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The round dance halls of Texas : history of a building type, 1897-1937McDougal, Stephanie L. 04 December 2013 (has links)
Texas is home to many dance halls, but only 18 are known to have been built with
a “round” (non-orthogonal) plan. Their common design was first conceived by the Austin
County carpenter Joachim Hintz in 1897 for the twelve-sided Bellville Turnverein
Pavilion. For the next 40 years, variations on the building type were disseminated and
constructed exclusively in Central and South Texas farming communities settled by
German and Czech immigrants. These structures were probably based on the octagonal
barn plans promoted heavily in the agricultural press at the end of the nineteenth century,
yet they look nothing like the round barns of New York and New England or the domed
masonry dairy barns of the upper Midwest. This building type is unique to Texas. The
majority of the state’s six-, eight-, and 12-sided dance halls were built in a line along
State Highway 36 and the Gulf, Colorado and Santa Fe Railroad. This thesis explores the
architectural history and physical characteristics of these very special Texas dance halls. / text
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Short StoriesGay, Wayne Lee 12 1900 (has links)
This collection of seven representative original short stories will include four short stories relating to a fictional location in Dallas, the Starry Skies gay country-and-western dance hall. Three short stories set in fabulous, sometimes absurd settings, will follow. A preface dealing with the nature of fictional place and non-fictional place in fiction will precede the collection of short stories.
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Fais do-do to "hippy ti-yo" : dance halls of south Louisiana / Dance halls of south LouisianaArdoin, Emily Ann 03 July 2014 (has links)
Music is an essential piece of the culture of south Louisiana. Three genres -- Cajun, Zydeco, and Swamp Pop -- grew up in this region. The genres developed as separate cultures, primarily Cajun and Creole, developed and blended before entering a period of cultural assimilation in the early twentieth century. The music, and the social dancing that accompanies it, took place at weekly gatherings in rural residences in the eighteenth century. Commercial dance halls began to appear in the state around 1900 and have evolved throughout the century. The evolution of dance halls and their use follows a cultural evolution from relative isolation to assimilation and eventually cultural awareness and promotion as tourism blossomed in the state. Despite their significant place in the region's history, dance halls are not yet recognized in any official capacity, including the National Register of Historic Places. The Center for Louisiana Studies is collecting information about the extant and demolished buildings to advocate for preservation of dance hall culture and extant buildings. I am contributing to this advocacy effort with a National Register of Historic Places Multiple-Property Documentation Form for extant historic dance halls. The form will discuss the historic contexts of Cajun, Zydeco, and Swamp Pop music and establish typical and variable characteristics, both physical and associative, for dance hall buildings. Registration requirements based on significance and integrity will establish criteria for eligibility of extant buildings for the National Register of Historic Places. / text
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Inna di dancehall popular culture and the politics of identity in Jamaica /Hope, Donna P. January 1900 (has links)
Based on the author's Thesis (M. Phil.)--University of the West Indies, Mona, Jamaica, 2001. / Includes bibliographical references, discography, videography (p. 146-159) and index.
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Inna di dancehall popular culture and the politics of identity in Jamaica /Hope, Donna P. January 1900 (has links)
Based on the author's Thesis (M. Phil.)--University of the West Indies, Mona, Jamaica, 2001. / Includes bibliographical references, discography, videography (p. 146-159) and index.
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Relationships of Reform: Frances MacGregor Ingram, Immigrants, and Progressivism in Louisville, Kentucky, 1900-1940Laura Eileen Criss Bergstrom (13144761) 24 July 2022 (has links)
<p>This dissertation focuses on the life of Frances MacGregor Ingram, a progressive reformer in Louisville, Kentucky. It follows Ingram’s career in social work at the Neighborhood House settlement and the Progressive reform movements in which she held leadership positions from 1905 to 1939. This project concentrates on Ingram’s involvement in reform movements pertaining to tenement housing, garbage collection management, dance hall regulation, juvenile delinquency, mental hygiene institutions, probation, wholesome recreation, child welfare, child labor, women’s working conditions, unemployment, and Great Depression relief.</p>
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<p>Most Progressive Era scholarship concentrates on northern cities and reformers, such as Jane Addams at Hull House. But much of the literature overlooks southern contributions to the settlement house movement and progressive reform as a whole. This dissertation serves three purposes. First it helps fill the gap in scholarship on southern progressivism. Reformers in the urban South were not limited to charity work and prohibition. They engaged in complex and dynamic social reforms. Incredibly diverse in scope, Kentucky’s reform history should be understood in the context of southern society and politics, which impacted which progressive reforms were successful and which were not.</p>
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<p>Second, it builds on other women’s reform scholars by expanding previous conceptions of the Progressive Era to include the 1930s. By doing so, it provides a better understanding of women’s reform activism. Third, this dissertation provides a more balanced approach by emphasizing the alliances Ingram formed with immigrant communities. With a few exceptions, settlement literature primarily focuses on the movement leaders. Unlike some settlements, Neighborhood House Americanization programs via clubs, recreation, and citizenship classes were negotiated between the settlement and its neighbors. Through the lens of Ingram’s urban reform experience in Kentucky, this dissertation uses gender, class, race, ethnicity, and region to unpack the complicated relationships between reformers like Ingram, working-class immigrants, and male political officials. </p>
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