprehensive of all the Moralities. The chapter tries to show what a Morality is about and how it differs from the great mediaeval cyclus, the Mystery Plays. It is also an attempt to relate the early Morality Play to other mediaeval literature and to show that it is closely linked to the homeletic literature of the period. Chapter II is a study of three Moralities of the period 1500- 1520. There are fewer Moralities in this period and the plays chosen show a marked similarity to The Castle of Perserverance in their structure, although they differ from the earlier Moralities in their attitude to their subject matter and in their portrayal of the different allegorical characters. The plays under discussion are Nature, Mundus et Infans and Magnyfycence Chapter III; the period after 1535 was a period of great political and religious upheaval and this chapter discusses the plays written for propaganda purposes in the strife between Catholic and Protestant. John Bale's Three Laws, an anti-Catholic play, was chosen because Bale is a startlingly original dramatist who makes use of techniques derived from the liturgy and from emblematic devices, and because he tries to mould the Mystery Plays and the History Plays into a Morality framework. The other plays The Conflict of Conscience was chosen because of its affinity to Dr Faustus and also because it tries to show the psychomachia in psychological, personal terms rather than in a general allegorical manner. Chapter IV discusses three later Moralities, Cambyses, Horestes and Appius Virginia, which portray historical or fictional characters in situations of conflict. They were chosen because they seem to show that the Morality Plays laid the bases for the Elizabethan tragic situation and the Elizabethan tragic hero. With such diverse material, it is difficult to trace a clear line of development from one play to the next, but each group of plays has its own contribution to make to our understanding of Elizabethan drama.

Orientador: Ruy de Oliveira Andrade Filho / Banca: Andreia Cristina Lopes Frazão da Silva / Banca: Terezinha Oliveira / Resumo: O Liber de duobus principiis é uma das poucas fontes deixadas pelos dissidentes dualistas medievais tradicionalmente conhecidos por cátaros. Composto, na primeira metade do século XIII, na Lombardia, por um anônimo pertencente à igreja de Desenzano ou também conhecida como igreja dos albanenses, o escrito figura-se como um esboço de teologia dualista. Nele, percebe-se um esforço do heresiarca, ainda nutrido pelo catolicismo, em definir a crença dos dois princípios - um bom, criador do mundo espiritual e eterno e outro mau, criador do mundo material e transitório -, a partir das autoridades escriturárias, sobretudo, mas também dos métodos intelectuais em voga nos círculos universitários. Propomo-nos nesta dissertação analisar a natureza do dualismo exposto pelo dissidente, bem como pontuar suas implicações com o método escolástico / Abstract: The Liber de duobus principiis is one of the few sources left by medieval dualistic dissidents traditionally known Cathars. Composed in the first half of the thirteenth century in Lombardy, by an anonymous belonging to the church of Desenzano or also known as Church of albanenses, the composition figures as an outline on dualistic theology. In it, we find an effort by the heresiarch, still nourished by Catholicism, in defining the belief of the two principles - a good, the creator of the spiritual world and the eternal and the other bad, the creator of the material and transitional world - based mostly on the Catholic texts written at the time, but also on the intellectual methods in vogue in university circles. We intend in this paper to analyze the nature of dualism exposed by such dissident as well as its implications on scholastic methods / Mestre

In this thesis I have made a study of certain aspects of pastoralism and the pastoral genre in late Elizabethan literature. I have done this because I felt that Elizabethan pastoral writing was, at its best, far more than just a literary exercise undertaken, as was much Continental pastoral writing, to furnish the vernacular with a genre approved by Classical precedent. The strength of Elizabethan pastoral derived from the combination of certain indigenous factors present during Elizabeth's reign, with the current interest in imitating the Classics and introducing a famous genre into the vernacular. There had always been in English literature a strong response to the natural world and this response revealed itself in pastoral writing in which the traditional naturalistic details derived from Classical sources were infused with the grace and strength of direct observation. More importantly, Elizabethan England had a monarch who was not only ideally suited through her sex and celibacy to play the leading role in a pastoral world, but who also actively encouraged and enjoyed the eulogistic sentiments native to the Renaissance pastoral. In the English attempt to imitate a favourite Renaissance version of the pastoral - the use of a pastoral framework to comment on ecclesiastical or political affairs - there was, in Tudor Protestantism, with all its internal conflicts and its vital struggle against the political and spiritual forces of the Roman church, an ideal source of material for eclogues in the style of Mantuan. Such factors ensured that Elizabethan pastoral had a significance and relevance largely lacking in the more academic products of Continental pastoralists. Preface, p. i