A pesquisa consiste numa análise comparativa entre três eventos no contexto das comemorações dos 500 anos da chegada dos portugueses ao Brasil: uma mostra cultural em São Paulo, intitulada Bienal + 500; um ato oficial em Porto Seguro, onde foi assinado um Tratado de Cooperação e Amizade entre Brasil e Portugal e um projeto alternativo de arte e tecnologia denominado Projeto Perforum este último concebido por Artur Matuck em colaboração com um grupo de artistas inovadores, que contestavam a representação eurocêntrica e triunfalista dos eventos oficialmente propostos. O Projeto Perforum pretendia envolver grupos étnicos e culturas que participaram do processo de formação da nação brasileira, buscando o diálogo entre elas. Por outro lado, em termos de linguagem artística, experimentava-se com a Arte Telemática compreendendo-se esta como a arte desenvolvida no eixo das telecomunicações, ou seja, aquela que ocorre da transmissão eletrônica de informações, pelo uso de telefones, equipamentos de fax, redes de computadores, televisão, satélites ou videoconferências. / This research aims to provide a comparative analysis of three events in the context of the celebrations of the 500th anniversary of the discovery of Brazil: A cultural exhibition in Sao Paulo, titled Bienal + 500, an official diplomatic act in Porto Seguro, where it was signed a Treaty of Friendship and Cooperation between Brazil and Portugal, and an alternative project of art and technology called Project Perforum the latter designed by Artur Matuck in collaboration with a group of innovative artists who challenged the triumphalist eurocentric officially proposed celebrations by the time. The Project Perforum intended to involve ethnic groups and cultures who participated in the process of formation of the Brazilian nation, intending a dialogical paradigm between these cultures. Moreover it proposed a series of experiments with the emerging telematic art this being understood as the art developed in the sphere of telecommunication, that is, one that occurs while transmitting electronic information through the use of mobile equipment, fax, computer networks, television, satellites, or videoconferencing.

A pesquisa consiste numa análise comparativa entre três eventos no contexto das comemorações dos 500 anos da chegada dos portugueses ao Brasil: uma mostra cultural em São Paulo, intitulada Bienal + 500; um ato oficial em Porto Seguro, onde foi assinado um Tratado de Cooperação e Amizade entre Brasil e Portugal e um projeto alternativo de arte e tecnologia denominado Projeto Perforum este último concebido por Artur Matuck em colaboração com um grupo de artistas inovadores, que contestavam a representação eurocêntrica e triunfalista dos eventos oficialmente propostos. O Projeto Perforum pretendia envolver grupos étnicos e culturas que participaram do processo de formação da nação brasileira, buscando o diálogo entre elas. Por outro lado, em termos de linguagem artística, experimentava-se com a Arte Telemática compreendendo-se esta como a arte desenvolvida no eixo das telecomunicações, ou seja, aquela que ocorre da transmissão eletrônica de informações, pelo uso de telefones, equipamentos de fax, redes de computadores, televisão, satélites ou videoconferências. / This research aims to provide a comparative analysis of three events in the context of the celebrations of the 500th anniversary of the discovery of Brazil: A cultural exhibition in Sao Paulo, titled Bienal + 500, an official diplomatic act in Porto Seguro, where it was signed a Treaty of Friendship and Cooperation between Brazil and Portugal, and an alternative project of art and technology called Project Perforum the latter designed by Artur Matuck in collaboration with a group of innovative artists who challenged the triumphalist eurocentric officially proposed celebrations by the time. The Project Perforum intended to involve ethnic groups and cultures who participated in the process of formation of the Brazilian nation, intending a dialogical paradigm between these cultures. Moreover it proposed a series of experiments with the emerging telematic art this being understood as the art developed in the sphere of telecommunication, that is, one that occurs while transmitting electronic information through the use of mobile equipment, fax, computer networks, television, satellites, or videoconferencing.

Cette thèse analyse l’élaboration de la politique étrangère de Dominique de Villepin - telle que voulue par le Président Chirac - en se basant tout d’abord sur l’étude de la personnalité du ministre : Comment y a-t-il eu alors interaction entre son vécu, ses propres aspirations et la situation internationale à laquelle il a été confronté ? Chef de la diplomatie française de mai 2002 à mars 2004, il est arrivé au pouvoir à une période charnière. En effet, les attentats du 11 septembre ont eu pour conséquence la mise en place par l’Administration Bush d’un processus qui devait conduire à la guerre en Irak, mais aussi à une grave crise des principes internationaux. Pendant la crise irakienne, le ministre a essayé de défendre le droit contre la force, la négociation contre un certain arbitraire, le dialogue entre les cultures contre le choc des civilisations. Parallèlement, la crise en Côte d’Ivoire a été l’un autre enjeu de la politique de D. de Villepin, qui a notamment promu le rôle des organisations régionales. Les enjeux internationaux n’ont pas été les seuls champs d’action du ministre : de la Convention pour l’avenir de l’Europe à l’échec en France du référendum constitutionnel, de l’intégration dans l’Union des anciens pays de l’Est à la question des limites de l’Europe, la construction européenne a également été l’un des grands enjeux de son passage sur la scène politique française. À ce sujet d’ailleurs, nous analyserons la réception de sa politique, en élargissant notre propos à l’Amérique et à certains États de l’Union européenne. Enfin, nous essayerons de voir quelle peut être la pérennité de sa théorie des relations internationales, qu’il a longuement développée tant sur le fond – en voulant développer de nouveaux instruments de négociation – que sur la forme, avec toute l’importance qu’il a pu accorder au verbe. / This research analyses the making of Dominique de Villepin’s foreign policy - as decided by President Chirac – by studying in a first time the Minister personnality : so, how could an interaction be between his real-life, his own longings and the international context he had to face up? Head of French diplomacy from May, 2002 to March, 2004, he came into office in a transition period. Indeed, a consequence of 9-11 attacks was the process set up by the Bush administration, which would lead to war in Iraq, but to a serious crisis of international principles too. During Iraqi crisis, the Minister tried to defend law against strength, negotiation against some arbitrariness, dialogue between civilizations against clash of civilizations. At the same time, the Ivorian crisis has been one of the other stakes in D. de Villepin’s policy, who particularly promoted the role of regional organizations. International challenges were not the minister’s only sphere of activity : From the Convention for the Future of Europe to the constitutional referendum failure in France, from the former Eastern countries integration in EU to the limits of Europe matter, European construction was one of great stakes of his come by the French political stage. On that subject, we will analyze his policy reception, widening our remarks to America and to some countries of the European Union. At least, we would try to see what could be his theory of international relationship, which was developed both on the content – by developing new negotiation tools – and on the form, with all the importance devoted to word.