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1	Os dez estudos para violão de Radamés Gnattali: uma análise / Os dez estudos para violão de Radamés Gnattali: uma análise Armada Junior, Ubirajara Pires 12 March 2007 (has links) Análise dos dez Estudos para violão de Radamés Gnattali com ênfase no aspecto harmônico, utilizando as ferramentas analíticas desenvolvidas no século XX para tratar de procedimentos harmônicos não-tradicionais. Tem como objetivo compreender as estruturas sonoras, salientando questões como movimento harmônico, prolongamento harmônico e melódico, sonoridades octatônicas e de tons inteiros e forma. / Analysis of the ten Studies for guitar by Radamés Gnattali, emphasizing the harmonic aspect, using the analytical tools developed in the 20th century to treat non-traditional harmonic procedures. The objective is to understand the sound structures, highlighting issues such as harmonic movement, harmonic and melodic prolongation, octatonic and whole tone sonorities, and form. Douglass Green Douglass Green Estrutura formal Felix Salzer Felix Salzer Formal structure Guitar Harmonia Harmonic prolongation Harmony Octatonicism Octatonicismo Prolongamento Tons inteiros Violão Whole tone
2	Os dez estudos para violão de Radamés Gnattali: uma análise / Os dez estudos para violão de Radamés Gnattali: uma análise Ubirajara Pires Armada Junior 12 March 2007 (has links) Análise dos dez Estudos para violão de Radamés Gnattali com ênfase no aspecto harmônico, utilizando as ferramentas analíticas desenvolvidas no século XX para tratar de procedimentos harmônicos não-tradicionais. Tem como objetivo compreender as estruturas sonoras, salientando questões como movimento harmônico, prolongamento harmônico e melódico, sonoridades octatônicas e de tons inteiros e forma. / Analysis of the ten Studies for guitar by Radamés Gnattali, emphasizing the harmonic aspect, using the analytical tools developed in the 20th century to treat non-traditional harmonic procedures. The objective is to understand the sound structures, highlighting issues such as harmonic movement, harmonic and melodic prolongation, octatonic and whole tone sonorities, and form. Douglass Green Estrutura formal Felix Salzer Harmonia Octatonicismo Prolongamento Tons inteiros Violão Douglass Green Felix Salzer Formal structure Guitar Harmonic prolongation Harmony Octatonicism Whole tone
3	An Analysis of Phrase Structures in the First Movement of Leo Brouwer’s Elogio De La Danza (1964) Focsaneanu, Bogdan Vasile 13 September 2012 (has links) This study examines phrase and larger formal structures in the first movement of Leo Brouwer’s Elegio de la Danza (1964), a work that draws on tonal and post-tonal traditions. By adapting key features of the tonal motive, as described by Douglass Green, and the tonal period, as proposed by Green and William Caplin, the model seeks to provide a tool for the discussion of phrases and larger forms in Brouwer’s work. An analysis of primary parameters, such as melody, harmony, and rhythm, provides the means to discuss how the composer articulates beginnings and endings of statements and responses, which are then grouped into antecedent and consequent phrases. These periods articulate large-scale sections, which outline a ternary formal design. Secondary parameters (dynamics, tempo markings, instrumental markings) further contribute to the identification of formal structures in Brouwer’s work. Leo Brouwer Elegio de la Danza motives phrase structure formal analysis period guitar post-tonal Douglass Green Christopher Hasty William Caplin
4	An Analysis of Phrase Structures in the First Movement of Leo Brouwer’s Elogio De La Danza (1964) Focsaneanu, Bogdan Vasile 13 September 2012 (has links) This study examines phrase and larger formal structures in the first movement of Leo Brouwer’s Elegio de la Danza (1964), a work that draws on tonal and post-tonal traditions. By adapting key features of the tonal motive, as described by Douglass Green, and the tonal period, as proposed by Green and William Caplin, the model seeks to provide a tool for the discussion of phrases and larger forms in Brouwer’s work. An analysis of primary parameters, such as melody, harmony, and rhythm, provides the means to discuss how the composer articulates beginnings and endings of statements and responses, which are then grouped into antecedent and consequent phrases. These periods articulate large-scale sections, which outline a ternary formal design. Secondary parameters (dynamics, tempo markings, instrumental markings) further contribute to the identification of formal structures in Brouwer’s work. Leo Brouwer Elegio de la Danza motives phrase structure formal analysis period guitar post-tonal Douglass Green Christopher Hasty William Caplin
5	An Analysis of Phrase Structures in the First Movement of Leo Brouwer’s Elogio De La Danza (1964) Focsaneanu, Bogdan Vasile January 2012 (has links) This study examines phrase and larger formal structures in the first movement of Leo Brouwer’s Elegio de la Danza (1964), a work that draws on tonal and post-tonal traditions. By adapting key features of the tonal motive, as described by Douglass Green, and the tonal period, as proposed by Green and William Caplin, the model seeks to provide a tool for the discussion of phrases and larger forms in Brouwer’s work. An analysis of primary parameters, such as melody, harmony, and rhythm, provides the means to discuss how the composer articulates beginnings and endings of statements and responses, which are then grouped into antecedent and consequent phrases. These periods articulate large-scale sections, which outline a ternary formal design. Secondary parameters (dynamics, tempo markings, instrumental markings) further contribute to the identification of formal structures in Brouwer’s work. Leo Brouwer Elegio de la Danza motives phrase structure formal analysis period guitar post-tonal Douglass Green Christopher Hasty William Caplin

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