Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-01-05T17:54:42Z No. of bitstreams: 1 AnaShirleyDeVasconcelosOliveiraEvangelista_TESE.pdf: 1924532 bytes, checksum: 9ca6b7638941cd717c690a555412d0f5 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-01-08T21:41:51Z (GMT) No. of bitstreams: 1 AnaShirleyDeVasconcelosOliveiraEvangelista_TESE.pdf: 1924532 bytes, checksum: 9ca6b7638941cd717c690a555412d0f5 (MD5) / Made available in DSpace on 2016-01-08T21:41:51Z (GMT). No. of bitstreams: 1 AnaShirleyDeVasconcelosOliveiraEvangelista_TESE.pdf: 1924532 bytes, checksum: 9ca6b7638941cd717c690a555412d0f5 (MD5) Previous issue date: 2014-11-12 / Este estudo tem por objetivo compreender as constru??es identit?rias de Mossor?, nos enunciados da literatura de cordel. Tendo como fio condutor o epis?dio da resist?ncia citadina ao bando de Lampi?o no dia treze de junho de mil novecentos e vinte e sete, a nossa empiria constituiu-se dos enunciados presentes em nove cord?is, produzidos entre o espa?o-tempo de 1927 e 2007, ano em que a cidade comemorou oitenta anos do epis?dio. Ciente de que o tema extrapolou os limites dos meios comunicacionais da ?poca e passou a integrar o cotidiano dos mossoroenses, produzindo na mem?ria coletiva a imagem de uma cidade da resist?ncia em nomes de ruas, nomes de empresas, nas r?dios com a ?FM resist?ncia?, nos discursos pol?ticos, na sede da prefeitura cujo nome ? ?Pal?cio da Resist?ncia?, a quest?o central que orienta nossa investiga??o congrega a discuss?o em torno das rela??es dial?gicas travadas nos enunciados sobre o tema em tela. Nesse vi?s, a pesquisa elegeu como categorias de an?lise o conceito de vozes sociais e cronotopia, considerando que as diferentes identidades s?o produzidas em fun??o dos posicionamentos tomados pelos sujeitos, bem como, pelos contextos de produ??o. Inscrita na ?rea da Lingu?stica Aplicada (LA) e na linha de pesquisa Linguagem e pr?ticas sociais, a pesquisa articula as teoriza??es provindas da ?rea dos Estudos Culturais (sobretudo no que se refere ? identidade) com os referenciais te?ricos do C?rculo bakhtiniano (no tocante a concep??o s?cio-hist?rica da linguagem e em seu car?ter dial?gico). Os resultados indicam que, apesar de haver uma mov?ncia axiol?gica em torno das representa??es de Mossor? e do epis?dio de vinte e sete, os enunciados dos cord?is convergem para o discurso hegem?nico, corroborando com o perfil identit?rio da resist?ncia veiculado ao longo de oito d?cadas / This study has as objective to investigate the identity constructions of Mossor?, at the statements of the string literature. Having as thread the episode of resistance of the city against the group of Lampi?o at June the thirteenth of nineteen twenty seven, our study built itself at the statements present in nine strings, produced between the space-time of 1927 and 2007, year that Mossor? celebrated eighty years of the episode. Aware that the theme extrapolated the limits of the means of communication of the time and it became part of the everyday of the people from Mossor?, producing at the collective memory the image of a resistance city at the street?s names, at companies? names, at radios? names with the ?FM Resistance?, at the discourses of the politicians, at the city hall which name is ?Palace of the Resistance?, the central question that guides our investigation congregates the discussion around the dialogical relations done at the statements about the theme in vogue. This bias, the research elected as categories of analysis the concept of social voices and chronology, considering that the different identities are produced according to placements made by the subjects, as well as, by the context of production. Admitted at the area of Applied Linguistics (AL) and its line language and pratic of social the research articulates the theorizations provided from the area of Cultural Studies (especially regarding identity) with the theoretical framework of the bakhitinian Circle (regarding the social-historical conception of language and in its dialogical character). The results indicate that even existing an axiological movement around the representations of Mossor? and of the episode of 1927, the statements of the strings converge to a hegemonic discourse, corroborating with the identity profile of resistance transported over eighty decades